| Wouldn't Cmaj7 work for the BCB part? It's such a pretty chord, too.
Then, Bm7 for the ABD part.
But the DBC part is tricky. D7 might sound best (with your B as a passing note), or maybe there's a chord D7sus6? Gotta be a way to write it as a D7 with an added sixth, right? That would give the triad a minor sound. But to get a chord with both a B and C in it, is not computing very quickly in my brain.
Oh - I know, Bm9! That's gotta be it! My guitar player uses it all the time. BDwith C as the ninth.
Let me know how that works out for you.
__________________
Darryl Jones, John Paul Jones, Paul Denman, Berry Oakley, Tom Barney, Freddie Washington
Fender Jazz Bass Club Member #188, Fender MIA Club Member #195
|