Quote:
|
Originally Posted by DonZ doesn't Hoyt use mango ? Personally I 've been trying to find sassafras to use. Think maybe I found it out in western Pa but not sure. |
yes, I've built two basses using curly mango faces: one of my customers/friends is a fellow living in Kailua Hi and he does the taxes of a wood merchant there. I got it from him/her. I can probably get you her phone number. back in 1997 when I built his bass, she was not computer friendly......maybe that has changed.
it's a very different grain than, say, curly maple or curly koa. I think that the swirls in the grain look like Van Gogh's 'starry night' sky. and it doesn't have quite the 3d appearrance of other figured woods....... it has a tap-tone similar to a figured maple but a little less dense. it works o.k. if you keep your tools sharp (as with all figured woods) and smells nice when machined. it took finish well (rubbed-on oil/poly on gollihur's, water based lacquer on the other one.) BOTH basses I built with it had really solid fundamental notes and good sustain. BG's is mahogany back and the other was northern ash back.
the wood is creamy colored and seems to get more and more golden as it ages. while I liked it, and it's very distinctive, I don't think I'm going to get any more of it. you can e-mail me off list if you have other questions. It might be cool to build a bass of solid curly mango: that might be pretty wild. I don't know if it takes a stain but I suspect that it would/
but most of all, have fun!
Karl Hoyt
p.s........ I seriously doubt that it's endangered since it's the trees that mango's come from. Also, as fate would have it, my friend saw #2 on e-bay (being offered by someone else) and snapped it up. with passive Jazz pickups it barks like a junkyard dog!