|  | 
03-28-2012, 10:59 PM
| | Registered User Sales:Guitar Center | | Join Date: Oct 2004 Location: Boston, MA | | | Questions about series/parallel wiring on a Jazz Bass Hey, guys, I was reading a bit about this subject last night, and I have some questions that I didn't see addressed. I'll be getting my first bass soon...nothing special: a Squier Affinity Jazz Bass V. I like the feel of the neck, and can't afford anything better at the moment. I've played guitar for 11+ years, and have played plenty of other peoples' basses, so I'm not an absolute beginner, by any stretch.
Anyway, it sounds from what I've read, that series wiring on a J should sound similar-ish to a P, but I haven't been able to find any good comparison clips.
I've also been wondering if the order of the pickups will make a difference in the sound. That is, if I wire it so that the neck pickup comes first, will it sound different from having the bridge pickup first, and if so, what kind of differences should I expect? | 
03-28-2012, 11:38 PM
| | | I've tried a Fender Jazz a few years ago with the S1 switch that put the pickups in series. I didn't like the sound. It sounded nothing like a P bass. The only way to make a J bass sound like a P bass is to solo the front pickup. Also a high output pickup with strong mids will help. Dimarzio Model J or Rio Grande Muy Grande will give you good results since they have a lot of mids and bass. A Seymour Duncan Hot will work but a Quarter Pound is a bit mid scooped so not a good choice. You can pickup a set of Dimarzio Model Js for 100.00 and they even have four conductor wiring so you can try out the series/parallel option. | 
03-28-2012, 11:54 PM
| | Registered User | | Join Date: Nov 2010 Location: Winnipeg, Manitoba, Canada | | | I have to disagree, I have a switch in my Jazz that puts them in series, and it sounds much more like a Precision than the bridge alone does. I'm not sure which direction the wiring goes to be honest, perhaps it does make a difference. | 
03-28-2012, 11:58 PM
|  | Hip No Ties | | Join Date: Apr 2004 Location: New York, NY | | Quote:
Originally Posted by MetalWarrior Anyway, it sounds from what I've read, that series wiring on a J should sound similar-ish to a P, but I haven't been able to find any good comparison clips. | A Jazz Bass wired in series will sound somewhat more like a Precision Bass, yes. Similar? Meh. Depends - on several factors, not the least being the specific pickups being used. IME, they don't sound all that similar. You may hear things differently... Quote:
Originally Posted by MetalWarrior I've also been wondering if the order of the pickups will make a difference in the sound. That is, if I wire it so that the neck pickup comes first, will it sound different from having the bridge pickup first, and if so, what kind of differences should I expect? | Wiring two pickups in series simply creates one circuit out of two separate circuits. And if I understand correctly, it sums the gain - or in other words, retains all the gain of each pickup wired separately, in parallel.
Therefore functionally speaking, there is no such thing as one pickup "coming first" or the other pickup "coming second" in the circuit. The new series circuit functions as if it were one pickup. Functionally, there is no pickup "order".
Make sense?
MM
__________________
"If the doors of perception were cleansed, everything would appear to man as it is: infinite."
— William Blake
| 
03-29-2012, 09:26 AM
| | | Quote:
Originally Posted by MysticMichael Wiring two pickups in series simply creates one circuit out of two separate circuits. And if I understand correctly, it sums the gain - or in other words, retains all the gain of each pickup wired separately, in parallel.
Therefore functionally speaking, there is no such thing as one pickup "coming first" or the other pickup "coming second" in the circuit. The new series circuit functions as if it were one pickup. Functionally, there is no pickup "order".
MM | Actually there is a difference according to wiring order but not in sound. The difference is that in parallel both pickups have one side connected to ground and the other side is the output. In series one pickups is connected to ground and then the "ground" side of the next pickup connects to the "hot" side of the first pickup. What this does is make one pickup electrically "float" above the other making it a bit more prone to hum pickup if you get your hand near it.
For this reason I usually prefer to ground the neck pickup with the theory that your hand will usually be farther away from the bridge pickup and less likely to induce hum. But it can depend on the actual pickups and how well they are shielded.
Personally I like the series sound, but it's not exactly like a P-bass. | 
03-29-2012, 10:55 AM
|  | Progressive bass brony | | Join Date: Feb 2008 Location: Zagreb, Croatia | | Here's how it sounds when performed on a Jazz Bass. This was a mod I performed on a friend's clone. Use 7Zip to unpack, then Winamp or anything similar to listen to it.
