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03-19-2013, 09:31 AM
| | | | New bass in moderate price range? Hello.
I've been playing on a extremely cheap Washburn for a few weeks, yesterday it broke (easily fixable I think) but it made me realise that I want to buy a solid bass which will hold up for a while.
I really do play everything, but mainly metal and rock. Pantera, RCHP, Foo Fighters, Stone Sour, Slipknot are some examples of bands I like. I think I want a really clear and deep tone. I think I'm going for a 4 string but I am open for suggestions.
I'm hoping to find a lightweight bass since I want to stand up and play as much as possible.
I am a big fan of the "broomstick"-model. I've been looking at the Steinbergers but according to most people they really are not that good. I've also checked out the Epiphone Les Paul Special (mainly for the looks) but then I've heard it's kind of bulky.
Last but not least, my budget would be about: $775 / 600 EU
Thanks! | 
03-19-2013, 09:32 AM
|  | Registered User | | Join Date: Dec 2011 Location: Queens NY | | | Used Fender MIA P or J. | 
03-19-2013, 09:34 AM
| | Registered User | | Join Date: Nov 2007 Location: West Des Moines, Iowa | | | Can you give us some examples of bassists whose tone you really like? That might help narrow it down a bit.
There are literally hundreds of good basses in that price range, and on this forum, all you're going to get is "OMG MIM FENDER" as a reply if you aren't more specific. | 
03-19-2013, 09:49 AM
| | | Quote:
Originally Posted by Skygoneblue Can you give us some examples of bassists whose tone you really like? That might help narrow it down a bit.
There are literally hundreds of good basses in that price range, and on this forum, all you're going to get is "OMG MIM FENDER" as a reply if you aren't more specific. | Hmm.. My favourite bassist would be Rex Brown (Pantera) he has a pretty dark groovy tone. I like it, however a bit more clear would fit me better I think. I don't know if you can work from that? | 
03-19-2013, 09:53 AM
| | Registered User | | Join Date: Oct 2006 Location: Somewhere in the maritimes. | | Quote:
Originally Posted by LazyFatNinja Hmm.. My favourite bassist would be Rex Brown (Pantera) he has a pretty dark groovy tone. I like it, however a bit more clear would fit me better I think. I don't know if you can work from that? | I would say something active with humbuckers in that case. Maybe an Ibanez, ESP or Schecter? they all have some good offerings in a lower price-range.
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03-19-2013, 10:02 AM
| | | Quote:
Originally Posted by El-Bob I would say something active with humbuckers in that case. Maybe an Ibanez, ESP or Schecter? they all have some good offerings in a lower price-range. | I've looked at the Ibanez ATK series. I really did not like the look but the sound is definitly great. Somone recomended that I buy a 5 string since I play so different types of music. When I think about it I think it would be great with a B string too, since I really like the dark sound. Thoughts? | 
03-19-2013, 10:08 AM
| | Registered User Product Specialist, Full Compass Systems | | Join Date: May 2011 Location: Madison, WI | | | G&L. Used USA or a new Tribute. Can't miss.
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03-19-2013, 10:08 AM
| | Registered User | | Join Date: Nov 2007 Location: West Des Moines, Iowa | | Quote:
Originally Posted by El-Bob I would say something active with humbuckers in that case. Maybe an Ibanez, ESP or Schecter? they all have some good offerings in a lower price-range. | Yep, agreed. Rex's signature bass has dual humbuckers (Spector), but it's a little out of your price range.
Here's a good one from ESP if you like unique body shapes: http://www.musiciansfriend.com/bass/...ic-bass-guitar
Schecter also makes a lot of great basses with dual EMG humbuckers. Here's an example: http://www.musiciansfriend.com/bass/...o-elite-4-bass
Check out a site like Musician's Friend and use some of their sorting filters. Search 4-string basses, narrow it down by price, and look for basses with two humbuckers to see what jumps out at you.
If you come up with 2-3 that you like, let us know and we'll be glad to break it down even further for ya! | 
03-19-2013, 10:14 AM
| | | Quote:
Originally Posted by Skygoneblue Yep, agreed. Rex's signature bass has dual humbuckers (Spector), but it's a little out of your price range.
Here's a good one from ESP if you like unique body shapes: http://www.musiciansfriend.com/bass/...ic-bass-guitar
Schecter also makes a lot of great basses with dual EMG humbuckers. Here's an example: http://www.musiciansfriend.com/bass/...o-elite-4-bass
Check out a site like Musician's Friend and use some of their sorting filters. Search 4-string basses, narrow it down by price, and look for basses with two humbuckers to see what jumps out at you.
