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  #81  
Old 01-18-2013, 03:07 PM
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Join Date: May 2009
Location: SF Bay Area/California
Quote:
Originally Posted by Runnerman View Post
I would love this...but it ain't gonna happen. Don't have 3 bills to drop right now.

Ooooh, baybeee!! Where'd you find that hot mama?
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  #82  
Old 01-18-2013, 03:10 PM
Fueled by chocolate
 
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Location: Montreal, Canada
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Quote:
Originally Posted by dabbler View Post
Actually, it's worse than that:

Variety is not the spice of life? The best part is that I'll bet your wife thinks you only have one bass.
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  #83  
Old 01-18-2013, 05:02 PM
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Join Date: Oct 2008
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Quote:
Originally Posted by Runnerman View Post
I would love this...but it ain't gonna happen. Don't have 3 bills to drop right now.

'57 RIs rule. I should have bought one when they were still current and like $750 new, but I didn't because they weren't a "modern" bass. I was SUPER dumb.

Maples rule. I have one ebony and I think I'm done with rosewood. I gave away my last bass with rosewood on it.
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  #84  
Old 01-18-2013, 05:05 PM
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Join Date: Feb 2007
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if u like it buy it...who gives a ****!

Bill
  #85  
Old 01-18-2013, 05:07 PM
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carrots.
  #86  
Old 01-18-2013, 05:30 PM
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Quote:
Originally Posted by Runnerman View Post
I want a maple fretboard because I love the look. Everything I have now is rosewood.

What other reasons do I want/not want maple?
If it's what you want, what more reason could you need?
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I would eat Slap-n-Pops. No question about it.
  #87  
Old 01-18-2013, 05:45 PM
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Join Date: Aug 2007
Location: Bowie, MD
Quote:
Originally Posted by bass12 View Post
Variety is not the spice of life? The best part is that I'll bet your wife thinks you only have one bass.
Actually, she has an eye for detail. Fortunately for me, my wife allows me this one extravagance.
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  #88  
Old 01-18-2013, 05:55 PM
Fueled by chocolate
 
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Quote:
Originally Posted by dabbler View Post
Actually, she has an eye for detail. Fortunately for me, my wife allows me this one extravagance.
Nice. I once knew of a guy who would always buy similar looking basses so his wife wouldn't know!
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  #89  
Old 01-18-2013, 06:10 PM
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I can't stand maple fretboards... it just looks... unfinished? Like there was something left to do to it that never got done. I don't know how to explain it. I guess it seems like an unpainted car or something. Rosewood all the way.
  #90  
Old 01-20-2013, 04:12 PM
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I bought a Stingray back in 2005 with a maple fretboard. It wasn't lacquered and it got dirty really quickly. In addition I got a nasty ding on the fretboard, the wood seemed really soft in comparison to a rosewood fretboard. It also required very frequent trussrod adjustments due to the humidity in Ireland. Anyway I found an excellent luthier who fixed the 'ding' and lacquered the fingerboard (he left the back of the neck with original satin finish). Now the bass looks great, the lacquer has aged and has yellowed a little (looks really 'vintage') And the neck relief is really stable. if I were to buy again I think I'd go rosewood (or lacquered maple). Well that's my story.
  #91  
Old 01-20-2013, 04:14 PM
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In my opinion, some basses look better with maple, some with rosewood and some look good with either.
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  #92  
Old 01-20-2013, 04:21 PM
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Originally Posted by jlepre View Post
Really seems to be pure aesthetics to me. I do notice a little different in feel, but nothing to write home about. Get what looks and SOUNDS nice to you.
+1 Get what looks good to you - that's all that really matters.
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  #93  
Old 01-20-2013, 04:21 PM
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Maple necks just give me a brighter and crisper tone. I have a ebony neck, rosewood and ebony bass.....and the sweetest tones seem to come from ny maple neck.....I love all the wood tones but maple is my fave...just my 1-1/2 cents
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  #94  
Old 01-20-2013, 10:26 PM
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Location: Twin Cities, MN
Quote:
Originally Posted by vishuddha View Post
I can't stand maple fretboards... it just looks... unfinished? Like there was something left to do to it that never got done. I don't know how to explain it. I guess it seems like an unpainted car or something. Rosewood all the way.
I love the "snap" I get from maple and how they can get dirty looking. To each his own!
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  #95  
Old 01-21-2013, 04:38 AM
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I read something which made a lot of sense to me : according to Sheldon Dingwall, basses with a gloss finished neck and oil finished board (or the other way around) are unbalanced in the way they react to moisture changes. Therefore, these necks are less stable.

When it comes to sound, I'm pretty sure I can hear the difference between fretboard woods. Ebony has this immediate, glassy attack. Rosewoods are generally warmer but many different species with different properties are being used. I found wenge has a nice balance of warmth and snapiness but some won't like the rough feel.
Now back to maple, it is bright sounding in itself but I believe the finish does impact the tone on the fretboard much more than anywhere else. When I A/B'd my precision (satin neck) against a PJ Vester I used to own (white paint and thick gloss all over, including the fretboard) what I heard was very different, even acoustically. Sure they had different bridges but they were otherwise very similar (fenderish shaped alder body, 4x bolt-on construction, maple neck, same strings).

Now, some basses do call for specific woods for esthetic and/or tonal reasons. As much as I love wenge, I just can't imagine it on a precision.
I'm currently waiting for a custom jazz style bass with a bocote fretboard on a reliced maple neck. Oh, and it will have a steel body too. It should be interresting.
  #96  
Old 01-21-2013, 06:07 AM
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I used to favor ebony and rosewood. Since I got my Maple p/j 5 it's been all maple.
Maple is the most versatile of fingerboard woods. I can make it dark and fat sounding, or bright and snappy!
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