|  | 
03-15-2001, 10:42 PM
| | |
Sign in to disble this ad
I would like to record my band with two mics at a distance and was wondering what mic would be good for this. I have a Tascam 424 MII Portastudio so I don't want to get the highest quality mic but I do want a pair of decent sounding ones so I don't have to buy new mics when I get a better multi-track recorder. Also, my tascam has no phantom power so I would have to buy a mic pre-amp if I were to get condensers. So what are you guys'/girls' opinions on good affordable mics/preamps for distant miking? | 
03-16-2001, 12:03 AM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | | maybe a couple of decent pres and some shure sm81's pretty damn acurate mic and good for what you're wanting to use them for.........
__________________ Groove is Everything
Jon Packard
Roscoe #6181/#6259/#D010/#D049 Quartus on Facebook my photography website Quote:
Originally Posted by KeithBMI Pacman. He serves out nice warm portions of kickass. | | 
03-17-2001, 08:51 PM
| | | | I was actually thinking about getting some Sure sm81's. Right now I can't afford to buy two Sures and a pre-amp, so I am trying to think of some other options. Another thing I noticed was that there are some companys that make phantom power supplys. What would be the advantage to buying a pre-amp over a phantom power supply? I have seen some phantom power supply units and the prices seem to vary. Shure's is about $120, but I have seen some that run about $60. Does it matter wether you get a more or less expensive one? | 
03-17-2001, 09:26 PM
| | Registered User | | Join Date: Nov 2000 Location: Ottawa, Canada | | A few years ago Radio Shack sold these really nice PZM mikes for $50. I've used them with small combos and fifty piece bands, with exellent results. Just hang a pair of them on a wall, about six feet apart, and you're set. The mikes pick up the sound exactly as you hear it in the room with your own ears. I don't think Radio Shack still sells these mikes, but you might be able to find a used pair if you look around. Crown makes PZMs also, but they're much more expensive.
Jeff | 
03-24-2001, 07:12 PM
| | Registered User | | Join Date: Nov 2000 Location: Sunny St. John's, Newfoundland | | The Radio Shack PZMs were actually factory second Crowns! Too bad they still don't sell them..
__________________
The meek shall inherit nothing.
-FZ
| 
04-19-2001, 08:47 AM
| | Registered User | | Join Date: Mar 2001 Location: Washington, DC | | | Crown seconds--really? Those Radio Shack specials were Crowns??? No wonder they kicked so much butt for $30!
We used to do a lot of onsite recording with PZM back in the day. So much room sound for so little cash.
Nowadays, we have more gear, sound, and flexibility.
Check here for a gear list: www.hbconcoctions.com
..but on a budget, nothing beats PZMs for room recordings.
__________________
Open ears, open heart
| 
04-19-2001, 11:46 AM
| | Registered User | | Join Date: Nov 2000 Location: Sunny St. John's, Newfoundland | | | Yep. If I'd known that then I would have bought a bunch of them. Boundary mics like that are also killer in kick drums. The shure SM 91 is a great kick drum mic. Of course, when Shure got wind that people were using them for that they discontinued it and re-released it as the Beta 91 at a much higher price.
__________________
The meek shall inherit nothing.
-FZ
| 
05-18-2001, 01:26 PM
| | Registered User | | Join Date: Nov 2000 Location: Madison / Milwaukee | | Well I really like the Shure KSM 32. It sounds really good, and it very quiet for recording.
Here is a link to where I work for more info. http://www.fullcompass.com/lit2/ksm32.html
__________________
"To play without passion is inexcusable!"
- Ludwig van Beethoven
| 
06-07-2001, 10:43 PM
| | Registered User | | Join Date: May 2001 Location: Caldwell, ID, USA | | | the new Marshall. One thing I would consider. I asked this same question of my favorite engineer, and his suggestion was the new tube mic by Marshall. $200, comes w/ a pre, and hung 2' off the ceiling in a room w/ your band, just about the ultimate way to record. look into it. I promise you won't be dissapointed
__________________
-----------------------------------
You want a quote? fine... here's my quote. Enjoy.
| 
06-30-2001, 08:31 AM
| | Registered User | | Join Date: Aug 2000 Location: Stockholm, Sweden | | | How much are you willing to spend on the mic?
Sennheiser U87 or AKG 414 would be my choice.
Be prepared to spend atleast $400 though
__________________
hyperpyramiden.se
| 
06-30-2001, 04:39 PM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | | Sennhieser doesn't make the U87, Neumann does. And they run about $2500. The AKG 414 lists about $895.
I wouldn't recommend using a large diaphram condenser to mic a band live (I've done it, and tho the results were good, but it was a 55 piece band in a controlled environment.) With something like the Shures or maybe an AKG 460 or 451 you won't have to deal with the large diaphram "rumble" you can get in a live situation.
__________________ Groove is Everything
Jon Packard
Roscoe #6181/#6259/#D010/#D049 Quartus on Facebook my photography website Quote:
Originally Posted by KeithBMI Pacman. He serves out nice warm portions of kickass. | | 
07-01-2001, 12:04 PM
| | Registered User | | Join Date: Aug 2000 Location: Stockholm, Sweden | | Quote: Originally posted by Pacman Sennhieser doesn't make the U87, Neumann does. And they run about $2500. The AKG 414 lists about $895.
I wouldn't recommend using a large diaphram condenser to mic a band live (I've done it, and tho the results were good, but it was a 55 piece band in a controlled environment.) With something like the Shures or maybe an AKG 460 or 451 you won't have to deal with the large diaphram "rumble" you can get in a live situation. | OOPPSS!!!I ment the Sennheiser 421 ( the neumann is very good , but a bit expensive)
__________________
hyperpyramiden.se
| 
07-01-2001, 04:10 PM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | | I defiantely wouldn't use a 421 to distant mic the band. It's a dynamic, and IMO wouldn't do the best job. Great mic, really good on bass cabs, kick drums, horns.
__________________ Groove is Everything
Jon Packard
Roscoe #6181/#6259/#D010/#D049 Quartus on Facebook my photography website Quote:
Originally Posted by KeithBMI Pacman. He serves out nice warm portions of kickass. | | 
07-02-2001, 05:06 PM
| | Registered User | | Join Date: Jun 2001 Location: Alabaster,AL | | | Well I'm guessing this is for the bands listening......
....because you would have to be an idiot to thing it would ever soun close to pro.
So this is what I would do!!
Use omni-directional choir mics....turn everyone in your band in a circle and put the mics in the middle.
Sony makes some nice, and very very cheap choir mice....about $40!
__________________
Pulling it out of the Groove Box,
Jason D.Mayfield
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |