|  | | 
12-04-2012, 01:25 AM
| | Registered User | | Join Date: Oct 2009 Location: MEXICANADAMERICA | | my action is so low that my harmonics buzz! 
__________________ CLUBS: California Bassist #004 Fender Jazz Bass #813 Steinberger #0009 Quote: | "come watch the tortoise take the lead" -V. Benjamin | | 
12-04-2012, 03:16 AM
|  | Does this bass make my butt look big? | | Join Date: Jan 2012 Location: East Tennessee | | I don't like buzz at all. Clank drives me absolutely bonkers as well. If I hear it coming out of the amp, there will be trouble.
Most of my actions are set medium. I really like to dig in at times. On those basses that I have set low, they drive me crazy in any context gigging as I feel I have to constantly be on guard against clank. I spend too much time worried about perfect technique and playing politely versus living in the pocket.
Just say no guys !
PS - in all fairness, I do agree that there are certain genres of music and songs where clank and buzz are a must-haves and the music suffers without it.
__________________
Dingwall, Fender, Grove, Ric, Reiner Amplification (6SL7 Goodness), Genz, & (BNA Audio) Greenboy Dually & F115.
| 
12-04-2012, 09:31 AM
| | Registered User | | Join Date: May 2012 Location: Montreal | | | Lots of interesting feedback - interesting that the no-buzz-at-all players are in the minority, but I am sure this has much more to do with genre than anything else. I note that when I play with a normal touch - maybe on the light side - I get a pure note. If I play a little harder, then as the note decays and the strings oscillations get wider, the buzzing starts. And if I dig in, I can get a clanking or buzzing at will.
This behaviour is all above the 7th fret and on my Rick 4003. You are supposed to set these necks up with a minimum of relief - and this seems like the natural behaviour for a low-action briedge setup. It's VERRRRY sexy.
I don't get to talk to many bassists IRL, so this has been really interesting - thanks, all. Time to put the truss rod cover back on the Rick and move on to setting up my Aerodyne...
__________________
Rickenbacker #479, Fender Aerodyne #48, Fender Jazz Bass #1057, BC Rich #56, Hagstrom #34
| 
12-04-2012, 10:00 AM
|  | My SQUIER is on Fire! | | Join Date: Sep 2006 Location: Blimp City USA | | | I use flats so low is no issue.
__________________
Peace, Love and Music
FENDER/SQUIER freak
| 
12-04-2012, 10:13 AM
| | Registered User | | Join Date: May 2012 Location: Montreal | | Quote:
Originally Posted by bassbully I use flats so low is no issue. | It's been a while since I've used flats. Maybe my fingers have become too calloussed to notice, but I am amazed at how easy it is to play my favorite strings, Elixir Nanowebs. I even use heavy guage 050 075 085 105 on my Rick, and I really don't find them "heavy" at all. But, I like to have lots of bite and high harmonics.
If there was a flatwound string that did this, I'd give them a try on one of my basses, for sure.
__________________
Rickenbacker #479, Fender Aerodyne #48, Fender Jazz Bass #1057, BC Rich #56, Hagstrom #34
| 
12-04-2012, 07:06 PM
|  | Registered User | | Join Date: Jan 2010 Location: Like old Hampshire, but New | | | I love it. My eyes got opened to it when I saw a video interview with Billy Sheehan where he talks about his setup. He said he deliberately set his action low to get some buzz and get the Chris Squire vibe, and that was when I realized that it was part of the tone of some of my heroes and I decided to embrace it. Now I really like the edginess it gives to my tone.
__________________ Quote:
Originally Posted by pacojas because of your post, i have just quit my band!  the truth is liberating!  infact,... i think i'm about to leave my wife!!!  and move to Canada!!!! and buy a boat!!!!! | | 
12-04-2012, 07:37 PM
| | | | I like a little buzz when I play aggressively, but no buzz when I play with a light touch. | 
12-04-2012, 07:40 PM
|  | Registered User | | Join Date: Apr 2012 Location: Long Island | | Quote: |
Originally Posted by Mark4 I like a little buzz when I play aggressively, but no buzz when I play with a light touch. | +1 | 
12-04-2012, 07:45 PM
|  | Registered User | | Join Date: Dec 2011 Location: Hudson Valley, NY | | | While we're on this subject, there should be an outright ban on Youtube demos where the player cranks the tone knob. All buzz, all the time.
__________________
Official Fender Precision Bass Club #881, Gallien Krueger Official Club #921, N.Y. Bassists Club #52
| 
12-05-2012, 02:47 PM
|  | Registered User Endorsing Artist: Brubaker Guitars | | | | | I slap so I like it as low as possible. some buzz I actually use to add grind to my sound but the note has to still ring true before the buzz happens if ya know what I mean.
