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  #21  
Old 11-29-2012, 04:18 AM
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Join Date: Jul 2003
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Originally Posted by Stealth View Post
Now that we see pics of the built bass (and it really is a beauty!) allow me to invoke the second rule of TB.

Clips or we disbelieve.
LOL I've got a gig next week hopefully some video will be taken.
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  #22  
Old 11-29-2012, 04:33 AM
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Steve Doner

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The title is what brought me to this thread - was expecting a Saturn 5 rocket theme (something I have been pondering).

That is a great looking bass though! Nice work.
  #23  
Old 12-15-2012, 03:06 PM
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Originally Posted by kris pung View Post
Got the bass back from my tech today and I'm really happy with how it turned out.



I just now saw this Kris - wowbobwow! Really nice build! Love the way you finished it - kind of a tiger/zebra antigua look! And you did a super job of composing the grain pattern. How did you manage to get the lower neck flange to nearly match the body grain? I know you are probably less inclined to keep working on it now that it's built-up, but I could definitely see some of that body finish on the neck/headstock. As in, the same dark halo going lengthwise on the edges, leaving the center wood exposed and full dark on the headstock back and edges w/the face left as is. (sorry- ignore me I'm just excited!) It looks like you positioned the upper strap button on the back of the horn - I did that on both the Steinbacker and the Supersonic and I love it there both visually and functionally. Is it passive or active, and if so what type of preamp did you use? And strings? I bet it sounds/plays great! Also - who did your headstock decal? I've had great difficulty finding someone who does quality water-slide decals and can deal with creative design issues.

To me the build process is creative, challenging and fun, and the final product is a reward that expands/inspires your own creativity as a musician. Rock on!

My Supersonic should arrive next week from Pat Wilkins - psyched!
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  #24  
Old 12-15-2012, 05:19 PM
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Thanks for the kind words and lining up the grain was a very painstaking process. Believe it or not the body is actually 4 pieces and that was the big reason I blacked out the edges.

I actually had my first gig with the bass last night and it killed it. The instrument is passive but I added a extra dumb knob just in case I wanted to add a preamp later on. The strings are DR low riders (my go too's) and I couldn't be happier with this bass.
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Last edited by kris pung : 12-16-2012 at 09:06 AM.
  #25  
Old 12-16-2012, 08:38 AM
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Here's a couple short videos from last Friday's gig. Not the best quality but you get the idea.
http://www.youtube.com/watch?v=mr3h7oXHa3U
http://www.youtube.com/watch?v=xUvAADByxJM
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  #26  
Old 12-16-2012, 09:02 AM
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  #27  
Old 12-16-2012, 01:02 PM
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Originally Posted by kris pung View Post
Here's a couple short videos from last Friday's gig. Not the best quality but you get the idea.
http://www.youtube.com/watch?v=mr3h7oXHa3U
http://www.youtube.com/watch?v=xUvAADByxJM
Which Shanahan's? I lived in Chicago 78-88 and just visited for the 1st time in a long time last spring. Stopped in at Chicago Music Exchange and played a $20k '61 Jazz bass. (like butter!) Great city.
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  #28  
Old 12-16-2012, 01:20 PM
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Originally Posted by JIO View Post
Which Shanahan's? I lived in Chicago 78-88 and just visited for the 1st time in a long time last spring. Stopped in at Chicago Music Exchange and played a $20k '61 Jazz bass. (like butter!) Great city.
It was at the Downers Grove location
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