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Originally Posted by recnsci Care to provide more info about this? |
Listen to flatwounds and listen to round wounds; obvious differences in string construction and obviously different tonal qualities. Someone who actually works in the string business (Skip, requesting backup) can give specifics as to why this is, but I have a few plausible ideas:
The flats have more outer-wrap surface area touching the string's core. This, in turn, forces the string to act more like a single vibrating string of X thickness and produces a stronger fundamental (this is why your flats are generally "bassier" by design).
I believe it also has to do with the compression waves of the outer winding(s). Flats use wide, flat windings, rounds use narrower round windings. If you were to use the outside winds as a spring, the round windings would be much more free to move around than the flats would - this would be equivalent to a secondary vibration longitudinally that affects the cores vibration and produces harmonic overtones. This probably attributes to the difference in string tension (even between identical gauge and pitch) as well.