__________________
Brubaker Brute Squad #24|Tecamp Amplification Club
Geddy Lee Jazz Club #174| Black and Maple#414
| 
12-05-2012, 04:09 PM
|  | Registered User | | | | I like a little buzz when playing. I like low action too! 
__________________
2011 Fender Highway One Jazz, 2x Tech 21 SansAmp ParaDriver DI, Crown XLS1000, 2x Hartke XL210, MarkBass Compressore, MXR Analog Chorus, D'Addario XL220BT
| 
12-05-2012, 10:10 PM
| | Registered User | | Join Date: May 2012 Location: Montreal | | | After reading all these great viewpoints, I lowered my bridge a bit on my aerodyne today, thinking I had it set for no buzz with a light/medium touch, nice buzz when I dug in... then went to practice.
The bass was weird tonight, I usually like bright attack - but it was out of control. Note decay was wrong, too - I had a hard time getting bottom end body from A to G strings; E string was fine, the string that was lowered the least. I went to the amp and changed the EQ settings and took out the high end boost on the graphic EQ.
I think the weirdness was worst when using a pick, which tells me that when I am playing with the band I am more aggressive with the pick than when I practice. It was more controllable with my fingers, and of course great when I slapped. I can do all three... But I just love the flair of playing with a pick. (No matter what style I'm playing, in my heart I'm a four chord power rocker, what do you expect?)
However, at the end of the night the guitarist remarked he loved the tone of the bass, not knowing I had changed anything.
I use a Boss ME 20B multi-effects pedal, and I think the solution is for me to review my EQ settings in my presets.
Wondering if anyone else has had to go through this?
__________________
Rickenbacker #479, Fender Aerodyne #48, Fender Jazz Bass #1057, BC Rich #56, Hagstrom #34
Last edited by CrashAlpha : 12-05-2012 at 10:29 PM.
| 
12-05-2012, 10:14 PM
| | | | The primary thing is to not have any notes fretting out anywhere on the fretboard. This can require fret level for best fretboard play. I typically adjust to just starting to fret out and raise it a little above that. The maybe timy tweak for best sound. Musical fretbuzz imporves the sound imo. Players like Chriss Squire where among the first popular bass players to use this improved tone qaulity imo.
__________________
Life for its own carnal pleasure sake. Bass Guitar: Jackson JS3. Rotosound swing66 strings. Zoom club#2. Bass synths: Maudio Venom, & Novation KS4.
| 
12-05-2012, 10:15 PM
|  | Registered User | | Join Date: May 2011 Location: Los Angeles, Ca | | | zero.
__________________
Oompa Loompa loompadi day
| 
12-06-2012, 01:47 PM
| | | | I use flats and drop the action as low as I can without fretting out. No problems. | 
01-30-2013, 08:59 PM
| | | | I became a low action fan a few years ago and used to be very picky about fretbuzz, but in the last few years, I've come around to the other end of it. While my Jaguar is strung with well-matured light gauge Chromes and set in its ways, my Warwick is a different issue. Back when I used to play Rickenbackers, I couldn't tolerate any fretbuzz, but now that my Streamer is set up good and low with a set of TI Jazz Flats I had around, I've come to appreciate the way a little overall buzz melds with the woody sound I get out the bass, especially with the pickup height raised up a little bit more than usual.
I think one of the things that changed my mind was watching a particular John Entwistle 5:15 bass solo and realizing how much fretbuzz was a part of that sound. Suddenly, it wasn't a dirty word anymore. | 
01-30-2013, 09:01 PM
|  | Registered User | | Join Date: Aug 2010 Location: Varied places around the world | | | As long as its not fretting out its okay
__________________
Sean- Fender Precision Bass #823, Fender Jazz Bass #740, Drop Tuned Bassists #11 Black/Maple #423 Aerodyne #46 GK #870
Fender Aerodyne Club "Manager-" PM me if I miss you
| 
01-30-2013, 09:21 PM
|  | Registered User | | Join Date: Aug 2005 Location: Willow Street, PA | | | I use flats, so as low as I can go without choking the notes. Other people have trouble playing my main bass because the action is so low.
It requires a light touch but gets really grindy when I dig in. | 
01-30-2013, 10:15 PM
| | Registered User | | Join Date: Aug 2007 Location: Medford, Wisconsin | | | Wasn't it entwhistle who said when asked how low he likes his action he said, "so low the strings are on the back of the neck"
__________________
Medford Bassman
Rickenbacker 4003
MIA Jazz
MIM Jazz V string
Fretless bass
ATK 300
Genz Benz Shuttle 6.0
Genz Benz NEOX 212T
Genz Benz NEOX 112T
Audere preamp (MIA Jazz)
| 
01-30-2013, 10:57 PM
|  | keepin' the beat since the 60's | | Join Date: Dec 2007 Location: Studio City, SoCal, USA | | | I think that he said that he liked his action "below the fingerboard", but either one works! Same for me.
__________________
You're never too old to learn something stupid.
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |