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  #61  
Old 11-25-2012, 12:07 PM
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why use pine for your shim? it's a soft wood, not conducive to the transmission of vibrations, seems to me it'd be like putting a piece of rubber in there, which would dampen vibrations where you want them to flow the most. nice work otherwise.
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  #62  
Old 11-25-2012, 03:35 PM
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Quote:
Originally Posted by James Mobius View Post
why use pine for your shim? it's a soft wood, not conducive to the transmission of vibrations, seems to me it'd be like putting a piece of rubber in there, which would dampen vibrations where you want them to flow the most. nice work otherwise.
Humbug.
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  #63  
Old 11-25-2012, 05:26 PM
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Originally Posted by SurferJoe46 View Post
Humbug.
I'm no expert, just basing that on my experience as a carpenter, and amateur luthier. please disabuse me of the notion if I am incorrect.
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  #64  
Old 11-25-2012, 05:41 PM
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Driving 8p nails into wood may show up some technical problems but using wood as an excuse for bad tone, poor transference of vibrations from fluffy/soft shims and actually having the music wind up IN the body (where it gets swallowed up in the Great Black Hole Of Sound = The Body) - is counter-intuitive and has not been borne out as logical, existing to any substantive value, nor of any importance to me in all the basses I've built.

My Ps sound like Ps and my Js sound like Js - no matter what wood I've used ---- and I've used some very oddball woods for my basses.

Keep the strings in motion so they can actually be 'seen' by the magnetic pickups and you've max'd out your tone as far as it's gonna go until you change any of the following:::

1) strings
2) fingers
3) pickups

Wood is an ablative. If the body's humming, the music isn't getting to the amp.

I'm considering the possibility that cotton-wound wires are better than vinyl-coated ones though. And perhaps the red coated wire is better for the low tones.

You can help me with that theory if you like. I'm sure you can find some voodoo logic to explain it.
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  #65  
Old 12-26-2012, 03:18 PM
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Well the bass is finished now and after a pickup swap it sounds great!



It turned out that the 5 string Wilkinson pickup I had before didn't have the pole spacing to cover the 6 strings. However, Wilkinson make a new MM6 pickup that does and had 76mm spacing like the bass. Suffice to say, MASSIVE improvement. The top few strings make for some really cool chord choices and I briefly through a capo on the top 5 string yesterday at the 12th fret = regular guitar. My SIL is yet to figure it all out, but there is lots of potential there.

P.s. James, the whole body is made of Kauri pine, so it made sense to shim it with pine too.
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