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11-19-2012, 09:19 AM
|  | Registered User | | Join Date: Aug 2000 Location: Cleveland, OH | | | I played the natural ash colored one with a rosewood board at GC near me last week. Whatever pickups it had it sounded and played very nice. Worth the cash IMO.
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"It helps when your werewolf doesn't look like a llama."
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11-19-2012, 09:31 AM
|  | Registered User Endorsing Artist: Glockenklang | | Join Date: Aug 2012 Location: Indianapolis In | | Quote:
Originally Posted by Jeff K  Ha ha! Good eye, SolarMan. I have to admit that I did NOT realize it until I posted that pic last night. Then I noticed it. I was wondering if any of you would spot that! Thanks...
I bought it used; and I guess I didn't look it over as well as I thought I had. But I really like this bass. It's the lightest weight Jazz I've ever owned, and sounds really nice. | Lighter by one screw  | 
11-19-2012, 01:13 PM
| | Registered User | | Join Date: Nov 2001 Location: California | | Quote:
Originally Posted by bassguitarthund Finish is excellent on the neck and body, does not seem cheaper to me. Unless hand stained is cheaper to do than a painted or clear coat? | Greatly...in terms of production bean-counting.
Low-gloss finishes are big production money-savers.
Fretboards and finishes are the biggest labor-consumers, and they go to considerable lengths to reduce time in the routines between models. What FMIC internally refers to as a "dry" finish eliminates the entire buff-out stage (and sometimes others as well), which is pretty $killed labor on the current thin polyurethane. Quote: |
I don't plan on changing the pups on my bass. Of course I am still waiting to hear back from Fender for conformation.
| You can always pull one and check the number on the back. It's the only way to be sure, and Fender customer support is far from reliable on information when it's about any model out of the ordinary.
It may be something entirely different, but my guess is it's the previous 33753/46 set from the description. There's nothing wrong with them. Could be the MIM 58358/9 "vintage" set used on the HO, but probably not. BTW, both of those sets are called "vintage," but there's absolutely nothing "vintage" about them. "Vintage" is merely a meaningless free buzzword that Fender Marketing copywriters use at least once in every paragraph about anything, it seems. 
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Last edited by Bongolation : 11-19-2012 at 01:27 PM.
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11-19-2012, 01:31 PM
|  | Registered User | | Join Date: Jul 2005 Location: Memphis, TN | | Quote:
Originally Posted by jamminology101 Lighter by one screw  |  Good point...
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11-19-2012, 03:11 PM
|  | Registered User | | Join Date: Jun 2010 Location: Grand Rapids, MI | | Quote: |
Originally Posted by Bongolation Greatly...in terms of production bean-counting.
Low-gloss finishes are big production money-savers.
Fretboards and finishes are the biggest labor-consumers, and they go to considerable lengths to reduce time in the routines between models. What FMIC internally refers to as a "dry" finish eliminates the entire buff-out stage (and sometimes others as well), which is pretty $killed labor on the current thin polyurethane.
You can always pull one and check the number on the back. It's the only way to be sure, and Fender customer support is far from reliable on information when it's about any model out of the ordinary.
It may be something entirely different, but my guess is it's the previous 33753/46 set from the description. There's nothing wrong with them. Could be the MIM 58358/9 "vintage" set used on the HO, but probably not. BTW, both of those sets are called "vintage," but there's absolutely nothing "vintage" about them. "Vintage" is merely a meaningless free buzzword that Fender Marketing copywriters use at least once in every paragraph about anything, it seems.  | Ok gotcha. That makes sense about the finish.
I may pull out one of the pickups when I get the time and then come back here with what I find. Maybe a little while before I do that though. Very busy lately and kinda nervous that I might mess something up as far as the adjustment. Guess I could measure the height before I do it though.
