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  #1  
Old 12-08-2010, 08:43 PM
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Say, why did Fender get rid of the S-1 switch?

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Having that little series/parallel switch seemed like a cool and practical addition to the simple, passive J & P format. Why did Fender get rid of it on their American Standard P & Js?
  #2  
Old 12-08-2010, 08:45 PM
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I cant speak for everyone, but I hated it. I ripped it out of 2 basses I had it on almost immediately . . .

edit: ok "hate" might be a strong word. I just didnt dig it. The switch sort of broke on my J V so I ripped it out. I got a used P w/ it didnt even wait, ripped it right out . . . the alternate tones weren't all that appealing to me
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Last edited by pasta4lnch : 12-08-2010 at 08:48 PM.
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Old 12-08-2010, 08:47 PM
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p4i speaks for virtually everyone

i personally think it was a pretty cool idea for a jazz bass (less so for a P), but the switch/knob was super chintsy - didn't make the US Fenders look good at all. It's a fairly easy mod to do if you like it.
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Old 12-08-2010, 08:48 PM
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It didn't do anything. It just made the sound worse. My good friend called it the "Suck-switch" because it made your bass sound suckier.
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Old 12-08-2010, 08:56 PM
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May have been chintsy but I think the idea is great. Especially for a Jazz bass.
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  #6  
Old 12-08-2010, 09:18 PM
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Perhaps an after market push/pull switch of better quality would have done the trick. It really seemed like a great idea for Jazz basses, even if you barely used the switch. But I always wondered how much of a tonal difference could it possibly make on a P bass. Oh well, not much I guess.
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Old 12-08-2010, 09:20 PM
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When Fender heard that TBers didn't like them, they pulled the S-1 program in a panic. I have only played a couple of S-1 equipped basses, never owned one, but I didn't really care about it one way or the other.
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Old 12-08-2010, 09:22 PM
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i love it on my jazz
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Old 12-08-2010, 09:38 PM
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i love it on my jazz
+1 great for a jazz, not so much for a P.
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Old 12-08-2010, 09:43 PM
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Quote:
Originally Posted by dvh View Post
May have been chintsy but I think the idea is great. Especially for a Jazz bass.
+1

I can recall several times when my Jazz wasn't sitting in the mix the way I wanted it to. S-1 switch to the rescue.

"Chintzy?" As in it looks and feels cheap, breaks easily?

That's not my experience. Indeed, it seems to be camoflauged rather nicely.
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  #11  
Old 12-08-2010, 09:45 PM
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I have one on my pbass, and it just makes it sound like crap, I never use it.
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  #12  
Old 12-08-2010, 09:48 PM
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I can't tell you how many times I played one in a shop only to have the switch stick down and not release. IMO major cheap quality part, good idea though.
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  #13  
Old 12-08-2010, 10:23 PM
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not worse, just different.

Quote:
Originally Posted by dgce View Post
Perhaps an after market push/pull switch of better quality would have done the trick. It really seemed like a great idea for Jazz basses, even if you barely used the switch. But I always wondered how much of a tonal difference could it possibly make on a P bass. Oh well, not much I guess.
I have an '04 P Bass with the switch and it does offer a different palate, although not for everyone. The switch engaged thins out the typical P Bass tone (not as chunky), BUT...it provides more articulation ala Jazz bass. So, if you're thinking of some fleet fingered solos on your P Bass, this switch will help your notes to be heard with more focus and less "blur".
  #14  
Old 12-08-2010, 10:34 PM
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it broke a lot.
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  #15  
Old 12-08-2010, 11:05 PM
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I never played it on a jazz, but it really did suck on a P. I probably played 6 or 7 different S-1 equipped P basses over the time they had those in production. At least 4 of them the switch was broken. The other ones that it did actually work on, it really did just make the bass sound suckier. I wasn't a fan of those years of Fenders in general, and that s1 switch really made it even worse. I actually remember gravitating towards the Mexican standard basses because I hated the way that the MIA ones sounded so much. They fixed everything that I didn't like about the MIA standard series in '08 though! I love my '08 P bass!
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  #16  
Old 12-08-2010, 11:12 PM
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It seemed to provide a nice alternative on a jazz bass. Sounded like crap on a P.

Nevertheless, I've always been dumbfounded as to why some people hated it so much. As someone said, it was well-camouflaged--hell, I didn't even notice it the first time I tried a Fender from that era in a store! And it didn't affect the tone when it wasn't engaged, I don't believe.
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Old 12-08-2010, 11:19 PM
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The vast majority of people hated the S-1. A lot of people just ignored it. And then maybe like 1% liked it. Try justifying THAT cost of production.
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  #18  
Old 12-08-2010, 11:41 PM
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The vast majority of people hated the S-1. A lot of people just ignored it. And then maybe like 1% liked it. Try justifying THAT cost of production.
The salesmen talked about it like a gimmick, and the customers yawned on many of those occasions.
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  #19  
Old 12-08-2010, 11:46 PM
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To be honest, I love it on my Hot Rod Jazz, played it on a few p's, it was lackluster. To each their own...
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  #20  
Old 12-08-2010, 11:51 PM
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I never understood the "I hate it and I ripped it out" mentality.
If you do not like it then do not use it of course.
I would say it increases resale value because it is an extra option, which some folks might want. Personally I would leave it in even if I did not use it.

As far as "do I like it?" goes: I would have to say I do not use mine very often. I actually like to have one pickup on full and the other backed off a bit (talkin about a two single coil Jazz type setup). But if I need some heavy thump I will "engage".
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