If you come up with 2-3 that you like, let us know and we'll be glad to break it down even further for ya! | Will do! However, I'm starting to think about 5 strings now. Somone recomended it since I will play a wide arrange of music and I also like the dark tones. Would it be wiser to just play a tuned down 4 string? | 
03-19-2013, 10:18 AM
| | Registered User | | Join Date: Jan 2001 Location: Ottawa, Canada | | | Personally never tried one, but ESP LTD with real EMGs would probably be a good fit. I've heard good things about them.
Be careful though that Schecter has EMG-HZ (passive) which are totally different, so try before you buy. | 
03-19-2013, 10:32 AM
| | Registered User | | Join Date: Nov 2007 Location: West Des Moines, Iowa | | Quote:
Originally Posted by LazyFatNinja Will do! However, I'm starting to think about 5 strings now. Somone recomended it since I will play a wide arrange of music and I also like the dark tones. Would it be wiser to just play a tuned down 4 string? | Well, I'm into a lot of hard rock and metal as well, and I've never seen it as a necessity. That's not to say a 5 string doesn't have its place, but it's not mandatory. Here's my reasoning...
A lot of the bands I like to cover and jam to are in drop-D, drop-C#, drop-C, etc. In that case, a 5 string doesn't do me any favors because I would basically have to constantly "capo" 1, 2, or 3 fret with my left hand to play their root notes. And with as quickly as a lot of metal riffs can move between open root notes and higher frets, that's just not a feasible option. I had a 5-string, and even when playing bands like Mudvayne (who were in drop-B at the time), I just ended up tuning my whole bass down anyway.
The other issue is that in the example like I outlined above, the B string just gets in the way. I like rocking out hard, and I hate having to constantly mute the low B when it's not tuned to the root of what I'm playing.
If you're playing along with a guitarist with a 7-string, or planning on covering a lot of music that is played in B or lower (like Korn who is in A tuning), then I could see opting for a 5-string over a 4 for sure. Or if you want the absolute most flexibility possible, then a 5 will be fine as well. I just hesitate to instantly say that "metal = you need a 5 string" because it's 100% false, and there are dozens of bassists who prove that to be true. | 
03-19-2013, 10:38 AM
| | Registered User | | Join Date: Mar 2012 Location: Michigan USA | | | I would recommend a Spector- it's a pretty reliable bass which is pretty adaptable to a wide range of music. It's my go-to bass. I also have one of the "broomstick" basses you mentioned, a Hohner B2A- it's an active bass, good sound, inexpensive if you find one used but much like most headless basses, including Steinbergers, I find that it doesn't quite have the warm tone I'm looking for. Still good though and light, you can actually buy an adapter for it so you won't have to limit yourself to the double ball strings (for headless basses) and you can use any bass strings out there. | 
03-19-2013, 10:45 AM
|  | Registered User | | Join Date: Aug 2011 Location: suburban Chicago | | The suggestions you have gotten are fine but there are a couple of companies (both Canadian, I believe) that you don't hear of as much with offerings a little different from the norm and might appeal to you: Godin Guitars (check out the performance and a series) and Eastwood Guitars. If you are looking you might as well consider all the options.
Happy hunting,
Ken | 
03-19-2013, 10:49 AM
| | | | I bought a Steinberger Spirit 5 online untested unknown. It needed setup and it really needed some Status half-wound strings. It's a woody thunky tone with sustain into next week.
About a year later, I also bought a Yamaha BB425x to get the more traditional P/J tone and the Yamaha feel is smoother tighter and more refined than the Steinie, but 90% of the time I'm playing the Steinberger. It just suits me.
You need to try out as many bassses as you can to find one that feels like it was made for you. Don't expect one bass to do it all -- a set of affordable playable basses seems a much better bargain than one expensive bass expected to do it all. | 
03-19-2013, 11:01 AM
| | Registered User | | Join Date: Mar 2012 Location: Milan, Italy | | | Ok: I gotta state it... Skygoneblue is (more or less) always right I definitely don't know him, but always (not the only one over here for sure) very good points in a synthetic, straightforward
" metal-to-the-masses" way of communicate
I totally agree
I'd tell Ibanez Paul Gray bass, if you still can find one (I could) 
It was equipped with a thinner neck than on ordinary Atks (I briefly owned an Atk 310 as well) which got matched finished with the body (transblack on ash or burgundy wine on ash) it retained factory TripleCoil pickup (a true attempt to replicate MusicMan versatility) capable of serial with highcut filter, serial
and parallel option at a flick of a switch (and a three band eq)
finally it came factory strung B, E, A, D to cope with 'not dual baritone (B to B) electric guitar attack.
