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03-16-2011, 09:58 PM
| | Registered User | | Join Date: May 2008 Location: Louisville | | | Warwick vs. Stingray
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I've got a MM Stingray 4HH and loved it at first but over time noticed a lack of that tone I'm looking for. It's bad enough that my MIM Jazz bass seems better. I love that Warwick tone and have been really looking at the Streamer series but I'm hesitant to jump into it opinions? | 
03-16-2011, 10:05 PM
| | Registered User | | Join Date: Aug 2004 Location: Los Angeles, CA | | | I've never owned one personally, a friend of mine does and swears by it for recording and live shows, I does have that distinct punch/thump. I would make the switch if it adds more variety to your arsenal.
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03-16-2011, 10:08 PM
| | Registered User | | Join Date: Feb 2011 Location: Frankfort, KY | | | I own a korean made warwick and have played several stingrays and i like the warwick better. | 
03-16-2011, 10:11 PM
| | Registered User John Doe Basses | | Join Date: Apr 2010 Location: Frostburg Maryland | | | I literally just traded my corvette $$ for a stingray 5. does that throw the whole thread off?
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03-16-2011, 10:26 PM
| | | | I just got a 98 Streamer Std that is a little beat up but sounds and plays amazing. I also have a Rockbass Streamer Standard and used to have a Streamer $$. Overall the two Standards sound really similar but the German has more character than the Rockbass. A smoother woody tone is the best I can think to describe it. The $$ was one of the best basses I've ever played. All of the Warwicks I've played have been nice. I have almost zero experience with Music Man. I need to work on that.
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03-16-2011, 10:29 PM
| | Registered User | | Join Date: Jun 2010 Location: GA | | In my experience, with both Warwick and EB, quality is moot. You're basically (no pun intended  ) picking a tone that you like more. Warwicks growl, and have a very pronounced midrange. Stingrays, on the other hand, are *slightly* more versatile. They still have great mids, but can cop more tones -- especially with the HH configuration.
With my Warwick, to get the mids out, I had to completely scoop the mids on the amp, solo the neck pickup, and play at the neck. Now, for rock, and all similar genres, the Warwick would probably be better.
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03-16-2011, 10:31 PM
| | Registered User | | Join Date: Jan 2009 Location: Hunt. Co., New Jersey | | The warwicks with a MM pickup near the bridge (not necessarily the $$ models) can do stingray pretty well.
But that passive MEC Pickup whould be swapped out 
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03-16-2011, 10:32 PM
| | Registered User | | Join Date: Jan 2009 Location: Hunt. Co., New Jersey | | Quote:
Originally Posted by Pupiit In my experience, with both Warwick and EB, quality is moot. You're basically (no pun intended  ) picking a tone that you like more. Warwicks growl, and have a very pronounced midrange. Stingrays, on the other hand, are *slightly* more versatile. They still have great mids, but can cop more tones -- especially with the HH configuration.
With my Warwick, to get the mids out, I had to completely scoop the mids on the amp, solo the neck pickup, and play at the neck. Now, for rock, and all similar genres, the Warwick would probably be better. | +1
I run a mid heavy sound with my thumb 5, and I actually have to scoop the amp to get it there without having TOO many mids!
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03-16-2011, 10:43 PM
| | Registered User Gear Reviews MusicianYou Magazine | | Join Date: Sep 2008 Location: PA | | | I come from the "Why don't I just use a P-bass" camp, but I do have to say how much I like Warwicks more than a Musicman.
I have a Rockbass Corvette Double Buck and it gives me the MM sound plus it's own thing. | 
03-16-2011, 11:04 PM
|  | Registered User | | Join Date: Jan 2008 Location: Champaign, IL | | | Also checkout Spector basses too then, or the Bongo.
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03-17-2011, 12:53 PM
| | Registered User | | Join Date: May 2008 Location: Louisville | | | With all i've read sounds like Warwick it is thanks a ton guys | 
03-17-2011, 12:56 PM
|  | Registered User My arse let's go. They're filming midgets. | | Join Date: Jan 2009 Location: 相模原,Japan | | | in 1999 I went on leave with the full intention of buying a EBMM ray 4 banger. The guy at GC said that he had a thumb BO coming off police hold the next day and it would be $100 cheaper. While I still pine for an EBMM, I can easily get the sound I want from my Thumb BO. | 
03-17-2011, 12:57 PM
|  | Registered User | | Join Date: Mar 2008 Location: San Diego, California | | | I dig the playability of Warwicks, and they are much more flexible than folks think.
Stingrays are cool basses, but IMO they only do a couple "tricks" really well... also, Sterling Ball hates talkbass, so... | 
03-17-2011, 12:57 PM
| | Registered User | | Join Date: Aug 2008 Location: San Diego, CA | | | Tone is not the only factor; Warwicks have very distinct necks.
No matter what you hear, PLAY a Warwick before you click the "pay now" button.
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03-17-2011, 01:24 PM
| | Registered User | | Join Date: Oct 2009 Location: Grand Rapids MI | | | I have a proline and a SR5, this is my 1st wick and I've had numerous SR's. Can't go wrong with either one. The MM hangs better and makes it a bit easier to play for me, the wick isn't too bad but I have to lower it more then I normally would.
I did some mods to wick to make it more to my suiting- got rid of the JANII (worthless junk) ditched the preamp wired it V/V/T. I did keep the active MEC pickups and the passive tone really helped get rid of harshness associated with them. The MM was ready to go without changing a thing. | 
03-17-2011, 01:35 PM
|  | Registered User | | Join Date: Jan 2010 Location: Providence, RI | | I think this just comes down to trying the Warwick and see how it sounds and feels compared to your 'Ray. I moved from Warwicks to EBMMs a few years back because the Warwick 5-string necks were so massive that I was having repetitive stress problems in my left hand/arm.
Moved to a fretless Stingray Hp and a Sterling HH, and have had no pain at all since. Anyone who tells you a 'Ray is "only good for one thing" has never owned one... although I will say that the two-pup models are vastly more versatile.
But actually, it's the Sterling that is my main gigging bass. Love that thing... a can get tones from dub reggae to in-your-face buzzsaw without having to resort to effects, just twiddling the preamp and being very controlled with my technique. Plus, it's small, and light, and looks good on me!
But Warwicks sound great too... played 'em for years until I couldn't any more.
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03-17-2011, 02:23 PM
| | | | I'm a buyer and seller of many Warwicks. They have a signature sound some people call growl. But they can be dialed in to many tones. They make the rest of the signal chain sound better than they deserve. A Warwick is a must have for any regular gigger that plays different styles. Music Man's can be versatile but not as much as Warwick. | 
03-17-2011, 02:42 PM
|  | Sponsored by Jagermeister | | Join Date: Nov 2002 Location: Seattle / Tacoma | | ^ That's funny, I've owned a bunch of Warwicks and a ton of Musicmans.....and I always got far more versatility and tone from the Musicmans, especially just a single pickup versions.
When it came down to it, the only Warwick I ever loved was the original FNA. Yup, the short-lived model with the Seymour MM pickup and electronics. Just sayin'.  | 
03-17-2011, 08:20 PM
|  | Registered User | | Join Date: Mar 2008 Location: Kansas City | | | Love, love, love my Warwicks... and never met an EBMM that was worth a crud in my hands. Quality basses that sound phenomenal when other people play them, but just not for me.
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