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  #301  
Old 02-05-2013, 10:48 AM
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Lol. I've been leaning towards the burst anyway, and my wife also prefers it to the natural, so I guess the choice is made!!
I still have to wait a few more weeks before ordering, so maybe by them Kurt will have something new that grabs me.
  #302  
Old 02-05-2013, 12:39 PM
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...
I still have to wait a few more weeks before ordering, so maybe by them Kurt will have something new that grabs me.
But...Kurt might have less by then! It seems like they always run out of the bass that I'm interested in, just before I actually think about ordering it.
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  #303  
Old 02-05-2013, 12:56 PM
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Yeah, that's true. Luckily for me I've got a few choices.
  #304  
Old 02-05-2013, 07:58 PM
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I wouldn't worry too much Rip. I have had mine for almost exactly a year (Feb. 8) and they still have them on the Rondo site. I'm a bit surprised they still have them in stock. If more people knew what a good bass these are for the price they would have been long gone by now!
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  #305  
Old 02-05-2013, 08:13 PM
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It's funny because my 8 year old son has an SX. He's excited to play the new one when it gets here.
  #306  
Old 02-06-2013, 11:27 AM
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I can't speak for the "Pro" version but I will say without a doubt that the Ursa 2 MN jazz models that sell for $139 are absolutely worth the extra money. Better neck and body wood, better tuners and a better neck overall. The fretwork on mine was much better than the other standard SX basses I have owned. IMO they are the best deal out there on a jazz bass. Only downside is you only have two color choices.
Thanks and thanks to all the guys that posted a response to my question - I definitely got the info I was looking for.

I'm going to go with this one:

http://www.rondomusic.com/ursa2alderna.html

It has everything I wanted, except maybe a tort guard and block inlays. The Canadian maple neck seems to be better from what I heard from 2 people here, that's surely a plus. I may add a heavier bridge later. The "Pro" version has that, but on a 3TSB and I already have a 3TSB P and don't really want another one. Plus, it has the heavier ash body, a drawback. Interesting that it doesn't say anything about an upgraded neck (canadian maple) like on the $139 version. I am a little concerned that it may be hard to find a proper fitting pickguard when I change to tort.

GJbassist, in this case they appear to have only one at this range. Too bad you can't pair parts with each bass you order - I'd pay an extra $50 bucks to be able to mix and match!!

I've been wanting to get into a jazz for a while, but I have huge hands, and a 1.5 inch neck is too small for me so I am pretty excited to be getting what seems to be a very high quality bass for such a low price that has a 1.625 inch neck on it. I've played standard jazz necks, and I cramp up. If this bass is a good experience for me, I'll assess my needs/wants later and could always sell it later if I wanted something else.
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  #307  
Old 02-06-2013, 04:08 PM
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For your tort pickguard, go to www.dragonfireguitars.com/ You're talking 12 -14 dollars plus shipping. Great assortment.
Another tb'er said he had to drill a couple of additional holes as a few didn't match up. The old holes will be under the pickguard so you don't have to worry about plugging them...no big deal.
  #308  
Old 02-06-2013, 07:57 PM
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Let me make it easier for you. As much as I like natural basses the 3TS on this bass is really nice!

I love it when maple is that light.
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  #309  
Old 02-06-2013, 08:20 PM
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I love it when maple is that light.
Yeah, I'm hoping I don't get orange tint on mine. That'll be grounds for a return, I'm afraid.

This is the one I'm getting:

http://www.rondomusic.com/ursa2mn3tsash.html

I think the blocks and binding raise my chances for a light neck.
  #310  
Old 02-06-2013, 08:27 PM
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Yeah, I'm hoping I don't get orange tint on mine. That'll be grounds for a return, I'm afraid.

This is the one I'm getting:

http://www.rondomusic.com/ursa2mn3tsash.html

I think the blocks and binding raise my chances for a light neck.
Orange tint is on what SX term their "Vintage" lines.

It's supposed to emulate "colonial maple" which is the color that maple turns (due to oxidation of the sugars) when it's really old.

Only around here we call it "nuclear orange" as it doesn't quite cop the colonial maple color (though later SX are better than earlier ones)
  #311  
Old 02-06-2013, 08:40 PM
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Yeah, I'm hoping I don't get orange tint on mine. That'll be grounds for a return, I'm afraid.

This is the one I'm getting:

http://www.rondomusic.com/ursa2mn3tsash.html

I think the blocks and binding raise my chances for a light neck.
From what I can tell, that's one of the ones without the tinted neck.
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  #312  
Old 02-06-2013, 08:46 PM
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For your tort pickguard, go to www.dragonfireguitars.com/ You're talking 12 -14 dollars plus shipping. Great assortment.
Another tb'er said he had to drill a couple of additional holes as a few didn't match up. The old holes will be under the pickguard so you don't have to worry about plugging them...no big deal.
Yep, that is where my tort guard came from. Great deal! I did have to drill a few new screw holes but other than that the neck pocket and pickup route fit great.
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  #313  
Old 02-06-2013, 08:48 PM
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Orange tint is on what SX term their "Vintage" lines.

It's supposed to emulate "colonial maple" which is the color that maple turns (due to oxidation of the sugars) when it's really old.

Only around here we call it "nuclear orange" as it doesn't quite cop the colonial maple color (though later SX are better than earlier ones)
Yeah, there's NOTHING natural about that color.
  #314  
Old 02-06-2013, 08:51 PM
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Nothing that a healthy dose of Citristrip can't remove!
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  #315  
Old 02-07-2013, 02:55 AM
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Nothing that a healthy dose of Citristrip can't remove!
To those that used the Citristrip method, have there been any ill effects from the treatment, such as loose frets or dot markers coming loose?
  #316  
Old 02-07-2013, 04:49 AM
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The only problem I've ever heard was that sometimes (not always) it could mess up the logo decal, and would melt the plastic nut if you left it on while stripping the neck. Still, I would be very careful of binding and markers (dots or blocks), and not leave the stuff on any longer than necessary, and maybe ending up doing it more than once, leaving it to dry completely between each try.
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  #317  
Old 02-07-2013, 07:01 AM
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The only problem I've ever heard was that sometimes (not always) it could mess up the logo decal, and would melt the plastic nut if you left it on while stripping the neck. Still, I would be very careful of binding and markers (dots or blocks), and not leave the stuff on any longer than necessary, and maybe ending up doing it more than once, leaving it to dry completely between each try.
Thanks. Fingers crossed that I don't have to worry about stripping.
  #318  
Old 02-07-2013, 07:08 AM
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To those that used the Citristrip method, have there been any ill effects from the treatment, such as loose frets or dot markers coming loose?
yep...I had it eat thru the candy-coating underneath and damage some dots. I then had to get all that (what ever they seal them with) off and re-dot the markers. I think this is pretty rare for this to happen, but it does happen. Not so much the CitriStrips fault, but this was an older SX neck that was not their best work. I suspect they didn't have the sealer on very even.
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  #319  
Old 02-07-2013, 07:10 AM
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I'm able to do the repair if necessary, but it seems like a lot of work for a cheapie. It would almost be just as easy for me to make a new neck!!
  #320  
Old 02-07-2013, 07:19 AM
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Rip, I just looked back to see which one you are getting, and I'm sure you won't have any orange tint on that neck..I have a ash P with the white blocks and binding, and it's a clear finish....And a great neck.
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