Samples in order:
Neck, bridge, parallel, series
Parallel, series
Parallel at full tone, half tone, zero tone, then series at full tone, half tone, zero tone
Parallel, series
__________________ Quote: |
Originally Posted by rtav Progressive Rock is like pornography - it can be hard to define but I know it when I hear it. | Quote:
Originally Posted by Nev375 Fission is like fusion, but the original genre is obliterated in the jazz process. | Brony bassist #42
| 
03-29-2012, 11:40 AM
| | Registered User | | Join Date: Feb 2011 Location: Norfolk | | | I changed my wiring from standard jazz wiring with 250k pots to this:
Master 500k volume (linear)
Master 500k tone (log)
Both pickups always on.
Series parallel toggle switch
The best my bass has ever sounded. I love the series setting even more than parallel. Try it, you have nothing to lose.
__________________ Quote:
Originally Posted by capnjim I don't know, but I would like to see it on Youtube. | Mediocre Bassist Club # 709
| 
02-11-2013, 03:37 PM
| | | Quote:
Originally Posted by Electricblue I changed my wiring from standard jazz wiring with 250k pots to this:
Master 500k volume (linear)
Master 500k tone (log)
Both pickups always on.
Series parallel toggle switch
The best my bass has ever sounded. I love the series setting even more than parallel. Try it, you have nothing to lose. | Can you post a diagram of this? | 
02-12-2013, 12:58 PM
| | Registered User | | Join Date: Feb 2011 Location: Norfolk | | I can't but I can point you in the right direction.
Wire it up like this, but don't connect the pickup. Leave those wires open (disconnected):
Next, wire a DPDT switch to your pickups like this, don't connect anything to the out+ and out- :
Now, connect the out+ and out- to where you would've connected the pickup in the first diagram. Check the polarity.
I think that would work, I did my circuit "freehand".
If that doesn't clear things up, you could always send a polite message to Line6man. He's a genius with diagrams.
Let me know how it goes!
__________________ Quote:
Originally Posted by capnjim I don't know, but I would like to see it on Youtube. | Mediocre Bassist Club # 709
| 
02-12-2013, 05:49 PM
|  | Registered User | | | | Quote:
Originally Posted by Cougmeister Can you post a diagram of this? | I am interested in this as well if anyone comes up with the schematic! | 
02-12-2013, 06:44 PM
|  | Registered User Builder and Owner: DJ Ash Guitars | | Join Date: Aug 2005 Location: Dallas, north Texas | | | I put a switch on my SX Jazz clone, and I really like it. As others have said, it doesn't sound exactly like a P, but it sounds more like a P than a Jazz typically does. I can also get some remarkably good Stingray-type sounds out of it. It'll really bark when you beat on it. It's a good mod in that it makes a good bass that much more useful.
I'd submit that the mod would likely make a more drastic difference with single coils than with stacked humbuckers.
__________________
U.S. Peavey Club Member #27, SX Club Member in Good Standing, Ibanez Club member #83, Team Trace Elliot #84 Quote:
Originally Posted by DTSH I would eat Slap-n-Pops. No question about it.  | | 
04-04-2013, 09:04 PM
|  | Registered User | | | | | the mod i just did this mod to my jazz.
I used a schematic i found on seymour duncan's web site.
the difference is pretty amazing.
when i pull the pot for the series position, i get a nice growl and a little more throaty tone.
Here's the link in case anyone is interested. http://www.seymourduncan.com/support...c=jass_bass_sp
Last edited by TinyE : 05-16-2013 at 02:00 PM.
| 
04-04-2013, 09:24 PM
| | Registered User | | Join Date: Nov 2004 Location: Mount Vernon, Illinois | | | I did the series/parallel mod on my Mexi-Jazz, it isn't exactly like a P, but it's a helluva lot more ballsy than the stock J wiring setup, very useful if you're finding the stock Jazz could use some serious fattening up.... it's not a subtle difference, it's a BIG difference.
Try it. If you don't like it, switch the wires back. No loss, | 
04-04-2013, 09:26 PM
| | Registered User | | Join Date: Nov 2004 Location: Mount Vernon, Illinois | | Quote:
Originally Posted by Electricblue I changed my wiring from standard jazz wiring with 250k pots to this:
Master 500k volume (linear)
Master 500k tone (log)
Both pickups always on.
Series parallel toggle switch
The best my bass has ever sounded. I love the series setting even more than parallel. Try it, you have nothing to lose. |
Oh, wow... this is exactly what I did, too! It made my Jazz my main playing-out live bass.
Last edited by M.R. Ogle : 04-04-2013 at 09:30 PM.
| 
04-05-2013, 07:55 PM
| | Registered User | | Join Date: Jan 2011 Location: Smyrna, Tennessee. | | | I have a push pull series/parallel volume pot on my fretless jazz with SCN pickups and love the flexibility of tone. Thinking about changing the bridge vol pot to a blend,like my jazz de luxe. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |