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Ian Perge
Last Activity:
Aug 30, 2015 at 5:20 AM
Joined:
May 11, 2001
Messages:
4,077
Likes Received:
9
Trophy Points:
103
Gender:
Male
Birthday:
Jan 11, 1976 (Age: 39)
Home Page:
Location:
Evansville, Indiana
Occupation:
Bassist/"Professionally Disabled" & Advocate

Ian Perge

Male, 39, from Evansville, Indiana

Laptop: A'sploded. Online Time: Severely Diminished... May 3, 2014

Ian Perge was last seen:
Aug 30, 2015 at 5:20 AM
    1. Ian Perge
      Ian Perge
      Laptop: A'sploded. Online Time: Severely Diminished...
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  • About

    Gender:
    Male
    Birthday:
    Jan 11, 1976 (Age: 39)
    Home Page:
    http://www.facebook.com/ianperge
    Location:
    Evansville, Indiana
    Occupation:
    Bassist/"Professionally Disabled" & Advocate
    Current Setup:
    [b][i]Yes, the size of this all is ridiculous: I'm working on a better summarization)[/i][/b]

    Chapman Stick:
    -2014 Chapman Stick 10-String SN#6287: Laminated Light Bamboo, Stainless Steel "Fret Rails", Linear Inlays in Red Recon Stone, ACTV-2 EMG Pickup Block, *4*-way Adjustable Truss Rod & Black Hipshot Tuners strung in "Baritone Melody" Tuning.

    (The "Ultimate Stick Rig" will be the ACTV-2's Stereo Melody & Bass Pickup into a Line 6 POD HD500X Processor running dual parallel Effects & Amp Modeling signal paths for both the Melody & Bass Pickup outputs into a QSC K12 (Molded ABS Cab) or KW122's (Laminated Birch Cab) w/ 1000W of lightweight Class D Power & Neodymium Speaker. Flexible for multiple musical applications, powerful for non-PA shows, extremely light considering its wattage and built-in audio options, & possibly a jumping-off point for a Powered Speaker Bass Amp & Speaker setup... but certainly not *inexpensive* :-/ )