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Bassguitarthunder (Adam)
Geddy Lee Jazz Club#160 / Club Cort #201 / acoustic amp club #327(B10,B600H,140 & B410, 230) / Geddy Jazz / Gene Simmons Cort Axe / Fender 2012 American Standard Jazz
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11-19-2012, 04:04 PM
| | Registered User | | Join Date: Nov 2001 Location: California | | Quote:
Originally Posted by bassguitarthund I may pull out one of the pickups when I get the time and then come back here with what I find. Maybe a little while before I do that though. Very busy lately and kinda nervous that I might mess something up as far as the adjustment. | I'd be more concerned about screwing up the fragile windings.
I partially pulled and detailed a rare 56120/1 set of Precision pickups last night that had the gaps between the flush beveled poles and the covers filled up with a combination of displaced potting wax and unspeakable filth. I always sweat nicking a winding or parting an inside primary lead, but I didn't.
I do think that this grubby situation explains why Fender dropped the beveled magnets when flush with the covers. Quote: |
Guess I could measure the height before I do it though.
| Yeah, or just readjust them to suit.
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11-19-2012, 05:00 PM
|  | Registered User Endorsing Artist: Glockenklang | | Join Date: Aug 2012 Location: Indianapolis In | | | Good way for fender to get rid of all the soon to be obsolete jazz pickups(at least spec wise on American standards)....then some years down the line they will need some $ and blow the dust off the remaining stock and do a limited run of of '08-12' "closet classics... stock gone, profit maximized, everyones happy ryt??? | 
11-19-2012, 05:25 PM
|  | Registered User | | Join Date: Apr 2010 Location: Youngstown, OH | | Quote: |
Originally Posted by svp Was in a local bass shop recently and saw a 2012 Fender Jazz that caught my eye, it sounded amazing and played great, and am hoping I can get some info on this particular model. It was a american standard, had a stained ash body and on the neckplate it said limited edition. Was wondering if it has same specs as other american standard jazzes (same pups)? Thanks for any info. | I played one at a local GC and while I thought it was very nice. It is no different than my 2004 MIA Jazz bass. Best advice IMHO ... buy a used MIA jazz bass. | 
11-20-2012, 06:06 AM
|  | Registered User | | Join Date: Jun 2010 Location: Grand Rapids, MI | | Quote: |
Originally Posted by Bongolation Yeah, or just readjust them to suit. | Afraid I would not be able to get them adjusted correctly, lol. I need to learn how to set up and adjust my own basses. I always take them in and have it done.
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Bassguitarthunder (Adam)
Geddy Lee Jazz Club#160 / Club Cort #201 / acoustic amp club #327(B10,B600H,140 & B410, 230) / Geddy Jazz / Gene Simmons Cort Axe / Fender 2012 American Standard Jazz
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11-20-2012, 06:08 AM
|  | Registered User | | Join Date: Jun 2010 Location: Grand Rapids, MI | | | By the way still waiting to hear from Fender. Of course I realize it is the holidays so it may take longer to get a reply.
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Bassguitarthunder (Adam)
Geddy Lee Jazz Club#160 / Club Cort #201 / acoustic amp club #327(B10,B600H,140 & B410, 230) / Geddy Jazz / Gene Simmons Cort Axe / Fender 2012 American Standard Jazz
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11-28-2012, 06:33 AM
|  | Registered User | | Join Date: Jun 2010 Location: Grand Rapids, MI | | | Ok just got an email back from Fender about the pickups in my bass. They are indeed.....not custom shop pickups. Here is what they had to say (copy and paste from email reply)
"Hello Adam,
Thank you for contacting Consumer Relations.
This model came before, but close to, the time when Fender changed the American Standard pickups to the Custom Shop 60’s pickups. The Hand Stained Ash Jazz Bass launched in February 2012 and the change to the American Standard Series happened in March 2012. This is using the American Standard Jazz Bass pickups (specs below). They are tonally not much different than the Custom Shop 60’s pickups both are based on vintage pickups, but wound hotter for a punchier tone. I hope this helps.