Mine swapped string out with the Atk 310, which in turn got traded for
an Ampeg combo btw, and now is tuned D, G, C, F with room for a Hipshot Bt7 bass extender (if you dig)
Problem bein' machineheads come in cosmoblack while Hipshot doesn't offer that option, so you could opt for plain black one, thus accustom you to a drop C tunin' that goes (D)C, G, C, F.
Anyway I really think a good 5 string, like a G&L L2500 tribute or a Yamaha Trb1005J (35" scale) tuned A, D, G, C, F just like Korn is what you'll find more useful with 7 string guitars (I do) but a former Paul Gray or a present Atk800e Premium (even if only comparable down to design to the Paul Gray bass) are a very good startin' point for durable aggressive and sharp 4ers.
Cheers,
Wallace
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l'innocenza e l'intelligenza nel miracolo della Creazione.
Last edited by Wallace320 : 03-19-2013 at 11:05 AM.
| 
03-19-2013, 11:08 AM
| | Registered User | | Join Date: Nov 2007 Location: West Des Moines, Iowa | | Quote:
Originally Posted by Wallace320 Ok: I gotta state it... Skygoneblue is (more or less) always right | Phht, care to tell my wife that?  | 
03-19-2013, 11:14 AM
| | | Quote:
Originally Posted by Skygoneblue Well, I'm into a lot of hard rock and metal as well, and I've never seen it as a necessity. That's not to say a 5 string doesn't have its place, but it's not mandatory. Here's my reasoning...
A lot of the bands I like to cover and jam to are in drop-D, drop-C#, drop-C, etc. In that case, a 5 string doesn't do me any favors because I would basically have to constantly "capo" 1, 2, or 3 fret with my left hand to play their root notes. And with as quickly as a lot of metal riffs can move between open root notes and higher frets, that's just not a feasible option. I had a 5-string, and even when playing bands like Mudvayne (who were in drop-B at the time), I just ended up tuning my whole bass down anyway.
The other issue is that in the example like I outlined above, the B string just gets in the way. I like rocking out hard, and I hate having to constantly mute the low B when it's not tuned to the root of what I'm playing.
If you're playing along with a guitarist with a 7-string, or planning on covering a lot of music that is played in B or lower (like Korn who is in A tuning), then I could see opting for a 5-string over a 4 for sure. Or if you want the absolute most flexibility possible, then a 5 will be fine as well. I just hesitate to instantly say that "metal = you need a 5 string" because it's 100% false, and there are dozens of bassists who prove that to be true. | Makes sense, I think I will do fine with a 4 string. Quote:
Originally Posted by Maxdusty I would recommend a Spector- it's a pretty reliable bass which is pretty adaptable to a wide range of music. It's my go-to bass. I also have one of the "broomstick" basses you mentioned, a Hohner B2A- it's an active bass, good sound, inexpensive if you find one used but much like most headless basses, including Steinbergers, I find that it doesn't quite have the warm tone I'm looking for. Still good though and light, you can actually buy an adapter for it so you won't have to limit yourself to the double ball strings (for headless basses) and you can use any bass strings out there. | I listened to some samples from Spector in my price range and I did not really like it.. However I like Rex's tone. Maybe there is a big difference between the models. Quote:
Originally Posted by khutch The suggestions you have gotten are fine but there are a couple of companies (both Canadian, I believe) that you don't hear of as much with offerings a little different from the norm and might appeal to you: Godin Guitars (check out the performance and a series) and Eastwood Guitars. If you are looking you might as well consider all the options.
Happy hunting,
Ken | Did not really like the design of the basses in my price range, also it seems that they will be hard to get in Sweden. However, thanks anyway! Quote:
Originally Posted by wrench45us I bought a Steinberger Spirit 5 online untested unknown. It needed setup and it really needed some Status half-wound strings. It's a woody thunky tone with sustain into next week.
About a year later, I also bought a Yamaha BB425x to get the more traditional P/J tone and the Yamaha feel is smoother tighter and more refined than the Steinie, but 90% of the time I'm playing the Steinberger. It just suits me.
