|  | | 
12-29-2008, 02:58 PM
| | | | Looking for all six Bach suites for bass Does anyone know where I can find all six Bach cello suites for double bass in all orginal keys?
I can't seem to find them anywhere!!!
Sign in to disble this ad
| 
12-29-2008, 03:04 PM
| | Registered User | | Join Date: Oct 2007 Location: Boston, MA | | | Er...not to sound wiseguyesque, but how 'bout buying the 'cello music, since that is essentially what you are looking for, no?
I have had a few versions; my favorite is the one edited by Janos Starker. I am sure that other folks have their own faves... | 
12-29-2008, 03:04 PM
|  | Regal User | | Join Date: Dec 2007 Location: Orange County, CA | | amazon link
don't know for sure if this is what you are looking for, but this is the book i have. it's for cello, but i mean, it's all bass clef. i've used it for bass just fine. | 
12-29-2008, 05:10 PM
| | Registered User | | Join Date: Nov 2001 Location: Maui | | | Wow.... thanks, Andrew. | 
12-29-2008, 06:58 PM
| | Registered User | | Join Date: Jan 2007 Location: Minnesota | | | Rabbath's edition of all 6 suites is done and supposedly going to be published by Leduc.... but when? Who knows? | 
12-29-2008, 10:07 PM
| | | Thanks for that informantion quenoil, why is Leduc taking so long to publish Rabbath's materials? I really wouldn't mind being able to buy the fourth book and having many of Rabbath's compositions in the current way that he wants them written down. Oh well, I guess all I can do is wait and rant.  Or being able to hear Rabbath play all six suites too.
__________________
"That's not how I am. And if I lived in Bach's day, he would have written those cello suites for the bass." Francois Rabbath
| 
12-30-2008, 09:06 AM
| | Registered User | | Join Date: Apr 2000 Location: Louisville Orchestra, KY | | Quote:
Originally Posted by BrianMcAnally Does anyone know where I can find all six Bach cello suites for double bass in all orginal keys?
I can't seem to find them anywhere!!! | You would do well to get the 6 suites in the edition that includes copies of the "original manuscript", as copied by Anna Magdelena Bach.
International Music publishes a tome of the six suites, edited by Edmond Kurtz, where for each page of the "original", complete with ambiguous slurs and smudges, he presents one page of modern, clear printing interpretation of the original. He also adds some reference points where the Anna Magdelena score conflicts with other folks' and other scores' opinions.
International Music Co. #805 Six Suites, S. 1007-1012 (Kurtz). Contains facsimile of the autograph manuscript
$23.00 http://www.internationalmusicco.com/...?CallSort1=180
Much more useful than an "edition for bass", since those editions have chord re-spellings and... let's say, "inventive" bowings and slurs, without telling you how or why they're changing things! | 
01-02-2009, 10:03 AM
| | | | I like
Bach for Bass
the 6 unaccompanied Suites for cello by J.S. Bach
Transcribed for String Bass
Robert Rohe | 
01-02-2009, 11:37 AM
| | Registered User | | Join Date: Jun 2005 Location: Boston, MA | | Quote: |
Originally Posted by KPO Much more useful than an "edition for bass", since those editions have chord re-spellings and... let's say, "inventive" bowings and slurs, without telling you how or why they're changing things! | Quote:
Originally Posted by Bentonrii I like
Bach for Bass
the 6 unaccompanied Suites for cello by J.S. Bach
Transcribed for String Bass
Robert Rohe |
Which is the reason why I seriously dislike Robert Rohes edition. If you are not technically ready to play the cello suites in the original keys (for at least the first and second suite), then you should probably be looking elsewhere for repertoire. You would have to relearn the suites for auditions, and most likely recitals.
That being said, I like Paul Ellison's Edition. I'm not sure I'd use it to play off of exclusively, but it's nice to have for reference. I personally play off of a barenreiter cello part. I think it's around 30 bucks. | 
01-08-2009, 12:31 PM
| | Registered User | | Join Date: Jun 2003 Location: chicago | | Quote:
Originally Posted by kpo You would do well to get the 6 suites in the edition that includes copies of the "original manuscript", as copied by Anna Magdelena Bach.
International Music publishes a tome of the six suites, edited by Edmond Kurtz, where for each page of the "original", complete with ambiguous slurs and smudges, he presents one page of modern, clear printing interpretation of the original. He also adds some reference points where the Anna Magdelena score conflicts with other folks' and other scores' opinions.