Model Name: American Standard Hand Stained Ash Jazz Bass®
Model Number: 017-8400-(790) and 017-8402-(786)
Series: American Standard Series
Body: Ash
Neck: Graphite Reinforced Maple, Modern “C” Shape,
(Gloss Headstock Face with Satin Urethane Finish on Back of Neck)
Fingerboard: Rosewood (P/N 017-8400) or Maple (P/N 017-8402), 9.5” Radius (241 mm)
No. of Frets: 20 Medium Jumbo Frets
Scale Length: 34” (863.6 mm)
Width @ Nut: 1.50” (38 mm)
Hardware: Chrome
Machine Heads: Fender®/Hipshot® Vintage Keys with Tapered Shafts
Bridge: HMV, High Mass Vintage, (Strings-Thru-Body or Topload)
Pickguard: 3-Ply Black/White/Black
Pickups: 2 American Standard Jazz Bass Single-Coil Pickups
Pickup Switching: None
Controls: Volume 1. (Neck Pickup),
Volume 2. (Bridge Pickup),
Master Tone
Colors: (790) Wine Red,
(786) Mahogany Stain,
(Hand-Rubbed Stain with Satin Lacquer Top Coat)
Strings: Fender 7250M NPS, p/n 0737250406,
Gauges: .045, .065, .085, .105
Unique Features: Tinted Neck,
Maple Fingerboard Neck: Satin Finish on Back, Gloss Finish on Front;
Rosewood Fingerboard Neck: Satin Finish on Back, Gloss Finish on Headstock Front with Buffed Fingerboard,
HMV Bridge with Chromed Brass Saddles and Black Plate, and Chromed Steel Base Plate,
Fender Spaghetti Logo,
PosiflexTM Graphite Neck Support Rods,
Rounded Body Shape,
Rolled Fingerboard Edges,
New Molded Fender/SKB Case with TSA Locks, Glass Reinforced Nylon Trigger Latches, and Form Fitted Plush Interior
Source: U.S.
Accessories: Fender/SKB® Case, Cable, Strap, Polishing Cloth
U.S. MSRP: $1,699.99
INTRODUCED: 2/2012
DISCONTINUED:
DISCONTINUED COLORS:
COMMENTS: 150 Units globally in each color. Uses Case P/N 0996171506
WRENCH SIZES: Truss Rod Adjustment “T” Wrench, (3/16" Hex), P/N 0048693000,
Saddle Height Adjustment Wrench, (1/16" Hex), P/N 0021109000,
Intonation Adjustment Wrench, (7/64” Hex), P/N 0076157000
Specs: Product Prices, Features, Specifications and Availability Are Subject To Change Without Notice
best regards,
Steve Danielak
Consumer Relations Department"
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Bassguitarthunder (Adam)
Geddy Lee Jazz Club#160 / Club Cort #201 / acoustic amp club #327(B10,B600H,140 & B410, 230) / Geddy Jazz / Gene Simmons Cort Axe / Fender 2012 American Standard Jazz
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11-28-2012, 06:45 AM
| | Registered User | | Join Date: Jan 2002 Location: Newcastle Upon Tyne, UK. | | | I have heard the CS pups are hotter....but you have a nice bass there!
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Ernie Ball Musicman, Fender, Orange, Aguilar, Genz Benz, TC Electronics, Tech 21, T-Rex, OBBM Cables, Auralex, EB/DR/TI Strings, Herc Stands, JD Picks.
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11-28-2012, 08:11 AM
|  | Registered User | | Join Date: Jun 2010 Location: Grand Rapids, MI | | Quote: |
Originally Posted by Musicman20 I have heard the CS pups are hotter....but you have a nice bass there! | Thanks, I really love this bass!!! 
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Bassguitarthunder (Adam)
Geddy Lee Jazz Club#160 / Club Cort #201 / acoustic amp club #327(B10,B600H,140 & B410, 230) / Geddy Jazz / Gene Simmons Cort Axe / Fender 2012 American Standard Jazz
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