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06-07-2011, 02:41 PM
| | Registered User | | Join Date: Feb 2010 Location: Hockessin, Delaware, USA | | | Ok, so here's the deal...
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I quit my band this past spring. Why? The singer and guitarist don't listen to ANY criticism, and frankly, they aren't that good. (It took us like 4 hours to put together "Father Christmas" by the Kinks for a Christmas show. That song isn't hard. At all.)
They've been wanting my back ever since I left because there aren't any acceptable (to them) bassists out there. Oh, by the way, I'm 16. So are the other guys. That may explain a few things. Anyway, I guess there's this gig that the drummer's dad wants us to do for his work(?). Not sure why.
They said that we'd each get paid $100 for doing it. The thing is, I really have no intention of rejoining the band, because I left for a reason. It's embarrassing to play live with them. I don't want to rejoin because then they may think that I'm back in the band for good, and leaving again would just get them more pissed off at me.
BUT, that's $100 that I need. Girlfriends, cars, and bass gear is all expensive. And $100 for playing for 2 or so hours sounds pretty good to me.
So should I suffer through this show for the money that I need? Or keep my dignity intact?
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06-07-2011, 02:44 PM
| | Registered User | | Join Date: Nov 2007 Location: Pennsylvania | | | If it takes the band 4 hours to learn one song, that's 120 hours for the 30 or so songs you'd need to play for 2 hours.
That works out to $0.83 an hour.
Go mow some lawns or work at McDonald's or something if you need the money. | 
06-07-2011, 02:58 PM
|  | Love your craft, stay humble, enjoy the journey | | Join Date: Jan 2007 Location: Boston Massachusetts | | | If the gig was scheduled before you left you may want to do it as a courtesy. If not, I would politely decline. That way they'll know that they can't book gigs and have you cover their bacon. In either case they need to know in no uncertain terms that you're not rejoining the band.
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06-07-2011, 03:20 PM
| | Registered User | | Join Date: Dec 2000 Location: Portland, OR | | Quote:
Originally Posted by butchblack If the gig was scheduled before you left you may want to do it as a courtesy. If not, I would politely decline. That way they'll know that they can't book gigs and have you cover their bacon. In either case they need to know in no uncertain terms that you're not rejoining the band. | +1
That said...
100 bucks is a 100 bucks.
I'd have a "Business Meeting" with the dad. Tell him you will do the gig as a courtesy and out of respect for him, but that you have no intention of rejoining the band.
You don't have to say why but, if pushed just say something like... We have "Irreconcilable Differences".
Make it clear to the "others" the same... I am willing to do the gig out of respect and as a courtesy to (insert bonehead's name)'s dad// EDIT: Mr. _______ and that you will not be rejoining the band.
Be polite but business like, as this is more or less a business deal with the dad.
They may still not like you anymore but, YOU will have the RESPECT of the Dad and let me tell you... THAT goes a long way. 
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Last edited by Tracebassplayer : 06-07-2011 at 03:22 PM.
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06-07-2011, 06:09 PM
| | Registered User | | Join Date: Oct 2005 Location: Rochester, NY | | | I'd add this to Tracebassplayer's excellent advice:
State clearly up front how much rehearsal time you will put in eg "three 4 hour rehearsals". Make it a reasonable amount of time for you to learn the material. Be upfront about why, that you have real concerns about the amount of time it will take the band to learn enough material and that an excessive amount of rehearsal time makes the gig economically unfeasible for you.
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06-08-2011, 02:35 PM
| | Registered User | | Join Date: Feb 2008 Location: Los Angeles | | +1 on talking to the Dad.
If you decide to do the gig, agree on a set list, then let them know that they need to learn the songs on their own and then you'll attend "rehearsal".
Tell them there's no way you will waste time with 4 hour practices to get one song down. +1 on setting boundaries on how much rehearsal time you'll put in.
Let them know if they don't keep their end of the deal, you'll drop out before the gig.
Practice (learning the tunes) is what you do on your own. Rehearsal (playing the songs a few times through) is what the band does.
Still, if you put in, let's say, 30 hours to learn the tunes, 16 hours of rehearsal and 4 hours load in/out for the gig and 2 hours for the gig, you'll have 52 hours total into the project. Less than $2 per our.
Seems like a part-time will get you much further to funding your 3G activities (girls, gear and gasoline).
PS. Who's to say they won't fail to gel for this project and have to cancel out of the gig? Then you'll get nothing out of the deal. A part-time job looks better all the time. 
Last edited by Stumbo : 06-08-2011 at 02:46 PM.
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06-08-2011, 03:40 PM
| | Registered User | | Join Date: Dec 2000 Location: Portland, OR | | | To be honest...
Take "practice time" out of the equation. That's fluff to argue NOT doing something.
You're gonna practice anyway, whether it's the songs from the set or songs you pick, savvy?
__________________ Team Trace Elliot #174, AH1200SM ,1518T, 1048H SPECTORŽ Club #210 Admin, USA NS-2J, NS-2A, Ian Hill SIG E4LX
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06-08-2011, 03:57 PM
|  | Life is Tough. Laugh more. Moderator | | Join Date: Feb 2003 Location: Warwick, Rhode Island, USA | | | Well, one caveat.
Correct me if I misconstrued this but, drummer's dad arranged this gig without your prior consent or input.
Or did he ask you first?
Or did he just throw it out there:
Work is having a summer party.
We are all kicking in a couple of bucks.
The kid is a drummer and it would be cool if he could play.
Dad went ahead and suggested it to co-workers.
He didn't actually ask you about it first.
Neither did drummer dude.
Now they put the onus on you, here's a gig and it's 100 each. And if you don't do it, you are a major jerk. If you do it and its a trainwreck, you are still a jerk. If it comes out ok, (doesn't sound likely) its a win.
So this is a jerk/jerk/win situation. I think the jerks have it over the win by 2 to 1.
How about, 'Sorry, I have other musical commitments I am working on now, good luck with the gig. Thanks for thinking of me.'
Caddying for money was good. Car wash. Hustle for cash like we all did at 16.
This one sounds like a trainwreck. If the band was better, it might be ok, but it isn't and rather than tell them the truth about the enormous amount of musical suckage, a polite refusal is definitely in order.
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06-08-2011, 04:23 PM
|  | Registered User | | Join Date: Nov 2009 Location: Houston, Texas | | | Don't start selling out at sixteen.
It's never "$100 for 2 or so hours"; got to factor in the rehearsal time, set up, break down and any drivetime related to that.
You could clear $100 in a weekend mowing lawns, ala Meyatch's suggestion. And you wouldn't have to rehearse to do that. And you wouldn't have to argue with anyone along the way.
I suggest you not do this. By the way, you never mentioned whether you were actively looking for another band to join. Getting in another band would give you an "out."
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06-08-2011, 04:50 PM
| | Registered User | | Join Date: Feb 2008 Location: Los Angeles | | Quote:
Originally Posted by lkngro It's embarrassing to play live with them. | [/thread] | 
06-10-2011, 01:27 PM
|  | Registered User | | Join Date: Sep 2007 Location: Philly | | | I'll do it for $100. Where's the gig?
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06-10-2011, 01:35 PM
| | | Quote:
Originally Posted by lkngro I quit my band this past spring. Why? The singer and guitarist don't listen to ANY criticism, and frankly, they aren't that good. | Had you said singer and drummer, I'd have sworn you were talking about Metallica. | | Thread Tools | Search this Thread | | | |
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