| a couple suggestions... The best bass tones I've got on record have been with two different methods:
1) micing my cabinet and paying a lot of attention to the mic position. Everybody seems to stick the mic right in the middle of the speaker cone. To me, this seems to make the bass boomier and the treble more pronounced, and the midrange sucks. I get better results moving the mic closer to the edge. This tightens the sound up a lot. I've got some great tones putting the mic right at the edge. Sometimes this is too tight for the song so i move it in a bit until a bit of boom comes back. Or i want just a bit more low end so mix in a bit of direct signal. Play with it! It helps if the recording engineer is willing to experiment.
The mic choice matters of course, too. I'm not a fan of SM-57 for bass cabs, but it'll do in a pinch. MD-421's are great for bass. AKG D-112 can be good too. EV RE-20 are fantastic. Anything that gets good lows is worth a try. Ribbon mics would be GREAT if you can keep the amp level low enough to not destroy them.
2) Running my head through a cabinet emulator (I can't remember the model) and then compressing a bit. This worked pretty well too. It's also fun to try old tube guitar amps with this technique!
I've never been satisfied with any tone I got by going purely direct.
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