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11-23-2012, 06:35 PM
| | Registered User | | Join Date: Jan 2009 Location: Melbourne, Australia | | | How and when do you know things aren't working out? I know that GAS is a very common thing on these boards and those of us lucky enough to be able to buy the basses we want, (with approval from wives/partners/parents/girlfriends) often do.
It's a great feeling to get your hands on a New to you piece of gear. But how often do some of you just realise that, down the track, that a piece of gear just isn't for you? Anybody got any stories?
I bought a SR a few months ago after even more months of GASing and saving up. However, more and more, I feel like selling it up for a J or getting another P.
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Never underestimate the root note.
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11-23-2012, 06:38 PM
| | Registered User | | Join Date: Jul 2012 Location: Friday Harbor, WA | | | I'm going through literally the EXACT same thing as you. Same bass...I decided to give it another chance before I sell mine off for a ric or a P. | 
11-23-2012, 07:34 PM
|  | Registered User | | Join Date: Jul 2004 Location: Fort Collins, Colorado | | | I have about a dozen basses and there are some I seldom touch. That's a pretty good indication they could go.
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"The best way to tell a lie is to tell the right amount of the truth, and then shut up." Robert A. Heinlein
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11-23-2012, 08:12 PM
|  | Registered User | | Join Date: Jun 2006 Location: NYC | | | In the late '90's, I wanted a 5 string Ernie Ball Music Man Stingray. I think it was almost 5 years gassing for one. In the middle of 2001, after working a second and sometimes a third job, I had saved enough cash and walked into a store and bought the one I had my eyes on for quite a while. It had a maple fretboard and black finish with a white pickguard. Within a year, I was missing a jazz bass and I realized that it just wasn't for me so I flipped it. I still maintain that EBMM are the best production basses out there in terms of quality and workmanship but the EBMM sound and feel wasn't my sound and feel.
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A Valenti bass and a Genz Benz amp.
Why would I need anything else? | 
11-23-2012, 08:24 PM
| | Registered User | | Join Date: Jun 2011 Location: Las Vegas, NV | | What a coincidence. Another SR owner here.
Just posted this last night: Quote:
Originally Posted by c_maj I had an interesting experience last night regarding my Dean Edge1 and my Ibanez SR500.
Some quick history - purchased my Ibby in January '10 to replace my Dean. Ibby has bean my go-to bass ever since, Dean is my back-up.
While playing last night, sound guy noticed the board wasn't getting much signal out of my bass (Ibby) so we figured my battery was dying. In between songs, while attempting to change the battery, the battery contact broke. While sound guy soldered on a new one, I switched to my Dean.
I was quite surprised - my Dean boomed out of our system, and it sounded really good. Gritty and growly - just how I like it. I thought it was a fluke however - after all, the sound guy turned me up due to a low signal, and hadn't changed the settings when I switched basses.
Once my Ibby was fixed, I switched back to it, and again with no changes in settings on the sound guy's part, I heard a considerable difference. My Ibby was softer and mellower sounding. I thought the sound difference was just in my head...
...until on the way home. Husband commented, "Hon, I know you love your Ibby, but I gotta tell you, there was a noticeable difference between both guitars. Hands down, your Dean sounded better than your Ibby."
So now I'm perplexed. I love the feel of my Ibby (thin neck, smaller, lighter body), but with my church's particular sound settings/dynamics, I'm thinking I may have to make my Dean my #1 bass again. | Not considering selling my SR, but a little disappointed due to my sentimental attachment to it and the $$ invested to get it just right for me.
__________________ Quote:
Originally Posted by SoVeryTired I can't pretend to have played perfectly but God moves regardless. | Praise/Worship #985 | SoundGear #172 | Ibanez #993 | Girl Bassist #66 | Down Tuned |
Last edited by c_maj : 11-23-2012 at 08:29 PM.
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11-23-2012, 08:27 PM
|  | keepin' the beat since the 60's | | Join Date: Dec 2007 Location: Studio City, SoCal, USA | | | - - When you have to ask this question.
To ease the departure, I pack it up and put it away. If I don't miss it, I know it is time for it to go.
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You're never too old to learn something stupid.
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11-23-2012, 08:33 PM
| | Registered User Endorsing Artist: Fender Basses, Ampeg, Curt Mangan Strings | | Join Date: Oct 2012 Location: South Shore, Massachusetts | | | I honestly do not go through it because I always play what I am interested in before I buy it. I only deviated from this once about 2 years ago when I bought a Carvin LB75 for $250. I figured that I could sell it for more if I didn't like it. I kept it for one week and hated it. I sold it for $750. My feeling is that if I don't like it within the first 30 seconds, I won't buy it.
