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  #21  
Old 01-06-2009, 08:32 AM
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Originally Posted by SGD Lutherie View Post
But it is like the Fire/Thunderbird sidewider turned 90 degrees. Of course Bill designed those as well.
I can see the P-90 similarities now that you mention it. I've saved a bunch of pictures you've posted and was checking out the Ripper and TB bass pics. Unconventional approaches that work.
  #22  
Old 01-06-2009, 08:39 AM
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http://www.billlawrence.com/Pages/Al...tm/Patent2.htm

The design is well explained there. Good read! You learn a lot if you go through and try to digest it once or twice.
  #23  
Old 01-06-2009, 09:16 AM
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Bill's patents are always a good read. He did a great article back in the 70's on pickups for GuitarPlayer. That's what got me interested in making pickups.

Bill has a lot of patents:

3,711,619 (1973)
3,902,394 (1975)
3,915,048 (1975)
3,916,751 (1975)
4,151,776 (1979)
4,364,295 (1982)
D279,380 (1985)
5,376,754 (1994)
5,789,691 (1998)
7,227,076 (2007)

The two Bartolini patents 3983777 & 3983778 are very interesting also.
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  #24  
Old 01-06-2009, 09:51 AM
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Erno and Bill, Erno and Bill! - and David for that matter!
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  #25  
Old 01-06-2009, 09:45 PM
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Did some things since my last post. looked at the action and measured the E and A strings to the pickup and fingerboard. Raised the center two strings slightly as you had mentioned David the poles were higher because of the higher middle strings.

This tamed the E and A strings some more and now they are in line volume wise between the B and E... I'm suprised it didnt take very much...

I also changed the preamp here to a bass guitar preamp instead of the HIFI mic / instrument amp I had been using. I didnt A-B test as the other preamp is going back on a mic anyway. But things sound really good now.

Thanks for the assistance guys. Another mystery solved.

BOB
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Last edited by rbonner : 01-06-2009 at 09:48 PM.
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