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01-24-2013, 09:49 PM
| | | | 6 string alternative. The "alternative to a 5 string" thread got me thinking.
Has anyone here tried stringing up thier 5 string basses E thru C? I tried out a 6 string bass a while ago and while I was very intrigued by it, another bass purchase is out of the question.
So I'm thinking about trying E thru C on an old 5 string bass I have to see if that higher string would even agree with me in the long haul. It may and it may not.
My other 5 string is staying B thru G, but I feel like experimenting a bit with the other. | 
01-24-2013, 10:58 PM
| | Registered User | | Join Date: May 2009 Location: San Antonio Texas | | | I bought one of the first Ibanez 5 strings back in the '80s, and nobody I knew had ever seen such a thing before. It came with another nut already cut for E through C strings, so the idea has been around for at least 25 years if not longer.
If you're into higher notes or chords, a high-5 bass is a great way to go.
I recommend a new nut and a good setup.
When strings are in too-wide of a nut slot, they can buzz and create weird overtones, and it might cost you some volume and sustain.
Go for it.
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Last edited by KeithAlanK : 01-24-2013 at 11:09 PM.
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01-25-2013, 12:45 AM
| | Registered User | | Join Date: Jun 2012 Location: Berkeley, Ca. | | | I know Steve Swallow plays one. Gary Willis' "Bass Lite" is an Ibanez ATK 5 strung with a high C. I had a bass teacher in college who played a Modulus with one and a Hipshot D tuner so that he could have the range of a 6 while only playing a 5.
I'm sorry I don't have any personal experience doing this I just went for the 6.
C/S,
Rev J | 
01-25-2013, 06:59 AM
| | Registered User | | Join Date: Mar 2012 Location: Milan, Italy | | | This is a very good idea Quote:
Originally Posted by Rev J I know Steve Swallow plays one. Gary Willis' "Bass Lite" is an Ibanez ATK 5 strung with a high C. I had a bass teacher in college who played a Modulus with one and a Hipshot D tuner so that he could have the range of a 6 while only playing a 5.
I'm sorry I don't have any personal experience doing this I just went for the 6.
C/S,
Rev J | But I have to contribute that the only way to approach a 6er extension on a 5er, without tunin' it by 5ths, it's usin' a bass extender and downtunin' it a full step
I mean... You take a 5er you decide to string E, A, D, G, C, then place a Hipshot bass extender (if E machinehead's open to do that) so that you go D, A, D, G, C
Finally you downtune it a full step:
D, G, C, F, Bb and whenever your bass extender works: C, G, C, F, Bb
This way you're just a half step up from 6er low B and a full step down from 6er high C
Otherwise I don't really get how your teacher could cover the extended range of a 6er with regularly tunin' 5er and detuner.
Cheers,
Wallace
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01-25-2013, 11:59 AM
| | Registered User | | Join Date: Jun 2012 Location: Berkeley, Ca. | | Quote:
Originally Posted by Wallace320 But I have to contribute that the only way to approach a 6er extension on a 5er, without tunin' it by 5ths, it's usin' a bass extender and downtunin' it a full step
I mean... You take a 5er you decide to string E, A, D, G, C, then place a Hipshot bass extender (if E machinehead's open to do that) so that you go D, A, D, G, C
Finally you downtune it a full step:
D, G, C, F, Bb and whenever your bass extender works: C, G, C, F, Bb
This way you're just a half step up from 6er low B and a full step down from 6er high C
Otherwise I don't really get how your teacher could cover the extended range of a 6er with regularly tunin' 5er and detuner.
Cheers,
Wallace | I believe (and I could be wrong) that you can adjust a Hipshot to go down to any pitch below the one it's tuned to with the only limitation being the distance between tuning heads. I also read recently they have an extender key with 2 adjustable stop points so you can detune to any 2 notes.
Also realize I'm trying to remember about 20 years ago. I seem to remember him telling me that the bass in question was a Modulus 6 that he had a new nut made for and the extra tuning machine removed because he didn't like the spacing on the 5. This is the best of my recollection and I could be completely wrong on this.
C/S,
Rev J | 
01-25-2013, 12:36 PM
| | Registered User Endorsing Artist: Phantom Guitars, Eastwood Guitars | | Join Date: Feb 2004 Location: Austin,Texas | | | The first 5-string bass, the Fender V, was strung E-C.
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01-25-2013, 12:39 PM
|  | Registered User | | Join Date: Sep 2012 Location: Fort Lauderdale, FL | | Quote:
Originally Posted by Rev J I believe (and I could be wrong) that you can adjust a Hipshot to go down to any pitch below the one it's tuned to with the only limitation being the distance between tuning heads. | Absolutely. I briefly had a four-string tuned CGCF with the Hipshot set all the way down to A, in order to handle a Mastodon cover in AGCF tuning that my band played in its live set.
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01-25-2013, 02:10 PM
|  | Registered User | | Join Date: Aug 2011 Location: suburban Chicago | | | A lot of people here use EADGC on their fivers. It is a matter of opinion if that gives you an alternative to a six string just it is a matter of opinion if BEAD gives you an alternative to a fiver. If you plan to stay in the high range on the six and the low range on the five then those two tunings do let a five and a four do the job for you. I tune my fiver CGDAE so it really does give me more than the range of a BEADGC six.
Ken | 
01-25-2013, 03:32 PM
| | Registered User | | Join Date: Feb 2009 Location: Santiago de Chile | | | Not a new concept, many people go EADGC, as stated before. | | Thread Tools | Search this Thread | | | |
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