| I sent most of these comments to Don and he asked me to post them.
Nice tones. I think you get most of the sounds that can be gotten out of the double bass without hitting anything (and I can live well without that).
There's not much tempo variation in your part. There's also a whole realm of zippidy-speedy shtuff, often accurately referred-to around here as "gestural," which I don't remember hearing although I could be wrong. But that's a comment not a criticism -- you certainly don't have to play "everything" on every tune!
I kept waiting for the guitarist to play more than one note. It takes several minutes.
Knowing that you didn't "work together" colored my listening experience. Knowing, I'd say that it's amazing how many parts of it hang together. If hadn't known, I would have said that I hear some listening going on but (if I were rude) more than a few musical opportunities were missed. The ending certainly suggests some broad areas for development which, understandably under the "circumstances," were not explored.
My personal preference lies with deliberate interaction with other musicians rather than random interaction. But that's me . . . and you know I hope that this project bears fruit for you, Don.
__________________
"We can give to those who listen to the essence the best of what we are. But to do that, at each stage we have to keep on cleaning the mirror." -- John Coltrane
|