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Have Internet Music Retailers added credibility to Carvin? I was reading about GC circling the drain on another forum today and it got me to thinking about this scenario. Historically, music stores were mom and pop shops where you went to see, touch and feel a limited amount of overpriced music equipment. And Carvin was that weird catalog you got in the mail with pointy guitars in it that you read in the bathroom. Flash forward to today and places like Musician's Friend, Sweetwater, Music123, etc have somewhat taken over for the mom and pop shops. Now they send you catalogs and allow you to browse their website, find the instrument you like for a good price and have them ship it to you for a limited trial period to see if you like it or not. Interestingly enough, this is also how Carvin does business now as well. Or actually, they might have been doing it first. Same type of catalog, website, similar products, similar trial period. Has this changed the way you feel about Carvin over the years? Were they ahead of their time? |
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But Carvin didn't do it out of necessity like most other operations. The retail stores-turned-internet-outlets went that way because they have had to; Carvin chose to do it from the beginning (or a long time ago anyway) for good business reasons. So I think they were always ahead of the internet-sales game. They still have the highest bang/buck out there, despite many other manufacturers having gone to the online model. They've been doing it for long enough that they simply have a big head start. I didn't discover Carvin until just a couple years ago. I already have 2 Bunnies and, if/when I'm ever able to lift my "austerity measures", I'll probably never get anything else.... So my view hasn't changed about Carvin, I was convinced from the git-go :) LS |
To me, they are still the company that sends me free bathroom reading material...my relationship with Carvin ends there though. Pretty sure you can't return a custom spec'd 5 string with guitar pickups in hot pink after 45 days though. |
I just read the Carvin page on Wikipedia, and they have an interesting backstory of being a reseller as well as a producer of their own instruments before they moved to mail order. I think the big difference today is the reseller part. Today, Carvin sells only their own stuff, and the other guys sell a variety of brands. I would say they did find a little pocket that mainly boutique builders only really have been in, before most boutique builders even started. What article were you reading about GC? I would like to read as well. |
Since when do they not have credibility? My Carvin gear pounds the snot out of anything else I've ever heard or played... |
When I was young, I certainly hadn't considered Carvin to be a bathroom reading catalogue. For me, it was a sit-down and read page-by-page catalogue. One of my friends saved up enough money to buy a full Carvin Stack. It was so cool! Also, when my the speaker of father's Gibson Falcon amplifier died many years ago, he ordered a new speaker from Carvin and it still sounds perfect today. |
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As for Carvin, I've always liked their gear. I've still got electronics I bought from them 2 decades ago. PA head, monitors, etc. All of it still works. I always though Carvin was pretty sharp. The only reason I never bought one of their basses is because I couldn't play it first. That's a must for me. Doesn't have anything to do with Carvin, I feel that way about all brands. |
I didn't know Carvin lacked credibility. |
I think Carvin was way ahead of the game as they saw a traditionally retailer driven market and decided it doesn't necessarily need to be. At this point, I don't think guitar buyers are as hesitant to buy are particular guitar/bass they haven't played personally as long as they've had experience with the model or brand in the past and the brand has a reputation for consistency. In my mind as a player they definitely crept out from the weird mail order status to high end manufacturer slowly over the course of years. Honestly, that change in attitude may have to do with personal experience with the product more than the prominence of internet retailers. |
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GC and Musicians Friend on the other hand have to invest in inventory which they hope to sell. There's always the risk that they'll have something sitting in a warehouse for a long time that won't sell. That's why they sell lots of popular brands like Gibsons and Fender and rarely carry brands like Laklands or Lulls |
Personally I don't mind their horrible resale value. My two favorite basses are Carvins. I paid less than a third of what they cost new and their fantastic basses. |
The difference between Carvin, and the others mentioned is that Carvin sells only Carvin gear wheras the others sell many brands as a retailer, but do not manufacture any gear of their own. They're completely different in this respect. |
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But to tell the truth, I've always found music stores to be really depressed and, in many cases, just barely hanging on by a thread. Even back in the early 80's when I started, nobody ever got rich running a music store. They always seemed to be just as poor as we were, working as hard laborers for Halliburton services during the summer and s$$$. Even in Austin, places came and went all the time. Only Ray Henning's Heart O' TX music endured, and that was because Ray is so famous. Everyone else always seemed to be just really struggling. So I dunno... I think the retail stores have always been kind of circling the drain for a long long time. You had a King or two, a Queen or two and maybe a Lord here and there. All the rest were on life support. GC is kind of the last holdout, but I think we'll be all-internet here pretty shortly. LS |
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Sigh... I guess I'm getting old but I miss the day when you had neighborhood bookstores and video stores who knew what you like |
I dont see internet stores doing that for carvin in any way. Carvins been doing direct buy since the beginning. |
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I think this can get political really fast, and even uglier faster. Please just keep on topic guys. |
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