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  #1  
Old 07-19-2007, 03:54 AM
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How important is body weight for sound?

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Hi, just found a bass player interview with Arthur Barrows, former Zappa bassist:

"Bass guitars need to be made out of really heavy wood. If they don't hurt your shoulder after 15 minutes, they're too light. It's physics. You wouldn't have a speaker cabinet made out of balsa-it's the same with a bass. You want a solid mass so the body stays in one place while the string vibrates. That's what gives you sustain."

What are your views? Can you generally say that? I have to say, I played a 70ies Precision and it weighs a ton, my shoulder DID hurt after 30mins, I have to say it sounds great. Anybody made experiments with same electronics, hardware, strings and different body woods/weights?

Xaver
  #2  
Old 07-19-2007, 04:22 AM
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Yeah weight definitely helps with sustain but I wouldn't say "Bass guitars need to be made out of really heavy wood". Other components play a big part in sustain also, whether it is bolt-on/neck-through, bridge, etc.

Also IMO sustain is often over-rated. You could have great tone but poor sustain and still have an awesome bass IMO.
  #3  
Old 07-19-2007, 05:00 AM
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I've often wondered how much sustain one needs. I know how much players love NT's, but I have never really noticed much of a difference in NT's and BO's, except for the neck/body joint. I can't justify the price difference.
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Old 07-19-2007, 05:18 AM
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Sustain has an effect on tone. Greater sustain seems to increase the harmonic content. But, there are other ways to get the same result without making the bass very heavy. I think that the biggest thing with heavy basses is the way they feel to the player. To me, a heavy bass just feels "right" but I don't think that there is a solid scientific reason why heavier is better. Some light basswood bodied basses have a very nice tone.
  #5  
Old 07-19-2007, 06:15 AM
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How important is body weight for sound?
YMMV, but this year I lost 20 lbs and my sustain definitely improved!
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  #6  
Old 07-19-2007, 09:24 AM
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Sounds like armchair physics to me.
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  #7  
Old 07-19-2007, 09:36 AM
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"two ton Tessie"

Quote:
Originally Posted by Xaver View Post
I played a 70ies Precision and it weighs a ton, my shoulder DID hurt after 30mins, I have to say it sounds great. Anybody made experiments with same electronics, hardware, strings and different body woods/weights?
Xaver
+1

My main bass from 1981 to 2002 was a 1978 Fender P. I fell in love with a Fender Aerodyne whose body is made out of BASSwood (how appropriate ).

I liked the sound and sustain of "two ton Tessie" a lot better but I drew the line between sound and comfort
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Old 07-19-2007, 09:40 AM
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it's funny, because Ken Parker says the exact opposite, praising the resonant qualities of soft lightweight woods.
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  #9  
Old 07-19-2007, 09:47 AM
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Originally Posted by wilser View Post
it's funny, because Ken Parker says the exact opposite, praising the resonant qualities of soft lightweight woods.
Quite amazing that a builder, whose research, experience, and success would have an opinion that is in direct opposition to that of a player.

Last edited by 202dy : 07-19-2007 at 09:47 AM. Reason: clarity
  #10  
Old 07-19-2007, 10:36 AM
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Heavy basses tend to bring out the high end frequencies more - lighter woods naturally favout the lower frequencies - just a product of the density, and therefore the "snappiness" of the tonal response.

The best sounding bass I ever played was at David Coulthard's (Formula 1 driver) 21st birthday bash (long time ago now) - I got roped in to playing with the house band - the guy had a 1960's ultra-lightweight Precision, and it was simply the best sounding bass I have EVER played - loads of bottom, with tons of midrange bark

All this "you gotta have a heavy bass" is complete nonsense - all you get it a sore back and shoulder (isn't that a brand of shampoo?). It's all about getting an instrument that has that "pick me up and play me" vibe which suits your own requirements!
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  #11  
Old 07-19-2007, 11:18 AM
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I think it is in the hands of the beholder, but as far as physics go it is true. High freq, travels by air and as well as light mass, low freq travels through mass, if you put your bass on the floor and make solid contact with the floor, pluck the string unplugged then lift it and pluck again you can hear the difference.
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  #12  
Old 07-19-2007, 05:13 PM
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good thing we have pickups and amplifiers to compensate for an improperly weighted bass




all the best,

R
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  #13  
Old 07-19-2007, 07:10 PM
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Quote:
Originally Posted by Xaver View Post
Hi, just found a bass player interview with Arthur Barrows, former Zappa bassist:

"Bass guitars need to be made out of really heavy wood. If they don't hurt your shoulder after 15 minutes, they're too light.
Yeah, that's an opinion. Many metaphors can be drawn...
Quote:
It's physics. You wouldn't have a speaker cabinet made out of balsa-it's the same with a bass.
You should be able to have a bass cabinet as light as you want, as long as the sides are stiff (not necessarily heavy) so they don't flex (thus losing energy out the sides, and setting up messy radiation patterns and interferences), and as long as it's not so light the entire cabinet moves (pretty unlikely).
Quote:
You want a solid mass so the body stays in one place while the string vibrates. That's what gives you sustain."
A super heavy body and a heavy, stiff neck would likely increase the sustain. Gibson apparently did a test guitar out of granite that sustained nearly forever. But, as others said, sustain can be overrated. Myself, I'd leave infinite sustain for the keyboard player.




When you put the bass in contact with the floor (or a table top) and hear it louder, you're using the floor as a soundboard, like the top of a guitar or the soundboard of a piano, which sets more air in motion. You'll find it can amplify all the frequencies pretty well, not just the low end.
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  #14  
Old 07-19-2007, 07:58 PM
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I've played a lot of heavy basses that sounded great and a lot of heavy basses that sounded like crap.

I've played a lot of light basses that sounded great and a lot of light basses that sounded like crap.

Go figure.
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  #15  
Old 07-19-2007, 08:15 PM
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Wood...bah. It's all in the neck joint and the pickup placement. And I know it sound absolutely ridiculous to say this, but I think the player has a tiny little something to do with it, too.
  #16  
Old 07-19-2007, 11:20 PM
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Quote:
Originally Posted by JimmyM View Post
Wood...bah. It's all in the neck joint and the pickup placement. And I know it sound absolutely ridiculous to say this, but I think the player has a tiny little something to do with it, too.
+1

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  #17  
Old 07-20-2007, 08:54 AM
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same here....

Quote:
Originally Posted by Nino Valenti View Post
I've played a lot of heavy basses that sounded great and a lot of heavy basses that sounded like crap.

I've played a lot of light basses that sounded great and a lot of light basses that sounded like crap.

Go figure.
I s'pose there is just too many other variables other than weight of the body to make an instrument sound good - or like crap...
Lots of interesting thoughts, though, I don't think it's necessarily armchair physics about the weight/sustain relationship, or is it?
Xaver

PS: My P was a '78 too...
  #18  
Old 07-20-2007, 08:59 AM
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Most of the NYC Sadowsky Basses are pretty light , under 9 lbs and they sound great IMO.
  #19  
Old 07-20-2007, 10:21 AM
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Quote:
Originally Posted by FBB Custom View Post
Sounds like armchair physics to me.
Me too. If weight were the only issue, you could get sustain and tone with a bag of wet sand.
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  #20  
Old 07-20-2007, 10:34 AM
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Quote:
Originally Posted by Xaver View Post
Lots of interesting thoughts, though, I don't think it's necessarily armchair physics about the weight/sustain relationship, or is it?
Xaver
Just because a bass can sustain forever, doesn't mean that it sustaining a good sound.
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