| I'll agree that they're not exactly the most intuitively designed controls around. In a nutshell, Hofners are designed so that everything is full on all the time, the principle being that in a passive system controls can't add anything, they can only subtract. Since both pickups are on all the time "bass on" turns off the bridge pickup, and "treble on" turns off the neck pickup. Therefore flipping the switches to the "on" position turns off both pickups, and flipping them to the "off" position leaves them both on. The rhythm/solo switch works on the same principle I mentioned before. In the "solo" position you're getting the full-on sound, as if there was no switch, and in the "rhythm" position a resistor is introduced to the circuit to mute the sound a bit. I usually play my Icon in the "rhythm" position so if I need a volume boost it's there.
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Hofner Group #34, Canadian Club #137, Le Club des Francophones No. 12, Straight-Forward Bassist club #4, Squier Affinity Club #11, 50+ Club #16. Go in, lay it down, and get out.
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