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Orchestral Technique [DB] Exploring technique on the "classical" double bass, from Beethoven to Bottesini


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  #1  
Old 11-29-2012, 01:41 PM
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the "break area" of a double bass?

Hello,

Could someone tell me what the "break area" is on the double bass? I'm reading "Double Bass the Ultimate Challenge"...great book!!!..., and Jeff B. mentions this term, but I'm not familiar with it.

Thanks!
  #2  
Old 11-29-2012, 02:10 PM
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The "break" is a term sometimes used to describe the section of the neck where it connects at the body (with the heel).
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Old 11-29-2012, 02:39 PM
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Great, thanks! Makes sense to me.
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Old 11-29-2012, 08:39 PM
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if you regard the last of the "neck" positions being Simandl 5th Position (pinkie plays F on the G string) then it is the transition area between that and thumb position (side of thumb plays G octave or higher). The LH is turning progressively more towards the bridge, coming forward and standing up higher to avoid the forearm grounding on the ribs and breaking the flow of movement.

Cheers, DP
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Old 11-29-2012, 10:56 PM
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As David describes above, this causes the fingers to go from being basically perpendicular and curved to the string to being angled and straight. This causes micro-tuning challenges.
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  #6  
Old 11-30-2012, 09:22 PM
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Two other things are happening in this area. The thumb pad leaves the back of the base of the neck and tracks diagonally down as it prepares to flip over onto the strings. The pinkie pulls away from the strings as the hand turns and is replaced by the 3rd. (ring) finger. Depending on your hand shape and the length of the neck you might still be able to use your pinkie for F sharp. The notes are now so close together that the 3rd finger is just as good or better.

DP
  #7  
Old 12-05-2012, 11:14 AM
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Thanks, again for the additional clarifications! I appreciate it.
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