|  | | 
05-15-2010, 11:10 AM
| | Registered User | | Join Date: Mar 2007 Location: United Kingdom | | | Stingray Preamp is ....... ?
Sign in to disble this ad
Do anyone think the Stingray stock preamp is not too good at all?
I feel the preamp is lacking compare to John East pre i got on my other bass.
Anyone replace the stock preamp with the John East MM pre and happy with the result?
__________________
Fender Jazz Bass Club: #168
Musicman Stingray Bass Club: #136
| 
05-15-2010, 11:23 AM
| | Registered User | | Join Date: Apr 2007 Location: Greenville, South Carolina | | | I put an East pre in the Ray HH I used to have. I was very happy with it- the sweepable mid knob is too cool. I am actually kicking myself for selling it now.
However, the East pre is based on the original stingray pre. If you don't like the stingray sound, it will probably disappoint you. What is it exactly that you don't like? | 
05-15-2010, 12:05 PM
| | Registered User | | Join Date: Mar 2007 Location: United Kingdom | | | i don't know maybe the bass wasn't setup and dead string which make it don't sound too good. being setup right now at the shop so it could sound good after.
But i feel the original preamp wasn't that good to shape tone compare to John East stuff.
__________________
Fender Jazz Bass Club: #168
Musicman Stingray Bass Club: #136
| 
05-15-2010, 12:17 PM
| | Registered User | | Join Date: Dec 2008 Location: St. Paul, MN | | | The 2-band is great. The 3-band is not.
IMHO
__________________ Quote:
Originally Posted by Tommygunn Eh... I don't know much bout him anyways. I'd think the flecktones mainstream.... | | 
05-15-2010, 02:48 PM
| | Registered User | | Join Date: Feb 2005 Location: Edinburgh & Dundee, Scotland | | I've got the 3-bands in my 'rays.
They don't have an effect that is as "in your face" as other preamps I've used.
Doesn't really bother me, mine stay flat 
__________________
EB Musicman/Ibanez/Ampeg/Peavey/Marshall/Tech 21
| 
05-15-2010, 04:15 PM
| | Registered User | | Join Date: Nov 2008 Location: Ireland | | Quote:
Originally Posted by SpamBot The 2-band is great. The 3-band is not.
IMHO | while the 2 band is better, the 3 aint no slouch either.
__________________
Stingray 4/OLP Levin/Washburn Acoustic/Westbury Track 2/Geddy Stealth. I.D.I.O.T. #26 OLP Club 10
| 
06-09-2010, 01:53 PM
| | | | sorry to hijack the thread, but lets say i want more tweakability on my stingray classic model, would it be wise to put in an east pre, the 3 knob 4 band one? | 
06-09-2010, 02:03 PM
| | Registered User | | Join Date: Nov 2009 Location: San Diego | | they all sound great!  it's about preference. I prefer the vintage 2 band  | 
06-09-2010, 02:11 PM
|  | Registered User | | Join Date: Jan 2010 Location: Providence, RI | | | I quit using active basses because I found with every one I owned the "tonal flexibility" of the preamp resulted in a dozen crappy sounding settings for every one that sounded good. I don't need a bazillion knobs that make my bass sound like a muted trombone being played by a Canadian goose. I need it to sound like a bass, and I got sick of all the knobs and switches that, if bumped or engaged accidentally, would plunge you into the abyss of nasal gank.
Then I found EBMM basses, and now I am a total active convert. I love the subtle shaping provided by the 3-band eq. On my Stingray 5 Hp fretless I goose the mids to bring out the singing tone and the "mwah." On my Sterling 5 HH I bump the lows a bit (especially when soloing the bridge pup), keep the highs flat, and dial in different levels of aggression with the mids to suit the song.
The cool thing is, if I accidentally turn one of these knobs to the "wrong" (sub-optimal) position, it doesn't really matter. The basses still sound good. The only way to make them sound bad would be to zero out the lows and highs and dime the mids... and I ain't never been that drunk! For me, it's the subtlety and musicality of the controls that are the appeal.
I guess for someone who's looking for "extreme" eq options, the EBMM preamp would not be especially attractive.
__________________ Quote:
Originally Posted by Altemo I'd play a flaming, bacon wrapped raccoon if it felt and sounded good. | Markbass Club #268
MusicMan Sterling Club #107
| 
06-09-2010, 02:14 PM
|  | Seer of all that is done there Accessories Sales Associate, Guitar Center Rancho Cucamonga, CA | | Join Date: Apr 2007 Location: Upland, California | | I replaced the 3-band in my SR5 with a Glockenklang pre. Sounds awesome, very versatile, and it now makes my bass active/passive.  | 
06-09-2010, 04:28 PM
|  | Registered Bass Offender | | Join Date: Nov 2007 Location: Cambria, CA (Central Coast) | | | Part of the Musicman sound comes from the preamp. I like my MM basses just the way the factory built them. I have other basses if I want a completely different tone.
