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Music Theory [DB] Chords, bass lines, melody, intervals, scales, modes, etc.


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  #1  
Old 08-02-2007, 12:54 PM
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Pure tone Vs. Tempered tone

I keep hearing and reading about these and I'm unclear as to their difference, can someone please clarify this for me?
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  #2  
Old 08-02-2007, 06:12 PM
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If you mean tempered pitch, that's a big question, involving string physics maths and hours of fun studying to understand it completely. A short answer is that a note is made up not just of the fundamental tone (the pitch of the note) but of a series of overtones above it. You might know these overtones as the harmonics your string can produce, and with practice you can also hear them within an ordinary note, especially when you bow closer to the bridge. A few hundred years ago we evolved a system of music based on the division of the octave into 12 equal parts (these are semitones) so that we could play music in and out of 12 different keys. The notes that this equal division produces are closely related to the natural overtone series but are very slightly different. This is called equal temperament, as opposed to the pure or natural pitch of the overtone series.
If you are playing with a piano or any other fixed pitch instrument you need to know equally tempered pitch. On the other hand ensembles without fixed pitch instruments eg choirs or string ensembles, may have to obey equal temperament if their music is going through different key centres, but also have the freedom to revert to pure intervals for more musical sounds. So you need to be aware of natural pitch as well.
Hope this helps, as a general introduction to the subject,
nick
  #3  
Old 08-03-2007, 01:24 AM
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I think I get the idea. Harmonics don't change at the same rate as the pitch changes but only instruments without frets (or equivalents) can explore pure tones.
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Old 08-04-2007, 10:26 AM
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Quote:
Originally Posted by jsbarber View Post
a chart by W. A. Mozart utilizes major and minor semitones (i.e. there were two types of semitone interval, a sharp or flat was not half-way in between a whole note interval).

Jim
This is somewhat how a teacher explained ascending and decending lines. An ascending line is major, a decending line is minor. I.E. Chord progression from A to D to A would be played A B C# D (major) D C B A (minor).
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  #5  
Old 08-04-2007, 11:18 AM
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This little comparison chart, if you look at the "cents" columns on either side tell the whole story, for me. Not being a math wiz, the ratios go over my head, but the cents explanation is more plain to me. The equal temp. side shows the cents divided by 100's between the half-steps but the just intonation side shows the natural intervals using fractions of cents. Note the "perfect" 4th's and 5ths being very close to the equal side, hence the name; and several others vary quite a bit from equal.

http://en.wikipedia.org/wiki/Equal_temperament

Last edited by Ike Harris : 08-04-2007 at 11:25 AM.
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