Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Pickups & Electronics [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read



Supporting Membership
Thank You
NOT's Avatar
NOT

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 07-17-2011, 12:52 PM
Registered User
 
Join Date: Feb 2010
Location: Buenos Aires, Argentina
Pickup placement for a custom bass

Sign in to disble this ad
hi

im ordering a bass to build, and i want a musicman pickup on it. Its passive, about 11/12 k dc...

im just wondering wich place its better (distance from the bridge)

I like the Gary Willis kind of tone (growly, fat) that he gets with only one soapbar (or even one jazz) in the bridge position, but he has a preamp ...
I like Anthony Jacksonīs too, and he placed a soapbar in the middle of the body, with no preamp.
And also im looking for a tone that i could go anywhere, any style, because that will be my main bass (and only). Not that P`ish kind sound.


Some Stingrays i tryed sound a bit zingy, others fine...So im a bit confused about how the placement influence on the tone --> need some advice...

thanx!
  #2  
Old 07-17-2011, 01:55 PM
SGD Lutherie's Avatar
David Schwab

Owner, SGD Music Products
 
Join Date: Aug 2008
Location: Bloomfield, NJ
Send a message via AIM to SGD Lutherie Send a message via Yahoo to SGD Lutherie
Supporting Member
I'd place it in the Stingray location. That's right between the other two examples, so you should get an approximate tone. There is no correct place to put a pickup. Just remember, closer to the bridge is tighter and brighter sounding, and closer to the neck is rounder and deeper sounding.

Since your pickup is wound so hot, it wont get that zingy Stingray tone. Those pickups are about 2 k in parallel, and they use a preamp that has a bright tone.

A pickup wound to 11k will sound much fuller.
__________________
SGD Lutherie Hand crafted pickups and electronics.

SGD Lutherie on: MySpace YouTube Facebook

Ibanez Club #389 | Team Trace Elliot #185 | New Jersey Bassist Club #154
  #3  
Old 07-20-2011, 01:53 AM
Registered User
 
Join Date: Feb 2010
Location: Buenos Aires, Argentina
Quote:
Originally Posted by SGD Lutherie View Post
I'd place it in the Stingray location. That's right between the other two examples, so you should get an approximate tone. There is no correct place to put a pickup. Just remember, closer to the bridge is tighter and brighter sounding, and closer to the neck is rounder and deeper sounding.

Since your pickup is wound so hot, it wont get that zingy Stingray tone. Those pickups are about 2 k in parallel, and they use a preamp that has a bright tone.

A pickup wound to 11k will sound much fuller.
Is 11k hot for a double coil pickup??? 11 k is the total resistance you get in series mode... 5.5 k should be in parallel or single coil modes... i would say 5.5 k is a pretty low output
  #4  
Old 07-20-2011, 06:31 AM
SGD Lutherie's Avatar
David Schwab

Owner, SGD Music Products
 
Join Date: Aug 2008
Location: Bloomfield, NJ
Send a message via AIM to SGD Lutherie Send a message via Yahoo to SGD Lutherie
Supporting Member
Quote:
Originally Posted by maturanesa View Post
Is 11k hot for a double coil pickup??? 11 k is the total resistance you get in series mode... 5.5 k should be in parallel or single coil modes... i would say 5.5 k is a pretty low output
It's hot for a MM type pickup. They are 8k in series. Most are wired in parallel, and read about 2k. They were intended to be low impedance pickups, and used with the preamp.

For non MM pickups, 11K is on the higher end of average. Output is not as important as tone, so a 5.5k pickup can sound for clean and full range, while an 11k might sound like mud. But it all depends on the design of the pickup. 8-9k is about average. Some Jazz pickups are about 7-8k, and P basses are 11k.

But louder isn't better.
__________________
SGD Lutherie Hand crafted pickups and electronics.

SGD Lutherie on: MySpace YouTube Facebook

Ibanez Club #389 | Team Trace Elliot #185 | New Jersey Bassist Club #154

Last edited by SGD Lutherie : 07-20-2011 at 06:34 AM.
  #5  
Old 07-20-2011, 11:42 AM
Registered User
 
Join Date: Feb 2010
Location: Buenos Aires, Argentina
Quote:
Originally Posted by SGD Lutherie View Post
It's hot for a MM type pickup. They are 8k in series. Most are wired in parallel, and read about 2k. They were intended to be low impedance pickups, and used with the preamp.

