Simandl and arpeggios
in reviewing Simandl's book 1, I only found 1 reference to arpeggio exercises, broken chords on page 112.
Is this because in Simandl's approach to DB, arpeggios are not seen as a big part of his teaching OR that the book could only fit so much (other) material anyway ?
Is there more on arpeggios in book 2, perhaps?
In many ways, the Simandl exercises seem to be designed to you can "hear" when a note doesn't sound right, maybe this is used in lieu of arpeggios?
Thanks for reading!