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View Poll Results: Where's your P?
Near the neck. 5 11.11%
In the sweet spot, duh. 33 73.33%
By the bridge! 3 6.67%
Carrots? 4 8.89%
Voters: 45. You may not vote on this poll

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  #1  
Old 09-08-2009, 12:32 PM
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Where do you P?

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I've seen P down by the bridge, and I've got one around the neck, and I've seen loads in the sweet spot.

Where do you P? How does it sound/feel? Do you prefer it to the sweet spot?

I personally have never played a regular P, just my ol' Ibanez PJ. Which, as you can tell, has the P pickup moved a bit north of normal.
  #2  
Old 09-08-2009, 01:02 PM
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P's and carrots!!
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  #3  
Old 09-08-2009, 01:15 PM
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Sweet spot.

It hurts when I P anywhere else...
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  #4  
Old 09-08-2009, 01:18 PM
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On the library wall.
Oh you meant my pickup.
  #5  
Old 09-08-2009, 01:29 PM
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I have a PJ with the P slightly towards the neck. Very close to the sweet spot but not quite. I like it a lot.
  #6  
Old 09-08-2009, 01:33 PM
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I like resting my thumb against the pickup, but sometimes I'll pretend there's a chrome pickup cover for those times when I'm feeling Motownish (which is very often these days).
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  #7  
Old 09-08-2009, 01:40 PM
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Anybody P in reverse? That sure looks weird. Bet it feels a little odd, too.
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Old 09-08-2009, 02:14 PM
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Sweet spot over the pickup? I do that if there is no bridge pickup, and if there is a bridge pickup I alternate between the 2 spots depending on the tone I'm looking for. I rarely go beyond the pickup.
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  #9  
Old 09-08-2009, 02:32 PM
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I double P, in the regular spots. The sc gets used about 98% of the time; the split-P is a little overwound and is good for almost mudbucker sounds, in between a '62/SPB-1 and SPB-2; both pickups together sounds ok too.

Last edited by GlennW : 09-16-2009 at 02:44 AM.
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Old 09-08-2009, 02:48 PM
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Glennw - simply awesome.
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  #11  
Old 09-08-2009, 03:53 PM
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If I want the sound of plucking near the bridge, I just use the Musicman Stingray.
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  #12  
Old 09-08-2009, 04:00 PM
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What makes the so-called sweet spot so sweet anyway?
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  #13  
Old 09-08-2009, 05:56 PM
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Glennw - simply awesome.
Thanks. I still think it looks kind of funny, but figured it's easier than dealing with two P different basses.
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Old 09-08-2009, 06:03 PM
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Quote:
Originally Posted by GlennW View Post
I double P, in the regular spots. The sc gets used about 98% of the time; the split-P is a little overwound and is good for almost mudbucker sounds, in between a '62/SPB-1 and SPB-2; both pickups together sounds ok too.
That's an interesting configuration.
Are the pickups in their traditional locations, or did they have to get moved slightly so they wouldn't overlap?
  #15  
Old 09-08-2009, 06:04 PM
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Originally Posted by dmusic148 View Post
Anybody P in reverse? That sure looks weird. Bet it feels a little odd, too.
I've got a reverse P. It's a nice brown color, too.

Last edited by Cyber Soda : 09-08-2009 at 06:09 PM.
  #16  
Old 09-08-2009, 06:23 PM
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Originally Posted by line6man View Post
That's an interesting configuration.
Are the pickups in their traditional locations, or did they have to get moved slightly so they wouldn't overlap?
The split-P is in the stock location; the single coil is about 3/16" closer to the neck than normal. Close enough.

Before this I'd tried a Hagstrom HIIB pickup and later a Dano RI lipstick an inch or two from the neck, but didn't care for either one.
  #17  
Old 09-08-2009, 07:09 PM
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Originally Posted by lunarpollen View Post
What makes the so-called sweet spot so sweet anyway?
It's pretty close to a point on the string that vibrates with rich tones.

the 'sweet spot' was really defined on the stingray...which was another Leo Design as we've all learned.

The reason the P bass is big and punchy is because it's on the fat side of the sweet spot. The 'sweet spot' is not really on P-Basses...but FWIW P's sound and play sweet.
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Old 09-08-2009, 11:05 PM
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Originally Posted by newbold View Post
It's pretty close to a point on the string that vibrates with rich tones.

the 'sweet spot' was really defined on the stingray...which was another Leo Design as we've all learned.

The reason the P bass is big and punchy is because it's on the fat side of the sweet spot. The 'sweet spot' is not really on P-Basses...but FWIW P's sound and play sweet.
Would the sweet spot be closer to the neck or bridge?
  #19  
Old 09-09-2009, 08:01 PM
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so look at these





now look at these






I'm a jazz bass guy that wants a 60's P, Tele P, Warwick Thumb BO5, Lakland decade, and a Dingwall Super Jazz.

With all of my other tastes I still wouldn't have a simple sweet spot (or thereabouts) workhorse - It's hard to deny that the P bass is anything less than perfect in itself, and all the pickups and innovation will never take the instrument farther than Leo did by placing the pickup on the fat side of the sweet spot, and spreading 2 pickups out from the sweet spot (jazz)

All those updates let us play the instrument longer and with greater ease.
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Last edited by newbold : 09-09-2009 at 08:09 PM.
  #20  
Old 09-09-2009, 08:03 PM
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It burns when I P!
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