For non MM pickups, 11K is on the higher end of average. Output is not as important as tone, so a 5.5k pickup can sound for clean and full range, while an 11k might sound like mud. But it all depends on the design of the pickup. 8-9k is about average. Some Jazz pickups are about 7-8k, and P basses are 11k.

But louder isn't better.
In a passive pup 11 k its fine for me... but 5.5 k makes me think the tone would be a bit thin and lack output, so having the series/parallel/single coil modes would not be an advantage....
Having two coils that reads like a regular Jazz (7k) should be fine for parallel, but would up the series to 14 k.. maybe too much and start losing some clarity... thats my dilema
  #6  
Old 07-20-2011, 11:57 AM
tubby.twins's Avatar
Amateur Pickup Reviewer
 
Join Date: Apr 2009
Location: Oregon
Supporting Member
Quote:
Originally Posted by maturanesa View Post
im just wondering wich place its better (distance from the bridge)

I like the Gary Willis kind of tone (growly, fat) that he gets with only one soapbar (or even one jazz) in the bridge position, but he has a preamp ...
I like Anthony Jacksonīs too, and he placed a soapbar in the middle of the body, with no preamp.
I would go for a sweet spot position as well. It's a nice balanced compromise between the warmth of a neck pickup and the punch of a bridge pickup. I've tried several pickups in this position and they all sounded good.

It's interesting that you mentioned the Gary Willis tone, since (at least in the old days) he used a bass with a single, lower-output pickup; on his amp rig he would boost up the signal. Since he played with a very light touch this meant a fairly low signal level, but the result was was a very sweet, singing tone.

I don't know much about the newer Gary Willis signature basses, so I can't comment on the signal level, but it's probably safe to say the overall output level isn't very high, since the man himself would want to get closer to his original tone. The newer basses do sound a bit thicker on his later solo albums than the sweet, singing tone of the early Tribal Tech records; this is because they are dual-coil humbuckers. The older basses used a Bartolini jazz pickup (I think) with a narrow aperture.

I understand that Anthony Jackson also plays with a lighter touch, but on his basses the pickup appears to be somewhere between the sweet spot and the typical neck pickup position.
__________________
fretless bass, passive pickups, raw exotic woods
Warmoth Club #51 - Warmoth Gecko Club #2 - Oregon Bassist Club #51
  #7  
Old 07-20-2011, 12:01 PM
Vakmere's Avatar
Registered User
 
Join Date: Sep 2007
Location: Philly
Send a message via ICQ to Vakmere
Supporting Member
Have the builder install a track where you can move (slide) the pickup to wherever you want. Leave enough wire under the cavity to move with the pickup. Never seen one made like that but if it can be done you'll have that "play any style" bass.......... I think.
__________________
"Any day above ground is a good day"

Spector Club #139
Ken Smith Club #00000
Mickey Mouse Club

Last edited by Vakmere : 07-20-2011 at 12:03 PM.
  #8  
Old 07-20-2011, 12:11 PM
Ric5's Avatar
Real Basses Have 5 Strings!
 
Join Date: Jan 2008
Location: Colorado
Supporting Member
Quote:
Originally Posted by SGD Lutherie View Post
I'd place it in the Stingray location. That's right between the other two examples, so you should get an approximate tone. There is no correct place to put a pickup. Just remember, closer to the bridge is tighter and brighter sounding, and closer to the neck is rounder and deeper sounding.

I agree the stingray position is a pretty good location. Also slightly towards the neck is the Rickenbacker bridge pickup position which is also good. And it is hard to go wrong with the p-bass location. And McCartney and Squire both used the Rickenbacker neck pickup to get good tone.
__________________
Clubs - 5 String, Black and Maple, Rickenbacker
Jeff Rath's web site http://www.3dentourage.com/425
  #9  
Old 07-20-2011, 12:51 PM
Registered User

Endorsing Artist: J.C. Basses
 
Join Date: Aug 2005
Location: Phoenix, Arizona 85029
Send a message via MSN to FunkMetalBass
I also think the stingray location (maybe even back toward the bridge a tad) is ideal. There wont be much difference, but since the pickup is a bit hot, the upper-mid and treble content near the bridge will help to compensate for the low-mid focus of the pickup.
__________________
Quote:
Originally Posted by McThumpenstein View Post
I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story.
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 09:36 PM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.