Club Sadowsky (Part 32)

[bikeplate]

#4

[Fuzzbass]

Originally Posted by bikeplate

#4

#4 for me, too. I've never been one for blocks, but the pearloid ones are a subtle change from the maple board, a sweet match for the pearloid guard, and all tie in nicely with the vintage white body.

The other three are nice, too.

[CTC564]

I'll be the odd one and pick #1 but I'd add a black pearl pickguard to match the blocks...

[jaysbassspace]

Originally Posted by biosfer

serial is M5982
UV70-dark cherry burst and sound is incredible

Thanks man!

[funkydanbass]

Originally Posted by Vic

I didn't do the work, but I'll post the pics.

I got you covered for now.

Just be advised if you want to save these pics, download them. I can't promise how long I'll keep them.

Thanks Bluesy Cat and Vic for creating and posting those mockups!

[Vic]

Originally Posted by BluesyCat

Okay - Vic....you can "un-host"!
I updated my previous post in the same order as you have it. THat way peoples comments stay as numbered.

And funkydanbass - you will need to change your post too - the links will get broken.

Ok. I'm in no super huge hurry tho... they're just in my temporary directory. Next time I clean out they'll be gone.

[Vic]

BluesyCat rocks in so many ways. She helped us at NAMM too. Petite woman, but as sweet as the Grand Canyon is wide!

[BluesyCat]

Originally Posted by Vic

BluesyCat rocks in so many ways. She helped us at NAMM too. Petite woman, but as sweet as the Grand Canyon is wide!

Thanks Vic. Glad to help!!! Funny...Tom kept placing his backpack on the NAMM floor...I'd come right up and pick it up every time. I didn't want anyone to pick it up and walk off. We'd never find it.

Btw: 3lbs now!

[pickles]

Originally Posted by nuwavedc

This baby should be here before the week's end. I'm excited, the best sounding bass I have has similar woods. My first Sadowsky, so maybe I can join this club too...lol?

Interested in your experiences with ash body, maple top, morado fingerboard. This bass has hum canceling pickups, but that could change if I don't here the snap I'm used too, any input is appreciated.

Attachment 316182

Ash morado is KILLER. Id have kept both of my uv70s in that config other than preferring 60s pickup spacing.

[pickles]

Originally Posted by Fuzzbass

#4 for me, too. I've never been one for blocks, but the pearloid ones are a subtle change from the maple board, a sweet match for the pearloid guard, and all tie in nicely with the vintage white body.

The other three are nice, too.

#3 for sure, rosewood looks way better on white than maple.

[chris.gotfunk]

Originally Posted by pickles

Ash morado is KILLER. Id have kept both of my uv70s in that config other than preferring 60s pickup spacing.

Yes it is!!!!!
I love this thing

[funkydanbass]

Originally Posted by BluesyCat

Okay - Vic....you can "un-host"!
I updated my previous post in the same order as you have it. THat way peoples comments stay as numbered.

And funkydanbass - you will need to change your post too - the links will get broken. And you didn't say which one YOU liked...need more mock-ups?

To be honest, I'm not sure! I'm really looking for a rosewood neck P/J 5 string but I think the maple neck with blocks 'looks' the best!

I PM'd you to ask if you could mock up a 4 string Jazz version with the same aesthetic... because I might be in the market for one of those too!

Might have to consider a different look for the P/J...

[NOLA Bass]

Originally Posted by pickles

#3 for sure, rosewood looks way better on white than maple.

+1

[pickles]

Originally Posted by chris.gotfunk

Yes it is!!!!!
I love this thing

I had a twin 4 string for a while as well and it was equally amazing.

[Sadowsky]

Hi Everyone,

I would appreciate knowing how many of your would find this device to be of value....

http://www.gruvgear.com/fretwraps

Thanks.

Roger

[KJung]

Originally Posted by Sadowsky

Hi Everyone,

I would appreciate knowing how many of your would find this device to be of value....

http://www.gruvgear.com/fretwraps

Thanks.

Roger

A supplier or somebody (can't remember) sent me one of these a while back to check out. They do what they are designed to do.... mute open strings when you aren't using them.

Useful for the 'above the 12th fret tappers', etc. Also useful for 5 string players who slap who haven't yet mastered string muting on a 5 (which can take a while to get a handle on when slapping a 5).

My guess is, that is not the typical type of bassist who is attracted to your instruments, so my answer would be 'for your product line and design vision', no.

I guess a pretty small risk to buy a box full and put it on your on-line store as an option though, but I wouldn't bother myself. IMO!

[Chef]

I don't need one of those; thanks for asking though!

[Holdsg]

I've heard of the fret wraps, but never saw the need. I don't do much recording (suck too much).

[Musicfreak1988]

I'm going to go against the stream again by saying I'd use it. Although not all the time, and not on all basses, I can see this having on some of my basses or putting it on a bass for a special occasion. Like Ken said, I wouldn't use it on 4-string basses, but rather on 5-string (or 5+) basses, and mostly in the studio.

[Modern Growl]

Originally Posted by Sadowsky

Hi Everyone,

I would appreciate knowing how many of your would find this device to be of value....

http://www.gruvgear.com/fretwraps

Thanks.

Roger

I have them (3 pack), but I never really seem to use them. I find them usefull for playing higher up, especially on a 5 string to keep the Low-B from moving, but I would really only consider using them for recording, not live.