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Examples of mid-focused tone?

Discussion in 'Recordings [BG]' started by ronlitz, Jan 31, 2014.

  1. ronlitz

    ronlitz

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    I want to put together a list of recordings that use a mid-heavy bass tone to cut through the mix in a rock context. Please help me by posting songs you know of that are like this. Here are the first two on my list:

    Song/Artist/Album:
    ====================
    -Crazy Train/Ozzy Osbourne/Blizzard Of Ozz

    -Gimme Three Steps/Lynyrd Skynyrd/Pronounce Leh'-nerd Skin-'nerd
  2. Roscoe East

    Roscoe East

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    "Don't Stop Believing" - Journey
    "Casino Boogie" - The Rolling Stones
    "Rio" - Duran Duran
  3. Roscoe East

    Roscoe East

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    Ooh, thought of another one: "Cult Of Personality" - Living Color
  4. ronlitz

    ronlitz

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    Wow - that sure is a mid-heavy tone on "Don't Stop Believing". Sounds like a piano is doubling the bass before the full band kicks in, but after that stops you can hear the bass tone. I did some searching, and found that Ross used an Ovation Magnum bass to record that album - quite an unusual bass! I've never seen one or even heard of them:
    http://www.therosszone.com/escapebass.htm

    Here he is playing it live on Don't Stop Believing:
  5. Kmonk

    Kmonk

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    Disclosures:
    Endorsing Artist: Fender and Spector, Ampeg, Curt Mangan Strings
    "Don't Stop Believing" does start with piano and bass.
    "New World Man" - Rush
  6. DistortedBass

    DistortedBass Supporting Member

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    Disclosures:
    Schecter Guitars Endorsee
    Queensryche- Operation MindCrime and Empire.
  7. phayes1007

    phayes1007

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    GNR - Appetite for Destruction (album).

    I wouldn't call Duff McKagan my favorite or least-favorite bassist, but pick any song off that album and you'll hear his bass cut right through.. very nicely, too. It's got just the right amount of volume and "bite" from his pick-attack, but doesn't sound "honky" (like what you hear when you crank the mids to 11 :p )
  8. phayes1007

    phayes1007

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    Also, check out some of the songs on R.E.M. - Fables of the Reconstruction... "Can't Get There From Here", "Old Man Kensey", "Feeling Gravity's Pull", "Maps & Legends." Definitely some mids and that p-bass growl goin' on there...

    'Cuts thru' doesn't even suffice... he's generally as loud or louder than the guitars/drums in most of the songs (every recording bassist's dream lol)
  9. ronlitz

    ronlitz

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    You're right - Duff's tone on Appetite seems to use low-mids to cut through. There's some "clank" on top, but they are balanced with the low-mids to get a great mid punch that really cuts and lets the bass be heard through the guitars and drums. I think "Rocket Queen" might be the best example of this tone on that album.
  10. caligula

    caligula

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    Oh yes, oh yes, oh yes.
    Probably one of the best bass tones ever recorded in a rock context (IMO).

    Mid-heavy and rock-ish
    Tony Franklin - Blue Murder (band) - Screaming Blue Murder (album).

    Tony Franklin & Marco Mendnozza - Blue Murder - Nothin' but trouble (album).
  11. rupture

    rupture Supporting Member

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    moving pictures, the whole album.
    The Fixx- red skies
  12. GastonD

    GastonD

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    Helo!?
    Geezer Butler...

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