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Discussion in 'Basses [BG]' started by mb94952, Feb 24, 2013.

  1. mb94952

    mb94952 Endorsing Artist : SFARZO STRINGS Gold Supporting Member

    Anybody know who the man behind the Fodera is ? He plays well (duh, he's a pro !), has good tone, and seems cool, too. But of course, since he's a bass player it's a given he's cool !

    I find that his Fodera sits in the mix well yet is distinctive in any style of music. His bass is flamed maple top, and maple fretboard. It looks like a six string.

    Anyway, I haven't watch AI in a few years, but this season is entertaining with Charlie Askew, especially. He had the bass player laughing, too !

  2. SirMjac28

    SirMjac28 Patiently Waiting For The Next British Invasion Gold Supporting Member

    Aug 25, 2010
    The Great Midwest
    I like his bass playing also and you can tell he can really rip but he's playing within the confines of the show.
  3. madbassplaya


    Dec 28, 2007
    That's the guy from last season, I think. Same bass too.
  4. YCBass

    YCBass Supporting Member

    Aug 29, 2007
    I believe that's Artie Reynolds... There was an article on him on BP magazine a while ago.
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  6. mb94952

    mb94952 Endorsing Artist : SFARZO STRINGS Gold Supporting Member

    Here he is at Fodera with his basses !!
    I love to watch the show because obviously it's entertaining, but I can't wait to watch (hear) him play !!

  7. mb94952

    mb94952 Endorsing Artist : SFARZO STRINGS Gold Supporting Member

    I just googled that. You're right ! Here's an awesome article on the man known as "The Unknown Idol"


    It is such a good article !! I now have even a higher respect and I can't wait for the next episode !! Live music rules.
  8. Baird6869

    Baird6869 LET'S GO BLUE JAYS...(in 2016)...LET'S GO!!

    I spent some time with Swol Ray and he is a killer bassist too.... And a really great dude!

    He was Idol's touring bassist a few years back.

    Idol doesn't seem to hire anything but great players regardless of what one thinks of the show.

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