International Music Co. #805 Six Suites, S. 1007-1012 (Kurtz). Contains facsimile of the autograph manuscript
$23.00 http://www.internationalmusicco.com/...?CallSort1=180
Much more useful than an "edition for bass", since those editions have chord re-spellings and... let's say, "inventive" bowings and slurs, without telling you how or why they're changing things! | You can get 'em for free here http://imslp.org/wiki/Suites_for_Vio...ann_Sebastian)
Scroll down a bit and the original manuscript are there too. And for kicks here are the gamba sonatas. http://imslp.org/wiki/Sonatas_for_Vi...ann_Sebastian)
Enjoy,
Oz
__________________
Ausberto Acevedo “Beauty in music is too often confused with something that allows the ear lie back in an easy chair.”-Charles Ives
Last edited by koricancowboy : 01-08-2009 at 12:35 PM.
Reason: Wrong links
| 
01-08-2009, 05:39 PM
| | Registered User | | Join Date: Jan 2007 Location: Minnesota | | Quote:
Originally Posted by thedbassist Thanks for that informantion quenoil, why is Leduc taking so long to publish Rabbath's materials? I really wouldn't mind being able to buy the fourth book and having many of Rabbath's compositions in the current way that he wants them written down. Oh well, I guess all I can do is wait and rant.  Or being able to hear Rabbath play all six suites too. | Just heard from Francois that the 4th volume and the suites will both be coming out this year. If he will ever release his recordings of the 6 suites I have no idea... they were recorded 7 or 8 years ago. Hopefully soon! | 
01-08-2009, 09:05 PM
| | Registered User | | Join Date: Jan 2006 Location: Baltimore | | | Do you guys play them transposed down an octave, requiring a low C, or do you guys play them as "originally intended, just on a bigger instrument"? | 
01-08-2009, 11:14 PM
| | | Quote:
Originally Posted by quenoil Just heard from Francois that the 4th volume and the suites will both be coming out this year. If he will ever release his recordings of the 6 suites I have no idea... they were recorded 7 or 8 years ago. Hopefully soon! | Thanks, that really gives me something to look forward to bass-wise. I heard he was going to release his recordings, I kind of forgot the specifics though. There might be a documentary with Rabbath's playing of Bach as the focus. Check this out if you haven't already: http://francoisrabbath.blogspot.com/...la-quarte.html I assume it's the opening to the documentary.
__________________
"That's not how I am. And if I lived in Bach's day, he would have written those cello suites for the bass." Francois Rabbath
| 
01-09-2009, 04:00 PM
| | | You also might want to take a look at the gamba sonatas. Very double bass friendly. Not all tenor clef either There are three, and here is one of them. The other two are at this site.
BWV1027-9 http://imslp.info/files/imglnks/usim...-_BWV_1027.pdf | 
01-09-2009, 04:10 PM
|  | Registered User | | Join Date: Sep 2005 Location: New York | | | BWV1027-9 looks like murder to me. :-) I will have a go at that this weekend. | 
01-09-2009, 11:45 PM
| | | | wilsonn,
I am not quite ready for these, only have looked them over, and heard the 1st one played in a recital. Hearing the 1st one live was an amazing experience. Curious what your experience will be of playing them.
My bass teacher always talks about how the gamba sonatas are so much better suited for DB than the cello suites and how he would rather teach them . Easier for fingering, probably because the gamba is/was an instruments tuned mostly in 4ths. | 
01-19-2009, 08:04 AM
| | Registered User | | Join Date: May 2008 Location: brooklyn, ny | | Quote:
Originally Posted by EggyToast Do you guys play them transposed down an octave, requiring a low C, or do you guys play them as "originally intended, just on a bigger instrument"? | i was wondering the same thing; i would assume these were meant to be played at pitch (i.e., an octave above what we're used to reading), but i'm not entirely sure of this fact.
thanks,
j | 
01-20-2009, 03:28 PM
| | Registered User | | Join Date: Jan 2006 Location: Baltimore | | | Right, if you play the notes untransposed (or "as written") instead of taking them down an octave, it's a bit more difficult on bass compared to a cello. I could muddle through with it transposed down to bass, and then just switch anything below E up an octave for an interesting take, but was wondering what you guys who are playing/practicing with them are doing. | 
01-20-2009, 04:33 PM
| | Registered User | | Join Date: Jan 2007 Location: Minnesota | | | I have only worked on the first suite - I play it at the same pitch as the cello. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |