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  #1  
Old 03-15-2013, 10:47 AM
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Join Date: May 2005
Neck Pocket Area

Greetings, LC.

I have a question for you guys. Approximately how much area do you like, or prefer, or design into your bolt-on neck pockets?

I am designing the following bass:



The pocket itself I estimate to be around 8.5 square inches (2.8x2.9").

I require unhindered access to the 24th fret, so the lower cutout needs to be deep enough, and I really hate having a great long tongue sticking forward from the pocket. I just think it looks like a hack. I like the curves to flow freely, and extending the neck pocket/heel further up the neck looks, in my opinion, lame.

Do you guys think the pocket is too small? I know I could go the Ibanez route and extend the neck heel further into the body, maybe exposing some neck beam wood...but I don't like that solution either.
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  #2  
Old 03-15-2013, 12:08 PM
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I tend to think of it more in terms of the axial distance (along the centerline of the instrument) between the pairs of bolts. More distance should provide more torque to counteract string pull. But all I have is this qualitative notion; I don't have any actual numbers to back it up.

Just glancing at your pic, I'd say your pocket is no worse than many off-the-shelf instruments. And the joint can be greatly improved through the use of threaded inserts and machine screws.
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  #3  
Old 03-15-2013, 12:15 PM
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How about a neck pocket route right to the pickup?
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  #4  
Old 03-15-2013, 12:49 PM
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Quote:
Originally Posted by Schlyder View Post
How about a neck pocket route right to the pickup?
Not a fan. I want as much of the top wood to show as possible.
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Old 03-15-2013, 02:52 PM
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I prefer a deeper pocket as a shallow one makes me think "unstable"
  #6  
Old 03-15-2013, 04:23 PM
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Quote:
Originally Posted by HaMMerHeD View Post
Not a fan. I want as much of the top wood to show as possible.
Having the neck all the way to the pickup does not necessarily mean not showing all the top wood:



Itīs sure more work but it allows to have the same if not more contact area while allowing a better access to the higher frets than the regular pocket.
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  #7  
Old 03-15-2013, 04:26 PM
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I tend to think of it as a question of clamping surface area and distribution of clamping pressure. To that end, I think I'll add a 5th bolt roughly centered between the others.

Quote:
Originally Posted by octaedro7 View Post
Having the neck all the way to the pickup does not necessarily mean not showing all the top wood:

[IMG]http://i562.photobucket.com/albums/ss65/octaedro7/Noto%20Narwhal/DSC02986.jpg[/MG]

Itīs sure more work but it allows to have the same if not more contact area while allowing a better access to the higher frets than the regular pocket.
With my skills, it does.
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Old 03-15-2013, 04:29 PM
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Quote:
Originally Posted by HaMMerHeD View Post

With my skills, it does.
Iīve seen your skills, what are you talking about?
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  #9  
Old 03-16-2013, 12:27 PM
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Quote:
Originally Posted by ctmullins View Post
I tend to think of it more in terms of the axial distance (along the centerline of the instrument) between the pairs of bolts. More distance should provide more torque to counteract string pull. But all I have is this qualitative notion; I don't have any actual numbers to back it up.

Just glancing at your pic, I'd say your pocket is no worse than many off-the-shelf instruments. And the joint can be greatly improved through the use of threaded inserts and machine screws.
That would be moment, not torque. Even though they are calculated the same way, they are different. Torque is the rate of change of angular momentum, while a moment is the tendency of a force to rotate an object about an axis, but not change the angular momentum. Since you don't want the angular momentum to change (you want it to remain zero), it is a moment.

lowsound

Edit: Also, you could make a neck pocket with only one screw and it would bever stable, as long as you had a few inches toward the bridge fron where the screw is. In your neck pocket design, the two screws closest to the bridge aren't doing much to resist bending, it is the wood of the neck being pushed against the wood of the body from the tension of the strings. So, in the case of a neck, the tension of the strings helps to resist the tension of the strings. If anyone is interested, I can do the calculations and post them up.
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Last edited by iamlowsound : 03-16-2013 at 12:47 PM.
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