    Basses:
    -2012 Epiphone Custom Shop Jack Casady Signature Semi-Hollowbody Bass in Ltd Ed Silverburst. Upgraded w/ TUSQ XL Black Nut, black Hipshot SuperTone 3-Point Bridge & HB6C Ultralite Cloverleaf Tuners.
    -2005 Fender Jazz 24 4-string x2: Fretted Cherry Sunburst & Lined Fretless Tobacco Sunburst with Flame Maple Veneer Top and Alder Body, 24-fret/less Rosewood Fingerboards & Maple Necks, Bassline SJB-3/5 "Quarter Pounder" 5-string Pickups, Duncan Designed 3-band Active Preamp w/ Mid-Cut "Slap Switch", Chrome Hipshot Ultralite Tuners and String-Thru-Body/Top-Loading High-Mass Bridge (Aguilar OBP-3SK/PP 3-band Preamps Upgrades upcoming...)
    -2004 Mike Lull Modern 4 in Transparent Red w/ 4A Flame Maple Top & Swamp Ash Body, 21-fret Birdseye Maple Fretboard and Maple Neck. Lindy Fralin Pickups & Bartolini NTBT 2-band Preamp w/ Passive Bypass & Tone Control, Black Hipshot HB6C "Cloverleaf" Ultralite Tuners, Bass Xtender & A-Style Bridge.
    -2002 Mike Lull Modern 5 in Transparent Amber w/ 4A Flame Maple Top & Swamp Ash Body, 24-fret Birdseye Maple Fretboard and Maple Neck. Aero J-Bass 5 Type-1 Pickups & Bartolini NTMB 3-band preamp with 250/500/750hz Midrange Selection & Boost, Passive Bypass & Tone Control, Black Hipshot HB6Y "Y-Key" Ultralite Tuners, Bass Xtender & A-style Bridge.
    -5/6 Spector Euro Bolt-On Dlx FM (Figured Maple) & EX (Exotic Top) 4 & 5-String Basses, aka "ReBop4/5DLX FM/EX". Figured Maple or Zebrawood Top and Alder Back, 24-fret Rosewood Fretboard w/ MOP Spector Crown Inlays & 3-Piece Maple Necks w/ Graphite Reinforcement. Custom wound & sized Nordstrand Big Single Pickups & Aguilar OBP-3SK/PP 3-band Preamps: Vol/Vol/Stacked Treble & Bass/Push-Pull Midrange Frequencies @ 400Hz and 800Hz at 18V (EMG 5-String 40P5 & 40DC Pickups in Black Cherryburst Spector reproducing Fender's 1995-2008 "American Deluxe Precision Bass V" with 5-string Precision & Dual Coil Bridge Pickup) & upgraded Hipshot HB6Y "Y-Key" Ultralite Tuners replacing stock Gotoh GB7 Tuners:
    *2008 NOS Euro Bolt-On 4 (aka"ReBop4DLX FM") Dlx FM (Natural Oil & Wax Finish) w/ stock EMG-HZ & Spector TonePump electronics. "EFX Bass Project": Spector 4-String fitted w/ Kahler 2400BK Forward Saddle Bass Tremolo & Maniac Music Bass Sustainer @ end of fretboard, custom-sized Nordstrand "Big Single" Neck & Bridge *or* "Bigman 4" Bridge Pickups & Aguilar OBP-3SK/PP with Active-Passive Push/Pull Control as "Std Bass/EFX Bass" switch) - *CURRENT PROJECT*
    *2008 Euro Bolt-On 4 Dlx EX (aka "ReBop4DLX EX") Deluxe Zebrawood (Natural Zebrawood Finish) 4-String
    *2007/2008 Euro Bolt-On 5 Dlx EX (aka "ReBop4DLX EX") Deluxe Zebrawood (Natural Zebrawood Finish) 5-String... [i][b]my Main Player[/b][/I] :-D
    *2007 Euro Bolt-On 5 Dlx FM (aka "ReBop5DLX FM") Deluxe Flame Maple (Black Blueburst Finish) 5-String Lined Fretless with HG Thor Epoxy Coating on fingerboard. Custom color & fretless build: Thanks, Stuart & PJ!
    *2007 Euro Bolt-On 5 Dlx FM (aka "ReBop5DLX FM") Deluxe Flame Maple (Black Cherryburst) 5-String with EMG 40P5 Neck & 40DC Bridge Pickups, reproducing Fender's 1995-'08 "American Deluxe Precision Bass V" with 5-string Precision & Dual Coil pickups (aka "Spector Euro Deluxe FM P/DC 5-String)
    -1992 Ibanez SR-800 Lined Fretless 4-string in Jewel Blue with Japanese Basswood Body, 3-piece Maple Neck & Rosewood Fingerboard, AFR ("Active Full-Range") P/J pickups and Vari-Mid II 2-band Active Preamp (First "Quality" Bass, professionally defretted in 2002)
    -1996 Ibanez SR-1206 6-String with Flame Maple top and Mahogany back in Natural, 5-piece Maple/Walnut neck & Wenge fretboard, AFR Soapbar Pickups (Internal Precision Bass Pickup structure) Pickups and Ibanez 3-band Vari-Mid III Preamp)
    -2005 Music Man SUB Sterling 4-string with Poplar body in Textured Cinnamon (1 of *6* 2003-2006 USA-Made SUBs produced with the Cinnamon Rust Red/Green/Gold Pearlescent "Flip-Flop" Finish according to EBMM) w/ Active 3-band Preamp and Ernie Ball White Pearloid pickguard (tuned to C/C#-Std)
    -1996 Taylor AB-2 four-string Acoustic Bass Guitar with Natural Imbuia (Brazilian Walnut) Body & Top, Mahogany Neck and Imbuia headstock w/ Fishman ABGP-2 two-band preamp & piezo pickup (Upgrade to newer Piezo/Internal Mic & Acoustic Preamp to come...)

    Electric Guitars, Effects & Amplifiers:
    -2015 Paul Reed Smith SE Tremonti Custom in Cherry Burst w/ SE 245 Pickups and upgraded with Grover 406 Locking Tuners, GraphTech TUSQ XL Black Nut, Tremol-No trem-stop & Q-Parts Rippled Pearl Knobs
    -2010 Paul Reed Smith SE 25th Anniversary Custom 24 in Scarlet Red and upgraded with Grover 406 Locking Tuners, GraphTech TUSQ XL Black Nut, DiMarzio Crunch Lab & LiquiFire Pickups, Tremol-No trem-stop & Q-Parts Rippled Pearl Knobs
    -2010 Paul Reed Smith SE Singlecut NOS hardtail in Transparent Grey-Black w/ SE HFS and VB Pickups & upgraded with TonePros AVT2M Adjustable Bridge, Grover 406 Locking Tuners, GraphTech TUSQ XL Black Nut & Q-Parts Black Pearl Knobs (tuned to C/C#-Std)
    -2006 Jackson DXMGT hardtail in Transparent Black Cherry w/ EMG-HZ passive pickups ("Dr Better-Half's" Electric Guitar, but she lets me use it from time-to time ;-) tuned to Eb-Std)
    -1993 Fender Squire Strat in Black with Maple fretboard upgraded w/ "Tex-Mex" overdriven Single-Coil Pickups, custom Silver Pearloid pickguard & standard Fender tremolo tuned to E-Std (currently being reassembled/rewired)
    -DeltaLab DGFX1 Guitar Multi-Effects Pedal (w/ USB Output for Digital Recording & Effects Unit)
    -Peavey Vypyr 15 Digital Modeling Guitar Amplifier ("Downstairs" practice amp & USB Output for Digital Recording)
    -Line 6 Spider IV 75 1x12" 75 Watt Digital Modeling Guitar Amplifier w/ FBV Express MKII Guitar Amplifier Footswitch & Expression Pedal ("Studio" and Gigging Amp with USB Output for Digital Recording)

    "Expanding Hands" Tony Levin-Licensed Funk Fingers: Natural Light and Red Heavy versions

    Strings: D'Addario Custom Single-String Progressive Tension & Balanced Tension (EXL170-BT) 4 & 5-String (+.135TW B-String) ProSteel & XL Nickel "main sets" and Half-Round, Tapewound, EXP Coated Phosphor Bronze (Acoustic Bass Guitar) and XL Nickel 10-46 & Light Top/Heavy Bottom 10-52 Electric Guitar String sets from "Bass Strings Online". Many thanks to Jason Mendelson of BSO for working out *my* personalized Progressive Tension String Gauges with me over the phone and fantastic Customer Service!

    For Sale:
    -Aphex Punch Factory (earlier "Orange Box" version) Optical Compressor
    -EMG-HZ35 (4-string) & HZ40 (5-string) Passive Ceramic & Steel Soapbar Pickups: 2 pickups per set, 1 set of 35s, 2 sets of 40s
    -Spector TonePump 2-band Boost-only Preamps near-completely wired together w/ Spector Knobs: 2 units
    -Q-Parts Mini Dome Knobs in Rippled White Pearl shell, Blue Abalone Shell with Black plating (much closer to Cosmo/Smokey Chrome such as Ibanez uses) - *4* of each color

    Outboard ("Front-of-Rig") Effects:
    Pedaltrain PT-2-HC Pedalboard #1 (EFX 'Board) modified by Ed Reed for underneath mounting of Power Supply containing (in Signal Chain order):
    -Aphex Punch Factory Optical Compressor
    -Loop-Master 6-Loop Effects Switcher Strip (Example of effect in loop: "L#")
    -L1: Electro-Harmonix Micro POG
    -L2: Xotic Effects Bass BB Preamp/Overdrive
    -L3: Tech-21 XXL Bass Overdrive/Distortion
    -L4: MXR M288 Bass Octave Deluxe
    -L5: MXR M82 Bass Envelope Filter
    -L6: T-Rex The Sweeper Bass Chorus
    -Xotic Effects Bass RC Booster
    -Dunlop Cry-Baby 105Q Bass Wah with...
    -MXR Prime Distortion in its own Single Loop for automatic "Distorted Bass Wah"
    -Dunlop DVP3 Volume X Volume & Expression Pedal
    -Korg Pitchblack Chromatic Pedal Tuner w/ signal from DVP3's "Tuner Output"
    -DigiTech JamMan Looper (in preamp effects loop)
    -SWR Interstellar Overdrive Preamp Clean/Dirty Footswitch

    Amplification:
    -SWR Mini Mo' Preamp with Onboard Effects: Overdrive/Distortion, SubWave (Octave), BassSynth (Envelope Filter), Mo' EQ (2nd post-preamp shelving EQ section to modify tonality of the internal effects) & Chorus w/ 4 Preset Groups of Effects, Effect Bypass, Tuner Mute, & "Dual Mode": splitting of Clean and Effects signals to separate cabinets, and various preamp functions controlled by Mo' Control 2 Master Footswitch & 2 Dunlop DVP3 Volume X Volume & Expression Pedals (1 for Volume, 1 for Manual Control of the BassSynth's Filter Sweep)
    ~or~
    -SWR Interstellar Overdrive tube Preamp/Power amp (2 x EL84s) with Blend control for mixing Clean and Overdrive signals and Overdrive On/Off Pedal control
    -QSC PLX 1602 Power Amp
    -Avatar B210 2x10; Neo Cabinet ("Clean" cabinet in Mini Mo' Dual Mode)
    -Avatar B212 2x12 Neo cabinets ("Effects" cabinet in Mini Mo' Dual Mode)
    -SKB Roll-X 5-space rack (3U Mini Mo' Preamp and 2U Power Amp)
    -SKB Standard 3-space rack (1U Interstellar Overdrive Preamp and 2U Power Amp)
    -Auralex GRAMMA Riser
    ~or~
    Ibanez Promethean P3110 300 Watt 1x10" Bass Combo Amp for Chapman Stick amp/Taylor AB-2 ABG Acoustic Bass Practice, Rehearsal, Home Recording & Small Gig amp)

    Practice, Randomness, and Recording:
    Audio-Technica ATH-M50s, ATH-M40fs Studio Monitor Headphones and Shure SCL3 Sound Isolating Earbuds/IEMs. Dunlop Dual-Design StrapLoks in Black & Chrome, GarageBand 3, Gator / Pro Tec / Spector Gig Bags &nHardshell Cases, Korg BT-2 Bass Tuner (bought in *1991*, on my pedalboard for *15* years and STILL my Practice Tuner!), M-Audio FireWire 410 interface/M-Audio Axiom 49 MIDI Keyboard Controller & Key Rig Virtual Keyboard Rack into TASCAM DP-32SD Digital 32-Track Portastudio, Mono GS1 "The Betty" / Neotech Super & Mega Bass Straps / Comfort Strapp and various other weight-relieving straps, ProTools M-Powered 7.1 & Various plug-in/drum/loop software (upgrading), Tascam CD-BT1MKII Bass Trainer & Tascam CD-SP1 CD Trainer Travel Case w/ speakers for Road/Vacation practicing... and no Behringer ever!
    Favorite Genres:
    "Music": There's Good and there's Bad, and whatever genre it's supossedly in means nothing to my listening pleasure. Point being, I've let all the Skeletons out of my Musical Closet a long time ago. Examples: I truly like "Winger"... yes, the "She's only Seventeen" Winger. And the first band I "fell for" in terms of then buying their Back Catalog, Singles, Live Bootlegs and such? Def Leppard. A child of the late '80s/early '90s, I am... ;-D
    Gigs and Ensembles:
    Nothing at the moment: with a move very much in the near future, there's little point to commit to something local.
    Previously Owned Gear:
    Basses:
    -1989 "Pro Session"-labeled Precision copy
    -1992 Fender Jazz Plus V five-string in Black
    -1994 Washburn MB-2 P-bass tuned BEAD
    -2002 Fender Jazz Standard 4-string in Midnight Wine with Bassline SJB-2 "Hot" J-pups, Hipshot Ultralites & Gotoh 201 Bridge, new Nut and White Pearloid pickguard
    -2002 Spector ReBop 4 Natural Oil with EMG 35-DC/CS pickups and BTS preamp system
    -2003 Yamaha RBX-775 five-string Fretted in Flat Silver & Custom Lined Fretless in Flat Blue w/ matching blue fretlines
    -2004 Ibanez Prestige RKB-900 with Basslines SPB/SJB-3 "Quarter Pounder" P/J setup in Vintage Sunburst
    -2007 Fender Jazz 24 5-string

    Amps:
    -Peavey MAX-110 1x10" Practice Combo
    -Peavey TNT-150 1x15" Gig/Recording Combo

    Effects, Random Randomness:
    Akai Deep Impact Bass Synth (oh, to reverse this sale as well... )
    Boss Bass BE5B multi-effects unit
    Digitech OG Bass Whammy
    Electro-Harmonix POG
    Pedaltrain JR-SC
    Tascam CD-BT1 Portable CD Bass Trainer
    Yamaha Magicstomp EB multi-effects unit
    G.A.S. List:
    To be reduced to 500 characters. Somehow... [i](I dream *BIG* as well as Numerous ;-)[/i]
    Influences and Teachers:
    Rick Allen, Michael Anthony, Nick Beggs, Bryan Beller, Frank Bello, Rex Brown, Justin Chancellor, Adam Clayton, Bootsy Collins, Gail Ann-Dorsey, Nathan East, Colin Edwin, Jon Evans, Tony Franklin, Simon Gallup, Tony Gray, Tom Hamilton, Amy Humphrey (of "Clatter"), Mikes Inez & Starr, Eddie Jackson, Mike Keneally, Geddy Lee, Tony Levin times Infinity, Doug Lunn, Sean Malone, Bear McCreary of "Battlestar Gallactica" scoring fame, Justin Meldal-Johnsen, William Murderface, John Myung, Jason Newsted, Benjamin Orr, Pino Palladino, Trent Reznor's live & studio playing & synth bass programming, Troy Sanders, Rick Savage, Billy Sheehan, Daniel Shulman and all the "Garbage" live & studio bassists, Muzz Skillings, Peter Steele, Sting, John Taylor, Pete Trewavas, Roger Waters & Doug Wimbish. And Bryan Beller again, 'cause it can't be said enough. ;-)
    Hobbies and Interests:
    Fiction & Non-fiction writing (reading as well as producing) & literature, Good stouts/vodkas/the occasional corn mash-based "Shine", cinema, comedy, Disability Activism, Sci-Fi...

    Interact

    Content:
    AIM:
    scarred2112
    Yahoo! Messenger:
    scarred2112
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