You need to try out as many bassses as you can to find one that feels like it was made for you. Don't expect one bass to do it all -- a set of affordable playable basses seems a much better bargain than one expensive bass expected to do it all. | The thing is, I live in a pretty small town, we've got 2 music shops carrying maybe 10 basses permanently in stock. So I do not have the chance to try the stuff.. More so when I am looking for a bit of special stuff. The mainly just carry the plain ol Fenders. Quote:
Originally Posted by Wallace320 I definitely don't know him, but always (not the only one over here for sure) very good points in a synthetic, straightforward
" metal-to-the-masses" way of communicate
I totally agree
I'd tell Ibanez Paul Gray bass, if you still can find one (I could) Attachment 325609
It was equipped with a thinner neck than on ordinary Atks (I briefly owned an Atk 310 as well) which got matched finished with the body (transblack on ash or burgundy wine on ash) it retained factory TripleCoil pickup (a true attempt to replicate MusicMan versatility) capable of serial with highcut filter, serial
and parallel option at a flick of a switch (and a three band eq)
finally it came factory strung B, E, A, D to cope with 'not dual baritone (B to B) electric guitar attack.
Mine swapped string out with the Atk 310, which in turn got traded for
an Ampeg combo btw, and now is tuned D, G, C, F with room for a Hipshot Bt7 bass extender (if you dig)
Problem bein' machineheads come in cosmoblack while Hipshot doesn't offer that option, so you could opt for plain black one, thus accustom you to a drop C tunin' that goes (D)C, G, C, F.
Anyway I really think a good 5 string, like a G&L L2500 tribute or a Yamaha Trb1005J (35" scale) tuned A, D, G, C, F just like Korn is what you'll find more useful with 7 string guitars (I do) but a former Paul Gray or a present Atk800e Premium (even if only comparable down to design to the Paul Gray bass) are a very good startin' point for durable aggressive and sharp 4ers.
Cheers,
Wallace | I will look for the Paul Gray signature, I liked the tone of the ATK but I really did not like the design. This one however looks good. I'll check out some samples and see if it's anything I like! -------------
These are the "top-3" right now I think: http://www.thomann.de/se/yamaha_rbx_374_blk.htm http://www.thomann.de/se/yamaha_rbx_374_slv.htm http://www.thomann.de/se/ibanez_atk200_bk.htm | 
03-19-2013, 11:15 AM
| | Registered User | | Join Date: Mar 2012 Location: Milan, Italy | | | Skygoneblue: do the same with my wife too If you dare
Bad element
Cheers,
Wallace
__________________
Andrea Edoardo,
l'innocenza e l'intelligenza nel miracolo della Creazione.
| 
03-19-2013, 11:18 AM
| | Registered User | | Join Date: Jun 2009 Location: North Bend, WA | | Quote:
Originally Posted by LazyFatNinja Hmm.. My favourite bassist would be Rex Brown (Pantera) he has a pretty dark groovy tone. I like it, however a bit more clear would fit me better I think. I don't know if you can work from that? | If that's the tone you're looking for you can get a Spector Legend in that range. Used you could pick a Rex model..... 
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03-19-2013, 11:20 AM
| | Registered User | | Join Date: Nov 2007 Location: West Des Moines, Iowa | | | I actually just got the 5-string model of that Yamaha last week from Musician's Friend (contrary to everything I just said above). It's a cool bass, but I have to say, you get what you pay for with it - It's under $400 for a reason.
The battery cover is total crap. It barely closes with just the battery in it, and they put this shoe-string-lookin piece of fabric in there to help you yank the battery out when it dies because of how damn hard you have to shove the thing in there.
On top of that, the 5-string was pretty neck-heavy, which made it a pain in the ass to play. The 4 might be a different story, but because the body shape is pretty small, and the wood is light-weight, it may do the same thing. That might not be a concern for you, but it annoys the piss out of me having to hold my bass up with my left hand instead of just fretting.
Now, those two small quirks aside, it's a fine bass with a good rock tone. A few folks warned me about the pre-amp being poopy, and one of my pots did arrive with a scratchy tone. However, that was easily taken care of with some detox spray.
The RBX is a fine bass for what you pay, but if your budget is truly $770, you'd be better suited to spend a little extra. In my experience, the difference between a $400 bass and a $600 bass is really the difference between "beginner crap" and "intermediate level bass that will actually last you a long time". | | Thread Tools | Search this Thread | | | |
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