Artie Langston
Last Activity:
Apr 16, 2014
Joined:
Jan 15, 2005
Messages:
17
Likes Received:
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Trophy Points:
1
Birthday:
May 29, 1952 (Age: 62)
Home page:
Location:
Jefferson City, MO 65101

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Artie Langston

62, from Jefferson City, MO 65101

Artie Langston was last seen:
Apr 16, 2014
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  • About

    Birthday:
    May 29, 1952 (Age: 62)
    Home page:
    http://www.artielangston.com
    Location:
    Jefferson City, MO 65101
    Current Setup:
    Tyrolean doublebass, early 19th century.
    Emil Baran doublebass, 1970
    Pöllmann 5 string busetto doublebass, 1962
    Eminence electric upright bass
    Coda French carbon fiber bass bow
    E. F. Phretzner French pernambuco bass bow
    L. Seitfert German pernambuco bass bow
    Lakland 44-02 Deluxe electric bass
    1981 G&L L1000 electric bass
    Custom Levinson fretless electric bass
    Custom Cort six string fretless electric bass
    Zoom B3 effects
    SansAmp direct box
    Acoustic Image Contra bass amp
    Ampeg Portaflex PF-500 head and PF-115HE cabinet
    Sunn Coliseum slave bass amp
    GK MB 112-ll
    GK MB 1200
    Favorite Genres:
    Classical, Jazz, Motown.
    Previously Owned Gear:
    1990 Alembic Spoiler electric bass
    1969 Ampeg "Baby Bass"
    1952 Kay doublebass
    1958 Kay 5 string doublebass
    1967 Fender Jazz Bass
    1971 Fender Precision Bass fretless
    1972 Gibson Les Paul Special Recording Bass
    1977 Hohner fretless electric bass
    1973 Ampeg B-15 Portaflex bass amp
    1964 Ampeg B-18 Portaflex bass amp
    Standel 2x15 bass amp
    Polytone Mini Brute
    Polytone bass pickup
    Walter Woods bass amp
    Fishman bass pickup
    Underwood bass pickup
    Influences and Teachers:
    Ray Brown, Milt Hinton, Richard Davis, Dave Holland, Gary Karr, Charlie Haden, Ron Carter, Gary Peacock, Jaco Pastorius, Victor Wooten, James Jamerson, Carol Kay, Duck Dunn, Joe Osborn
    Hobbies and Interests:
    SCUBA diving, flying, painting, Amateur Radio (KD0GY), RC model aircraft

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    Signature

    “Music is out of balance and I want to re-focus attention on the song and the living feeling, not its recording,” - Victor Wooten.