Go Back   TalkBass Forums > Double Bass Forums > Orchestral Auditions [DB]
Register Rules/FAQ/CUP Members List Calendar Search Today's Posts Mark Forums Read

Orchestral Auditions [DB] Discussion on the battle for orchestral jobs: tips and advice, how to prepare, and who got the job...


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 02-08-2013, 07:33 PM
Registered User
 
Join Date: Feb 2006
need a suggestion for a conservatory audition

hello,

this is somewhat urgent. i am auditioning for a respected conservatory next month, 3/13. I have prepared all of the standard technical and repertoire facets of the audition but i need to play an excerpt from a 20th century work. Just an excerpt; please keep that in mind. Any suggestions? I am at a standstill on this. Not as familiar with some of the 20th century works featuring double bass as I am the more classical repertoire. Stravinsky, Prokofiev perhaps? Maybe Hindemith? But what works/movements?

Urgent!!!

Greatly appreciate the help fellow db brothers and sisters.
  #2  
Old 02-08-2013, 07:41 PM
Registered User
 
Join Date: Jan 2013
Are you auditioning for Con College?
  #3  
Old 02-11-2013, 10:25 AM
Registered User
 
Join Date: Nov 2012
The opening section from Bartok's Concerto for Orchestra is great if you can find it. Prokofiev's Lt. Kije solo or the soli around r. 50 in the fifth movement of his Romeo and Juliet Second Suite is great too. Many more options, but whatever you can find will work.
  #4  
Old 02-11-2013, 10:46 AM
MostlyBass's Avatar
Supporting Member
 
Join Date: Mar 2002
Location: Oak Park, IL
Supporting Member
Pulcinella is a standard 20th century excerpt. What about searching through major orchestra's audition requirements to get a feel for what's asked?
  #5  
Old 02-11-2013, 01:30 PM
Registered User
 
Join Date: May 2012
Location: London, Ontario
Although perhaps a little lazy, you could perhaps look at the conservatory's previous performances of 20th Century pieces, and pick something from that?

Baceplayer also raises a good suggestion with the Bartok Concerto for Orchestra. I've played that one, and it's definitely a good one I think. Haven't ever played anything by Prokofiev, so I cannot comment on that.
__________________
Currently in the process of building my own double bass.
  #6  
Old 02-11-2013, 01:54 PM
Registered User
 
Join Date: Jun 2005
Location: Philadelphia, PA
Shostakovich 5? Plenty of great excerpts there. Or the Ginastera Variaciones Concertantes solo. Both could show strengths.
  #7  
Old 02-11-2013, 02:03 PM
MostlyBass's Avatar
Supporting Member
 
Join Date: Mar 2002
Location: Oak Park, IL
Supporting Member
Ah yes - the Ginastera!!
  #8  
Old 02-11-2013, 02:17 PM
Registered User
 
Join Date: Feb 2009
Location: Cleveland, Ohio
Quote:
Originally Posted by MostlyBass View Post
Ah yes - the Ginastera!!
+1
I've been working that up lately and it's awesome. Especially if you have a harpist or pianist friend to play the accompaniment with you.
  #9  
Old 02-11-2013, 02:32 PM
Registered User
 
Join Date: Sep 2011
Location: Bloomington, IN
Send a message via Skype™ to thedbman4265
If you're a fan of quarter tones, may I recommend Ginastera's Concerto for Strings. There's also a pretty tough lick in the final movement of Prokofiev's Quintet. Think about it!
__________________
How do you feel about that?
  #10  
Old 02-11-2013, 02:46 PM
MostlyBass's Avatar
Supporting Member
 
Join Date: Mar 2002
Location: Oak Park, IL
Supporting Member
I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch.
  #11  
Old 02-11-2013, 02:54 PM
Registered User
 
Join Date: Feb 2009
Location: Cleveland, Ohio
Quote:
Originally Posted by MostlyBass View Post
I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch.
Not to mention given a month, I'd rather go with something a little less difficult than the concerto for strings, especially since the OP has other rep to work on as well
  #12  
Old 02-11-2013, 03:04 PM
Registered User
 
Join Date: Jan 2013
Quote:
Originally Posted by MostlyBass View Post
I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch.
Whenever I play a quarter tone I tell them the liquor made me do it.
  #13  
Old 02-11-2013, 03:55 PM
Registered User
 
Join Date: Aug 2012
Quote:
Originally Posted by mrLahey View Post
Whenever I play a quarter tone I tell them the liquor made me do it.
aye, thank god for university ball
  #14  
Old 02-11-2013, 07:10 PM
Registered User
 
Join Date: Feb 2013
Quote:
Originally Posted by skyre12 View Post
+1
I've been working that up lately and it's awesome. Especially if you have a harpist or pianist friend to play the accompaniment with you.
i think you need a brain transplant.
  #15  
Old 02-11-2013, 09:01 PM
Registered User
 
Join Date: Feb 2009
Location: Cleveland, Ohio
Quote:
Originally Posted by Conky View Post
i think you need a brain transplant.
Click image for larger version

Name:	ImageUploadedByTalkBass1360641683.102739.jpg
Views:	88
Size:	53.3 KB
ID:	317318
  #16  
Old 02-12-2013, 07:28 PM
Banned
 
Join Date: Feb 2013
the pants are about to come off!
  #17  
Old 02-14-2013, 09:00 AM
Registered User
 
Join Date: Feb 2013
You know what they say Randyman, if you love something, set it free.
  #18  
Old 02-15-2013, 10:26 PM
Registered User
 
Join Date: Jun 2008
There are two big ginastera solos, one of which is very doable and is regularly asked, variations concertante and the other which is the ginastera concerto for orch or something....that one is not a smart move for college auditions or any audition, better to make a good showing on something that is tough but playable without excessive work
  #19  
Old 02-16-2013, 11:30 AM
Registered User
 
Join Date: May 2005
Location: London, UK
Duncan McTier told me he was once called last minute to the bass section of an anonymous chamber orchestra somewhere on the continent to play the Ginastera concerto for strings. Apparently every other player they could think to ask including the guy who's job it was became suddenly and mysteriously ill. He said it was the only time he's ever had a mention in a concert review afterwards.... After he showed me the music I could tell why. That and the Prokofiev are not sensible suggestions for the amount of time in question. Needlessly difficult, frankly. Bartok concerto for orchestra is a good idea. First page of the first movement and the next line would do or a selection of bits from the last movement, or mix and match any of above.
  #20  
Old 02-17-2013, 06:53 AM
Registered User
 
Join Date: Aug 2012
Lieutnant Kije
Ginastera's Variaciones Concertantes
Britten Young Person's Guide, Bass Variation
Shosty 5

are the 4 excerpts it would be reasonable for you to play, the easiest being Kije because it's so short.

Being neoclassical, I don't think Pulcinella would quite fit the requirement.
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Visit TalkBass on Facebook   Download our iOS app   Download our Android app

All times are GMT -6. The time now is 11:46 AM.




© 2012 Talk Music Group Inc. All rights reserved.
Play guitar too? Visit TalkGuitar.com
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2013, Jelsoft Enterprises Ltd.