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02-08-2013, 07:33 PM
| | | | need a suggestion for a conservatory audition hello,
this is somewhat urgent. i am auditioning for a respected conservatory next month, 3/13. I have prepared all of the standard technical and repertoire facets of the audition but i need to play an excerpt from a 20th century work. Just an excerpt; please keep that in mind. Any suggestions? I am at a standstill on this. Not as familiar with some of the 20th century works featuring double bass as I am the more classical repertoire. Stravinsky, Prokofiev perhaps? Maybe Hindemith? But what works/movements?
Urgent!!!
Greatly appreciate the help fellow db brothers and sisters. | 
02-08-2013, 07:41 PM
| | | | Are you auditioning for Con College? | 
02-11-2013, 10:25 AM
| | | | The opening section from Bartok's Concerto for Orchestra is great if you can find it. Prokofiev's Lt. Kije solo or the soli around r. 50 in the fifth movement of his Romeo and Juliet Second Suite is great too. Many more options, but whatever you can find will work. | 
02-11-2013, 10:46 AM
|  | Supporting Member | | Join Date: Mar 2002 Location: Oak Park, IL | | | Pulcinella is a standard 20th century excerpt. What about searching through major orchestra's audition requirements to get a feel for what's asked? | 
02-11-2013, 01:30 PM
| | Registered User | | Join Date: May 2012 Location: London, Ontario | | | Although perhaps a little lazy, you could perhaps look at the conservatory's previous performances of 20th Century pieces, and pick something from that?
Baceplayer also raises a good suggestion with the Bartok Concerto for Orchestra. I've played that one, and it's definitely a good one I think. Haven't ever played anything by Prokofiev, so I cannot comment on that.
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Currently in the process of building my own double bass.
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02-11-2013, 01:54 PM
| | Registered User | | Join Date: Jun 2005 Location: Philadelphia, PA | | | Shostakovich 5? Plenty of great excerpts there. Or the Ginastera Variaciones Concertantes solo. Both could show strengths. | 
02-11-2013, 02:03 PM
|  | Supporting Member | | Join Date: Mar 2002 Location: Oak Park, IL | | | Ah yes - the Ginastera!! | 
02-11-2013, 02:17 PM
| | Registered User | | Join Date: Feb 2009 Location: Cleveland, Ohio | | Quote:
Originally Posted by MostlyBass Ah yes - the Ginastera!! | +1
I've been working that up lately and it's awesome. Especially if you have a harpist or pianist friend to play the accompaniment with you. | 
02-11-2013, 02:32 PM
| | Registered User | | Join Date: Sep 2011 Location: Bloomington, IN | | | If you're a fan of quarter tones, may I recommend Ginastera's Concerto for Strings. There's also a pretty tough lick in the final movement of Prokofiev's Quintet. Think about it!
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How do you feel about that?
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02-11-2013, 02:46 PM
|  | Supporting Member | | Join Date: Mar 2002 Location: Oak Park, IL | | | I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch. | 
02-11-2013, 02:54 PM
| | Registered User | | Join Date: Feb 2009 Location: Cleveland, Ohio | | Quote:
Originally Posted by MostlyBass I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch. | Not to mention given a month, I'd rather go with something a little less difficult than the concerto for strings, especially since the OP has other rep to work on as well | 
02-11-2013, 03:04 PM
| | | Quote:
Originally Posted by MostlyBass I would be hesitant to audition with 1/4 tones. Although that piece is very difficult you want the committee to know you have a solid sense of pitch. | Whenever I play a quarter tone I tell them the liquor made me do it. | 
02-11-2013, 03:55 PM
| | | Quote:
Originally Posted by mrLahey Whenever I play a quarter tone I tell them the liquor made me do it. | aye, thank god for university ball | 
02-11-2013, 07:10 PM
| | | Quote:
Originally Posted by skyre12 +1
I've been working that up lately and it's awesome. Especially if you have a harpist or pianist friend to play the accompaniment with you. | i think you need a brain transplant. | 
02-11-2013, 09:01 PM
| | Registered User | | Join Date: Feb 2009 Location: Cleveland, Ohio | | Quote:
Originally Posted by Conky i think you need a brain transplant. |  | 
02-12-2013, 07:28 PM
| | | | the pants are about to come off! | 
02-14-2013, 09:00 AM
| | | | You know what they say Randyman, if you love something, set it free. | 
02-15-2013, 10:26 PM
| | | | There are two big ginastera solos, one of which is very doable and is regularly asked, variations concertante and the other which is the ginastera concerto for orch or something....that one is not a smart move for college auditions or any audition, better to make a good showing on something that is tough but playable without excessive work | 
02-16-2013, 11:30 AM
| | Registered User | | Join Date: May 2005 Location: London, UK | | | Duncan McTier told me he was once called last minute to the bass section of an anonymous chamber orchestra somewhere on the continent to play the Ginastera concerto for strings. Apparently every other player they could think to ask including the guy who's job it was became suddenly and mysteriously ill. He said it was the only time he's ever had a mention in a concert review afterwards.... After he showed me the music I could tell why. That and the Prokofiev are not sensible suggestions for the amount of time in question. Needlessly difficult, frankly. Bartok concerto for orchestra is a good idea. First page of the first movement and the next line would do or a selection of bits from the last movement, or mix and match any of above. | 
02-17-2013, 06:53 AM
| | | | Lieutnant Kije
Ginastera's Variaciones Concertantes
Britten Young Person's Guide, Bass Variation
Shosty 5
are the 4 excerpts it would be reasonable for you to play, the easiest being Kije because it's so short.
Being neoclassical, I don't think Pulcinella would quite fit the requirement. | | Thread Tools | Search this Thread | | | |
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