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  #401  
Old 02-02-2013, 08:31 PM
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Join Date: Mar 2010
Quote:
Originally Posted by jamesyeh View Post
Hey what kind of strap did u guys use for your Foderas since it does not have strap lock on it
Where could I get or find the strap lock that is supposed to be attach on the strap preferably a good one
Fodera uses Dunlop straploks. You can order them from a lot websites. Look on bestbassgear.com or sweetwater.com. Or call the fodera shop!
  #402  
Old 02-02-2013, 10:13 PM
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Quote:
Originally Posted by Lennard III. View Post
none !

I prefer white-wine
haha. yup but not exactly, i prefer scotch (single malt, to be more precise)
  #403  
Old 02-02-2013, 10:46 PM
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BGM Issue #11 now available!

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Sorry it took me a while to post these, but here are some NAMM pics from the Fodera booth:





Here's Joey and Jason receiving their engraved award from last year's Bass Gear Magazine Best of Show Award:





This one took my breath away!



Now, I think I may need a 4 AND a 5-string Fodera!



I think Vic is hooked, as well!

























And when my buddy Lonnie told me he had never played a Fodera before, well... we just had to correct that!



Truly, the Fodera booth at NAMM is like the stuff of dreams, every single year!
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  #404  
Old 02-02-2013, 10:49 PM
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BGM Issue #11 now available!

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If you have not seen it yet, here is a link to the Matt Garrison Standard review in Bass Gear Magazine issue #10.

This bass earned our first yet perfect score in Phil Maneri's technical review!
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2013 NAMM Pics
  #405  
Old 02-02-2013, 11:08 PM
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Join Date: Apr 2005


Tom, tell me you got to play this instrument!

...Vic?
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  #406  
Old 02-03-2013, 12:44 AM
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Quote:
Originally Posted by TapyTap View Post


Tom, tell me you got to play this instrument!

...Vic?
Sadly, neither Vic nor I had the privilege.
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2013 NAMM Pics
  #407  
Old 02-03-2013, 01:57 AM
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Quote:
Originally Posted by tombowlus View Post
Wow, that dovetail joint to body transition is super smooth. Will future dovetail will be like this?
  #408  
Old 02-03-2013, 02:01 AM
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Originally Posted by tombowlus View Post
Sadly, neither Vic nor I had the privilege.
Is this still the first one, introduce a while back?
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  #409  
Old 02-03-2013, 04:06 AM
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Manager and Partner, Fodera Guitars (as of 10/14/09)
 
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Guy, it was great seeing you an reconnecting!

J

Quote:
Originally Posted by basswalker2004 View Post
One of my favorite moments at the NAMM show.. It was so great to see my good friends. Miss you all already.




#1 and #11
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  #410  
Old 02-03-2013, 04:09 AM
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We considered about ten different options (including several retaining bars) and in the end chose to have our own string trees made for us as none of the "off the shelf" options appealed to us.

Since the instruments are intended to be used by professionals, we felt that the slight decrease in overall aesthetics caused by the string trees was more than offset by the ease of use (compared to retaining bars). In our humble opinion, retaining bars are a PITA when you change strings...

Hope that makes sense!

Jason



Quote:
Originally Posted by Joelc73 View Post
Jason, did you guys consider using a string retaining bar instead of the single, round "button"? It's the only thing I don't like about the Standards. Completely personal preference only -- I'm sure I could learn to live with it!
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  #411  
Old 02-03-2013, 04:15 AM
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Tom (and Vic) -- It was a real pleasure seeing both of you during the show. The Luthier's gathering that you guys hosted on Wednesday evening was a real highlight. As for Phil scoring us perfectly...wow. I have read every issue of the magazine since you guys started and I really never thought that I would see the day when Phil Maneri would give an instrument a perfect score. We are deeply humbled by the MGS being the first...

Hopefully you and Vic will be joining the Fodera Family one day soon!

Kindest regards,

J

Quote:
Originally Posted by tombowlus View Post
If you have not seen it yet, here is a link to the Matt Garrison Standard review in Bass Gear Magazine issue #10.

