Hey Bassfolk.
thanks for taking the time to look through my build, this is my second time in the luthier's realm.
In mid August I was ready for a new bass, my trusty self made 34" 4-banger was just not doing it for me anymore, tone and playability wise. i was looking for something completely different. I'm a massive fan of warwick basses for their feel and look. but being an apprentice joiner, i couldn't afford the aud$4000 for a new Thumb 6. so i decided to have a go at somthing similar, but with a few of my own touches.
after a month of planning i had a design, an concept ready, i was planning to make the whole thing from scratch, but i suddenly stumbled upon a beautiful gecko neck from warmoth.
As i was going for the natural look, dark wood had to have a black hardware. here's the hardware list.
35" Scale 5 Piece Gecko Wenge/Bubinga neck w/Maccassar Ebony Fretboard @ Warmoth
1 Piece Brazillian Walnut Body
Takeuchi 6 bridge @ Warmoth
Gotoh GB7 tuners
2 Bartolini P4 Shape Classic Bass Series Pickups
Aguilar OBP-3 Preamp, with active/passive switch
Finish: Cabots Danish Oil & Ron Disney Beeswax.
After all my Hardware and parts had arrived, my band at the time was offered a gig at the annandale hotel in sydney. this being one of sydneys best live venues, i decided what better place to show off the new beast. the only problem was trying to make the body and fully assemble in a week, ready to play. i had the help of a skillful joiner at work who had picked up a bass 2 months earlier and was keen to help out and see what goes into designing and making a bass.

day 1 (saturday). template, body cut out
unfortunately i didn't get much time to take photos during the routing + sanding process, everything went as planned.
Sunday was spent sanding the edges and trimming the basic profile.
Monday The neck pocket was routed.
Tuesday my co-worker asked me if he could have a go at free-hand routing the pickup pockets.... I calmly said yes. This guy has an incredible amount of skill & eye for detail. he was more freaked out about ruining $175 worth of timber than i was, but he did a more than excellent job.
Wednesday I routed the electronics cavity, created a matching cavity cover (unfortunately it had to be opposite grain direction, but i wanted a wood cover), rasped the contours, and brought the final shape down to a 600 Grit sanding.
lets skip forward to the next thursday, where i was able to put the first coat of oil on.
I applied one coat at 5am and one at 5 pm on the Thursday and Friday. and was able to have a bit of a break after many late nights.
Saturday Morning i woke up early to apply a coat of Beeswax, Buffed it up and Started to Install Hardware & Electronics. words cannot describe how relieved i was to know I would be able to turn up to rehearsal the day before the gig with this beast.
Here She is, moments after the few final tweaks of action & intonation.


I was absolutely loving it.. my mate desribed the tone as "Warwick-like, but about 5 times the balls"

. The Bart/Aggie Combo was stunning, Clarity with power.
At the show the next day
Thank you for taking the time to read through this. 4 months later and i still pick her up every day.
