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02-19-2012, 08:45 AM
|  | Supporting Member | | Join Date: Oct 2010 Location: London, Ontario, Canada | | | I've heard good things about combining the AKG D112 (for the lows) and a SM57 and a Sennheiser 421 (for the mids)
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Ibanez RD 707 Basses > GK MB500 >Radial Tonebone Bassbone(pedal) > Way Huge Porkloin (pedal) > Empress compressor (pedal), BBE Sonic Stomp (pedal) >SWR Golight 112 or house PA system
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02-19-2012, 06:58 PM
| | Registered User | | Join Date: Apr 2009 Location: Between Salem and Colebrook NH | | I've been using an AT AE3000 I bought used for about $150. I love it.... Audio-Technica Artist Elite AE3000 | Sweetwater.com
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Carvin Bass Player's Club #740**Black 'n' Maple Bass Owners Club #360**NH bassists club #14**P&W Bassist Club #740
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02-20-2012, 09:18 AM
| | Registered User | | Join Date: Feb 2012 Location: Flow-da | | | |
12-26-2012, 01:54 PM
| | Registered User | | Join Date: Jan 2002 Location: San Francisco | | Do you know what the major difference between the ATM 250 and ATM 250 DE?
Seems like the DE is better suited towards kick drums? Quote:
Originally Posted by fokof  |
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Skjold member #13 Myspace |
12-26-2012, 04:25 PM
| | | | Out of curiosity, has anyone tried a Blue Spark on a bass cab?
The chart shows a nice low-end bump at 80Hz (with the Focus Control switch out), and a friend of a friend is selling one for a really good price. |
12-26-2012, 04:32 PM
| | | Quote:
Originally Posted by kraigo It depends on what you want. I don't tend to record a truly cranked bass amp, so I like large diaphragm condensers. An RE-20 is a good choice. If you're mixing with a DI signal, something with less low end capability like an EV N/D 468 can be fine.
The biggest thing I'd recommend is to not use the same mic that you use on the kick as you do on the bass amp. It's hard enough to get them to cohabitate without doing that. In fact, I tend to avoid modern "kick drum mics" completely because they're all pre EQ'd in a similar fashion.
KO | The RE 20 is a dynamic, isnt it?
I like the Shure SM-7B |
12-26-2012, 05:20 PM
| | Registered User | | Join Date: May 2004 Location: Seattle, WA | | | Yep, the RE20 is dynamic. It's also my favorite bass cab mic as it suffers from very little proximity effect compared to most other mics. Sounds good on top of that!
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FS: DBX 286A Channel Strip (FS thread coming soon!) |
12-29-2012, 05:57 AM
| | | | I would suggest always taking a DI (alone or in addition) without effects and with minimal EQ. You can then reamp or reprocess the DI signal later if required. |
01-16-2013, 04:34 PM
|  | Registered User | | Join Date: Oct 2003 Location: Ocala, Florida | | The best is a Neumann U47 Fet. 
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Gideon Merritt
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01-16-2013, 05:07 PM
|  | Registered User | | Join Date: Jul 2007 Location: maryland,usa | | | I've been using a Audio Technica ATM 25 with excellent results. |
01-17-2013, 04:50 AM
| | Registered User | | Join Date: Apr 2004 Location: Fairfax, VA | | Quote:
Originally Posted by Gideon352 The best is a Neumann U47 Fet. | Advanced Audio makes a 47 fet clone for under 3 bills. It's on my list 
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G&L SB-2, MIJ 75 Jazz RI, EBS Classic t90/410, Markbass LM2, Peavey 2x15, EBS Club #40
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01-17-2013, 08:03 AM
| | Registered User | | Join Date: Oct 2003 Location: Ocala, Florida | | Quote:
Originally Posted by Ender_rpm Advanced Audio makes a 47 fet clone for under 3 bills. It's on my list | Very cool.
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Gideon Merritt
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01-17-2013, 06:51 PM
| | | | Ive done a bit of recording with both mic/DI with good results.
In recent years Ive had better results with modelers.
LINE6, ZOOM, DIGITECH all emulate mic/DI real nice. | | Thread Tools | Search this Thread | | | | 
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