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12-23-2012, 11:43 PM
| | | | The logic of mic recording Can someone explain the logic of recording using a mic? Wouldn't you inherently lose quality? In each "step" of converting it to digital, you're losing quality from the original signal each time. At their most basic forms:
Direct: Bass > Interface
Mic: Bass > Amp > Air > Mic > Interface
Sooo, wouldn't a mic be inherently less quality? I'm not knocking mic recording of course, I'm just curious to see how this would work. | 
12-23-2012, 11:47 PM
| | Registered User | | Join Date: Dec 2012 Location: Wisconsin | | | Direct recording leaves out the ambiance of the real music. You need to utilize affects to bring it back to what you would hear for real. You can add so much more depth to a sound with multiple mics that pick up more than just the close sound of the amp but the whole environment. It's kind of like plugging your headphones directly into your instrument (If you could). There would be no influence from all the variables that make up your unique sound.
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Last edited by VBassRookie : 12-23-2012 at 11:51 PM.
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12-23-2012, 11:53 PM
| | | | Also, before amp cabinet modeling, it was the only way to capture the sound of the cabinet.
And some will say it still is the only way. | 
12-23-2012, 11:56 PM
| | Registered User | | Join Date: Dec 2012 Location: Wisconsin | | | I here you mega, there are artists out there that feel recording to tape is the only way to get an awesome recording. The funny thing is, all their fans probably could never even tell the difference.
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12-24-2012, 12:39 AM
| | | | Indeed.
Live sound is tough to capture.
Last edited by megafiddle : 12-24-2012 at 12:42 AM.
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12-24-2012, 12:52 AM
| | Registered User | | Join Date: Aug 2011 Location: Dallas | | Quote:
Originally Posted by VBassRookie Direct recording leaves out the ambiance of the real music. You need to utilize affects to bring it back to what you would hear for real. You can add so much more depth to a sound with multiple mics that pick up more than just the close sound of the amp but the whole environment. It's kind of like plugging your headphones directly into your instrument (If you could). There would be no influence from all the variables that make up your unique sound. | I agree with most of this. Every time I record I use at least 2 mics. One on the cone and one 10+ feet out. It's not about the sound of your bass, It's about your amp/effect settings, the way your cab sounds (ported/closed) and the room you're recording in.
With the advent of digital recording, you can get most of that from a plugin or any number of digital effects, but there's just something about recording it with a mic that IMO justsounds a bit more real and organic.
Plus when I mic my cab I know for a fact the singer's friend who calls himself a 'producer' can only do so much to make my bass sound like crap, or to his ears 'a good bass sound'
My two cents
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Originally Posted by musicman666 It's the Tone Gnomes I tell ya !! | | 
12-24-2012, 01:03 AM
| | | | Doesn't matter. If you hire someone that knows how to "MASTER" your music, the bass will sound just fine. In most cases better.
Sometimes a producer will record dry then run that acoustic Martin into a Marshall on ten and you will thiink he's playing a Les Paul.
A good recording engineer that has "MASTERING" skills is worth his weight in gold. If you don't have that guy then you do what you must.
Just my experience.
YMMV | 
12-24-2012, 03:54 AM
|  | Registered User | | Join Date: Apr 2008 Location: Farmingville(NOT FarmVille),NY | | | Using a mic is simply another color in your pallet. Fwiw I've never used a mic w/o blending a di as well. Get the definition from the di and the character from the mic.
I'm fairly happy w/ my U5/RBI set up these days but I do bust out a mic'd amp every so often when the situation calls for it... | 
12-24-2012, 02:35 PM
| | Registered User | | Join Date: Mar 2012 Location: Graham, Washington, USA | | Quote:
Originally Posted by Tupac Can someone explain the logic of recording using a mic? Wouldn't you inherently lose quality? In each "step" of converting it to digital, you're losing quality from the original signal each time. At their most basic forms:
Direct: Bass > Interface
Mic: Bass > Amp > Air > Mic > Interface
Sooo, wouldn't a mic be inherently less quality? I'm not knocking mic recording of course, I'm just curious to see how this would work. | Depends on how you define "quality". No matter how you record, some part of the process will "change" the original sound. Even going instrument direct to interface, there is one A/D conversion happening. That's a change. Sure, with more stuff in the chain, you'll have more changes. But, it doesn't mean less quality. Some people think certain changes improve the quality. So, what's quality?
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12-24-2012, 04:18 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by VBassRookie I here you mega, there are artists out there that feel recording to tape is the only way to get an awesome recording. The funny thing is, all their fans probably could never even tell the difference. | Sorry, but the fans are NEVER the reason I do anything. Why not just play some crap $50 bass and amp if the fans can't tell?
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12-24-2012, 04:18 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | Oh, and mic recording rocks...if you have a decent mic.
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12-24-2012, 04:32 PM
| | Registered User | | Join Date: Sep 2008 Location: Tampere, Finland | | | The only way you'll lose quality is bad gear and/or the lack of knowledge of how to use it.
No, using a mic has nothing to do with quality. It's just a tool to shape and color the tone. E.g. more thump, less screeching highs in distorted tones etc.
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12-24-2012, 04:41 PM
| | Registered User | | Join Date: Jul 2007 Location: UK | | | a good quality mic with the right frequency response, through a good preamp, preferably into a good desk? umm yes please.
a Neumann U87 will cost a grand and a half for good reason.
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12-25-2012, 06:05 AM
|  | Registered User | | Join Date: Jun 2007 Location: Takoma Park, MD (DC) | | IMHO, there is one good reason and one bad reason to record a bass with a microphone (as opposed to direct). I will leave it to you to decide which is operative in any particular situation.
Good reason: the amp, cabinet, and possibly the mic itself have a particular sound that I'm trying to capture. Say, a vintage Ampeg B-15.
Bad reason: the engineer, producer, or amateur home recordist just wants something to do. It's more difficult and time consuming to set up a mic, so it must be better, right? Well, it's better if I do it, because I know the magic secret 
Last edited by Jim Nazium : 12-25-2012 at 06:08 AM.
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12-25-2012, 06:26 AM
| | | | A lot of times people use mics just for the change. They want the sound to be colored by the preamp, the mic or the room.
The few times I've recorded, I both mic'ed up and went direct. I don't have all that much experience in it but doing that gave the engineer more to work with when it came to mixing the bass.
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12-25-2012, 11:07 AM
|  | Registered User | | Join Date: Apr 2008 Location: Farmingville(NOT FarmVille),NY | | Quote:
Originally Posted by knumbskull a Neumann U87 will cost a grand and a half for good reason. | uh, not even used  try 3 and a half grand!  | | Thread Tools | Search this Thread | | | |
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