__________________
Larger avatar photo here.
My usual stock answers: No, Tuesday, 12
| 
06-09-2010, 10:50 PM
| | | Quote:
Originally Posted by Rick Auricchio Part of the Musicman sound comes from the preamp. I like my MM basses just the way the factory built them. I have other basses if I want a completely different tone. | +1
i'm not big on active basses, but the stingray stands out as a truly "integrated" design, where the preamp and the pickup and the pickup's placement are all essential (unlike other basses where the preamp EQ is just there for changing the bass's inherent passive tone if the player wants).
__________________
Walter Wright
Guitar Repair Gnome
Alpha Music, VA Beach
| 
06-09-2010, 10:55 PM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | | The preamp is very transparent to my ears, probably because the frequency centers of each EQ knob. If I still had mine and had a 6-string version of it (daring to dream, I know), I'd have put an Aguilar OBP-3 in it ages ago.
__________________ Quote:
Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | 
06-10-2010, 04:24 AM
| | Registered User | | Join Date: Dec 2002 Location: Sydney, Australia | | Quote:
Originally Posted by Rick Auricchio Part of the Musicman sound comes from the preamp. I like my MM basses just the way the factory built them. I have other basses if I want a completely different tone. | +1 Couldn't have put it better myself.... and I prefer the 3 band to the 2. Each to their own.
__________________
Composite speaker cab enthusiast.
| 
07-05-2010, 08:44 AM
| | Registered User | | Join Date: Mar 2007 Location: United Kingdom | | | Actually i email John East awhile ago and ask about the stock MM preamp and the the East preamp.
He told me that the MM preamp EQ is all interact together, so if I boost or cut the Treble it will effect the bass and mid as well? and the East preamp is just sound like the original MM preamp but every single parameter is different so boosting/cut on 1 parameter it won't effect the others .....
Is this right?
__________________
Fender Jazz Bass Club: #168
Musicman Stingray Bass Club: #136
| 
07-05-2010, 10:16 AM
|  | Registered Bass Offender | | Join Date: Nov 2007 Location: Cambria, CA (Central Coast) | | | John East could be referring to EQ bands with some overlap; I don't recall if the MM preamp is built that way, but he's probably done some testing.
Nevertheless, the way the MM preamp works is how it gets its sound. Having a different EQ circuit would make the bass different. If you don't want the MM sound, it's far easier to switch to another bass. You aren't going to change the pickup's characteristic tone by changing the preamp.
Maybe you can compensate for it by having a preamp "fight" the pickup tone, but that's silly. It's like adding horsepower to your car because you've left the parking brake engaged.
__________________
Larger avatar photo here.
My usual stock answers: No, Tuesday, 12
| 
07-05-2010, 10:22 AM
|  | Registered User | | Join Date: Oct 2008 Location: Metro Detroit | | | badboy1984, Are you saying you cannot get a good sound from your Stingray, at all? I'd start looking at your amplifier EQ before I replaced the preamp. Start with everything flat. With my SR5, I cut a bit of highs and boost a bit of lows. The mids are flat. | 
07-05-2010, 01:41 PM
| | Registered User | | Join Date: Mar 2007 Location: United Kingdom | | | i get a decent tone when playing live which cuts in nicely. i guess is something i have to get use to.
__________________
Fender Jazz Bass Club: #168
Musicman Stingray Bass Club: #136
| 
07-05-2010, 02:37 PM
|  | David Schwab Owner, SGD Music Products | | Join Date: Aug 2008 Location: Bloomfield, NJ | | Quote:
Originally Posted by FromTheBassMent I quit using active basses because I found with every one I owned the "tonal flexibility" of the preamp resulted in a dozen crappy sounding settings for every one that sounded good. | Do you have tone controls on the amp? Do they make the bass sound like a muted trombone being played by a Canadian goose?
Most people with active basses set the amp's tone controls to fit the room you are in, but mostly flat, and then adjust the bass.
You aren't supposed to turn the knobs all the way one way or another, unless you want a dub tone or something.
I find a little bass boost works wonders, and sometimes I crank the highs up a bit for songs that needs a brighter tone.
But if you set your bass to sound one way and leave it, then it would be overkill.
__________________ SGD Lutherie Hand crafted pickups and electronics.
SGD Lutherie on: MySpace YouTube Facebook Ibanez Club #389 | Team Trace Elliot #185 | New Jersey Bassist Club #154 | 
07-05-2010, 06:23 PM
|  | Registered User | | Join Date: May 2001 Location: St. Louis, MO USA | | | I would argue that the MM pre is the best "stock" mass-produced preamp available (Unless you want to consider the Sadowsky preamp a mass-produced stock preamp). Both the 3 and the 2 band. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |