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View Poll Results: Which headstock design do you prefer? | |
Bass 1
|   | 7 | 7.14% | |
Bass 2
|   | 47 | 47.96% | |
Bass 3
|   | 34 | 34.69% | |
Bass 4
|   | 10 | 10.20% |  | | 
04-14-2007, 01:58 AM
| | Registered User | | Join Date: Feb 2005 Location: Alberta,Canada | | | Take your pic
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Alright well I have narrowed my design options down to 4 different headstocks. If you guys could give me your two cents on which one you like, that'd be great. Also if you guys have any other suggestions I'd love to hear them. I am mainly concerned with the proportions and the flow of the design.
Also I am trying to figure out what woods and pickups to use? I'm looking for a growly tone that will cut through the mix but still retains bottom end, nothing thin. I would like to keep things passive if possible. I was thinking some kind of mm style pickup but with a multi scale bass, pickup choices are limited.
(Note: Sorry for the poor image quality, if I knew how to make them better i would  ) Bass Designs
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"Its easier ask for forgiveness then it is to get permission"-Stuarts Law of Retroaction
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04-14-2007, 01:59 AM
| | | | i like 2 the best on that body | 
04-14-2007, 03:28 AM
| | Registered User | | Join Date: Feb 2007 Location: Canadia | | I also like number two. I like number three as well, but not as much as number two. In my opinion, numbers one and four don't match the style of the body, they just aren't rounded out enough.
Should I bring out the dead and mention that Novak's 'fanned fret' design is patented?  | 
04-14-2007, 04:27 AM
| | Registered User | | Join Date: Apr 2007 Location: Cahir, Tipperary,Ireland | | | I'll have to go for no.2 as well
tom | 
04-14-2007, 07:12 AM
| | Registered User | | Join Date: Nov 2006 Location: Israel | | Only the 2nd and 3rd fit the body's design.
I like the 2nd more. 
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MIJ Precision 1988 / MIA Jazz 2005 -> Markbass CMD 102P -> Kustom 'Deep End' 115
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04-14-2007, 08:59 AM
| | Registered User | | Join Date: Aug 2006 Location: Chitown area | | I like #3 but the base of the headstock from 1 with it would be nice also.
Can't wait to see this one in progress. It's an ambitious build for sure, but should be beautiful when it's done.
Good work. 
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"If man evolved from monkeys and apes, why do we still have monkeys and apes?"
George Carlin
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04-14-2007, 09:24 AM
| | Registered User | | Join Date: May 2004 Location: Northern Virginia | | when I read the title I thought we were gonna be posting pics of ourselves!
*hits the DEL key on that pic of me taking a crap* 
__________________ don't ask me what wood produces XYZ tone ...I JUST DON'T KNOW! http://www.ramirezbass.com got mid-hump®? WENGE FOR QUEBEC, DANG IT! | 
04-14-2007, 10:20 AM
| | | Quote:
Originally Posted by Beej In my opinion, numbers one and four don't match the style of the body, they just aren't rounded out enough. | exactly my thoughts | 
04-14-2007, 10:47 AM
|  | so far, so good | | Join Date: Nov 2001 Location: US-NY-NYC | | Quote:
Originally Posted by Beej Should I bring out the dead and mention that Novak's 'fanned fret' design is patented? | 1. Fanned frets are not patented. They've been done since the 1600s.
2. Novak's particular method to produce a f*nned fret board is patented.
3. Novak's particular method produces improper fret positions unless the strings are parallel.
4. The method Novak has actually recommended using, which is not covered by his or any other patent, does produce proper fret positions.
5. Novak's patent has expired, and he is no longer collecting licensing fees.
6. If you really want to pay a licensing fee, Booker has a current patent on a different, unusual method to produce a multiscale fretboard.
7. Novak does hold a current in-force trademark (not patent) on the phrase Fanned-Fret (TM).
__________________ "Art without engineering is dreaming; engineering without art is calculating." --SKR
Last edited by pilotjones : 04-14-2007 at 10:51 AM.
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04-14-2007, 10:50 AM
|  | so far, so good | | Join Date: Nov 2001 Location: US-NY-NYC | | | My headstock choice would be: #3, but modified so that one of the two upper rounded points is replaced by a sharp point from #2 or 4, in order to reference and harmonize with the single sharp "hook" point on the body.
__________________ "Art without engineering is dreaming; engineering without art is calculating." --SKR | 
04-14-2007, 01:45 PM
| | Registered User | | Join Date: Feb 2005 Location: Alberta,Canada | | Thanks for all the suggestions guys!
I'm going to play around with number 3 a little bit and see what I think. As far as ambitious...oh I know  but atleast I'll take my time.
How do the basses look proportion-wise? Any other things you'd like to suggest or comment on?
Oh and by the way, the "Take your pic" was supposed to be a (lame) pun since I had the picture and I wanted you to pick from it...  ha ha ha Quote:
Originally Posted by pilotjones My headstock choice would be: #3, but modified so that one of the two upper rounded points is replaced by a sharp point from #2 or 4, in order to reference and harmonize with the single sharp "hook" point on the body. | I'm thinking if I can make headstock number 2 just a little more pointy, it'll be the winner.
__________________
"Its easier ask for forgiveness then it is to get permission"-Stuarts Law of Retroaction
Last edited by bass_drum : 04-14-2007 at 01:56 PM.
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04-14-2007, 02:49 PM
| | Registered User | | Join Date: Aug 2006 Location: Lima - Perú | | | #2 here
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Eleonn Quote:
Originally Posted by Nelson Guitars Nothing like standing in a pile of fresh wood shavings you just made. | | 
04-15-2007, 01:00 AM
| | Registered User | | Join Date: Feb 2005 Location: Alberta,Canada | | | So can anyone comment any further on the woods or electronics they suggest?
Also does the bass look proportionate (headstock not to big, body not too small, etc)?
__________________
"Its easier ask for forgiveness then it is to get permission"-Stuarts Law of Retroaction
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04-15-2007, 06:38 PM
| | Banned | | Join Date: Dec 2006 Location: Detroit | | | Can I recommend a slight mod?
I recommended #2, but I think it'd look even better if the tuning pegs were not perfectly symmetrical. Stagger the high-end pegs down a bit, to give an alternating, back and forth look to the pegs.
Last edited by Bryan316 : 03-19-2008 at 02:00 PM.
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04-15-2007, 09:21 PM
| | Registered User | | Join Date: Apr 2002 Location: Louisville, KY | | | I have a suggestion:
Perhaps you should try coming up with a slightly different body style instead of just ripping off someone else's shape without attribution.
Anyone know who that body shape came from? I do | 
04-15-2007, 10:29 PM
| | Banned | | Join Date: Dec 2006 Location: Detroit | | | Yeah yeah, but it's like everyone copying Fender Jazzes. When you've got something great, everyone wants to copy it.
Sincerest form of flattery, right? | 
04-16-2007, 09:14 AM
| | Registered User | | Join Date: Apr 2002 Location: Louisville, KY | | | True, BUT Shawn May isn't Fender. No one knows whose body shape it is. I think if you're gonna use something so blatantly, you should at least give a shout out to the person you got it from.
Also, people who copy Fender, Gibson etc. have to pay licensing fees. When PRS tried to "Flatter" Gibson a few years ago by making a single cut Les Paul knock off, they got sued. Eventually they had to cease production (which they've now settled on and resumed).
It'd be lame if a bunch of people started making their own May Custom copies. Hell, 5 minutes of photoshop and you've got your own body style. | 
04-16-2007, 09:24 AM
|  | Registered User | | Join Date: Nov 2006 Location: Louisville, KY | | Quote:
Originally Posted by stpvoodoo1 I have a suggestion:
Perhaps you should try coming up with a slightly different body style instead of just ripping off someone else's shape without attribution.
Anyone know who that body shape came from? I do | i tend to agree - i wouldn't say that the design is influenced by a may bass, the body lines are an exact duplication. you could have at least given him a shout out  especially since he's just getting his name out there. http://www.maycustombasses.com
Last edited by wallstreet : 04-16-2007 at 09:28 AM.
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04-16-2007, 09:48 AM
| | Registered User | | Join Date: Apr 2002 Location: Louisville, KY | | | Nice bass
Last edited by stpvoodoo1 : 04-16-2007 at 01:49 PM.
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04-17-2007, 05:26 PM
| | | | I'd like to make a few suggestions. First, that bass isn't going to come close to balancing. Try doing something with the lower horn and the lines on the bottom of the bass so that if you played with it sitting down your knee was at or very very close to the 24th fret. With such a massive neck this is going to be neccesary. Also think alot about wood choice because even with the lightest woods that thing is going to be a monster. Personally i think a nice light wood like spanish cedar or maybe a light peice of mahogony would work great as a body wood and do a thin top wood if you want. Also if your doing a neck through design, which i wouldn't suggest, dont use something like bubinga or wenge cause these woods are dense and heavy and will just add alot of unwanted weight. When it comes to electronics, i love passive pickups. Look into some Nordstrands or Kent Armstrongs. I hope this helps a little. | | Thread Tools | Search this Thread | | | |
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