This bass earned our first yet perfect score in Phil Maneri's technical review!
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  #412  
Old 02-03-2013, 04:15 AM
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Quote:
Originally Posted by Just Thumpin' View Post
Since the instruments are intended to be used by professionals, we felt that the slight decrease in overall aesthetics caused by the string trees was more than offset by the ease of use (compared to retaining bars). In our humble opinion, retaining bars are a PITA when you change strings...

Hope that makes sense!

Jason
I ,for one prefer the look of this string tree to that one might get with a retaining bar.
Looks good i think!
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  #413  
Old 02-03-2013, 04:19 AM
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No, actually that is the way we built them back in 1983. That is the back of the VW Monarch Limited Edition. You can read more about this instrument here:

http://www.fodera.com/Main/NewBornDe...uredItemID=526

J

Quote:
Originally Posted by metallutca View Post
Wow, that dovetail joint to body transition is super smooth. Will future dovetail will be like this?
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  #414  
Old 02-03-2013, 04:22 AM
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Yes, that is our first Hybrid. It was completed last year and one of our dear friends (and customers) was kind enough to bring it to the NAMM Show. The next one will be built with slightly different specs for Anthony Jackson over the next several months.

There are then two more that will be built during 2013. We are limiting the number of these that we will build per year to 3 or 4. They are an incredible amount of work.

Regards,

J

Quote:
Originally Posted by cnltb View Post
Is this still the first one, introduce a while back?
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  #415  
Old 02-03-2013, 04:23 AM
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Thanks! Again, as with everything about designing and building instruments, it all comes down to trade-offs. There are no perfect solutions for all people...

J

Quote:
Originally Posted by cnltb View Post
I ,for one prefer the look of this string tree to that one might get with a retaining bar.
Looks good i think!
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  #416  
Old 02-03-2013, 04:24 AM
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Join Date: May 2005
Quote:
Originally Posted by Just Thumpin' View Post
Yes, that is our first Hybrid. It was completed last year and one of our dear friends (and customers) was kind enough to bring it to the NAMM Show. The next one will be built with slightly different specs for Anthony Jackson over the next several months.

There are then two more that will be built during 2013. We are limiting the number of these that we will build per year to 3 or 4. They are an incredible amount of work.

Regards,

J
Interesting !
Are you at liberty yet to share the specs, of the instrument built for Anthony Jackson?
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  #417  
Old 02-03-2013, 04:31 AM
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Sure. The major differences between the first Hybrid and AJ's will be that AJ's instrument will be 1" narrower, have an Ebony FB (instead of Brazilian RW) and a Koa top and back (rather than Pommele Sapele).

Other than the Hybrid construction and the woods mentioned above, all other specs will be as per AJ's current Presentation.

Regards,

J

Quote:
Originally Posted by cnltb View Post
Interesting !
Are you at liberty yet to share the specs, of the instrument built for Anthony Jackson?
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  #419  
Old 02-03-2013, 06:59 AM
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Quote:
Originally Posted by Just Thumpin' View Post
No, actually that is the way we built them back in 1983. That is the back of the VW Monarch Limited Edition. You can read more about this instrument here:

http://www.fodera.com/Main/NewBornDe...uredItemID=526

J
Thanks, Jason.
  #420  
Old 02-03-2013, 07:51 AM
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Thanks for this Jason, but is there a way of cleaning rust on poles from sweating? Of course if rust started to appear.

I do clean the bass after and before (sometimes even during) the gig.

Quote:
Originally Posted by Just Thumpin' View Post
Good question. Zero difference in sound between wood and plastic -- at least not any that we have ever heard.

As for holes / no holes, we prefer to have exposed pole pieces whenever possible and believe that the instruments experience slightly better tone by so doing which is why all of the Standards come that way and why left to our own devices we will spend the extra 20-30 minutes drilling holes in our wooden covers even though we charge the same price with or without holes.

That said, there are two very big caveats...

1. If you dig in so hard that you have a tendency to brush against the poles with your picking hand. This will cause noise and for players like that (Joey, by way of example), we recommend solid covers.

2. If you tend to sweat a lot because your sweat can rust the pole pieces.

Like everything else in building instruments, it is all a question of choosing the right trade-offs and nothing is perfect for everyone. As a guy with a light touch and who does not sweat much, all of my basses have exposed pole pieces...

Hope that helps!

J
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