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"If you don't want the truth don't ask. Make up your own like everyone else does". (Michael Pare as Eddie Wilson/Joe West in Eddie and The Cruisers II).
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11-23-2012, 08:34 PM
|  | Patiently Waiting For The Next British Invasion. | | Join Date: Aug 2010 Location: Ohio | | | I felt this way about the B7K had the B3K and loved it I figured it had to be better to me it wasn't it took some time to sell it because I felt I was the only person on TB who didn't "adore" this thing but it had to go.
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Ohio Bassists Club # 230
Mark Hoppus Bass Club #3
Honorary Wisconsin Bassist Member #10
Fuzzrocious Club #134
Variax Bass Club #2
Club Verellen #3
Fender Cowpoke Club #36
Lone Wolf Club #5
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11-23-2012, 09:23 PM
| | Registered User | | Join Date: Jan 2009 Location: Melbourne, Australia | | Quote:
Originally Posted by maxrathburn I'm going through literally the EXACT same thing as you. Same bass...I decided to give it another chance before I sell mine off for a ric or a P. | I hear ya. I've strung mine up with TI flats to mix it up and I'm taking it to a Festival gig tomorrow... But I'll be bringing my trusty P along... Just in case. 
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Never underestimate the root note.
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11-23-2012, 09:48 PM
| | Registered User | | Join Date: Jun 2012 Location: Modesto, CA | | | This is clinically called the first stage of GAS. Gotta break up and let go. Like the song says...breaking up is hard to do.
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California Bassist #98/Fresno Area Bassist #9/Ibanez Club #1131/SX Bass Club/Squier Owner's Club/Squier Jaguar SS #76/Short Scale Club #360
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11-23-2012, 10:44 PM
| | | | Ok this is my first TB post. Been through this a lot over the past year. Try asking "what will this new gear do for me?" Sometimes I can get GAS relief from learning how to do something new with what I have so when I finally purchase new gear I can really use it and not just admire it. | 
11-24-2012, 08:20 AM
| | Registered User | | Join Date: Feb 2005 Location: Central CT | | | I really wanted to love my El Toro, but in the end the neck shape just didn't feel comfortable for me. Always a good idea to buy used so you can sell/trade down the road. That Toro got me a Zon Sonus which really is just what I was looking for as an alternative to by beloved EBMM Sterling. Now they share top status, though the Sterling still feels most like home.
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~ Blow on, man ~
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11-24-2012, 09:31 AM
| | | Quote:
Originally Posted by bassnyc1 In the late '90's, I wanted a 5 string Ernie Ball Music Man Stingray. I think it was almost 5 years gassing for one. In the middle of 2001, after working a second and sometimes a third job, I had saved enough cash and walked into a store and bought the one I had my eyes on for quite a while. It had a maple fretboard and black finish with a white pickguard. Within a year, I was missing a jazz bass and I realized that it just wasn't for me so I flipped it. I still maintain that EBMM are the best production basses out there in terms of quality and workmanship but the EBMM sound and feel wasn't my sound and feel. | i had this kind of experience with a stingray. mine was a 4-string with one bridge pick-up. i just did not like the bridge pick up sound. the stingray was a fine instrument and it was the easiest-to-play instrument i've ever owned, but i ended up trading it off for a guitar.
my "right" bass sound is the fender p-bass. that split pick up does exactly what i want. i don't need anything more. | 
11-24-2012, 10:28 AM
| | | | When I put it in the case and legitimately forget about its existence for a month. Kinda going through this with a guitar. It's been hanging in the corner of my bedroom since the beginning of October and I forgot all about it until last night.
I lent one of my basses out to a buddy who is starting to play and I really am not missing it much.... Might have to let that one go if I continue to not use it when I do get it back.
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I.D.I.O.T #52
Fretless club #585
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11-26-2012, 12:24 PM
|  | Registered User Endorsing Artist: Brubaker Guitars | | | | | Consider the SR just another tool in your arsenal. Don't get rid of it, just buy another bass. Start a collection.
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Brubaker Brute Squad #24|Tecamp Amplification Club
Geddy Lee Jazz Club #174| Black and Maple#414
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11-26-2012, 01:41 PM
| | Registered User | | Join Date: Nov 2009 Location: Land of the Haggis | | | I have a condition called "bass guitar honeymoon syndrome."
What is it? It`s when you lust after a particular type of bass, buy it and 2 months down the line I somehow manage to convince myself that the bass is no longer what I need to get the job done. This has caused me to move on some really superb instruments and to to be in the smelly stuff financially on occasions.
At the moment, I have an old Epi Tbird, a Fender bitsa and a Ibby SR300 and this is now my goto bass and I simply love it.
For now!!!
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The most infamous 2 string bassist in Haggisland!
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