1. Welcome to TalkBass, the Premier Bass Player Community and Information Source. Register a 100% Free Account to post and unlock tons of features.

Which gig would YOU take ?

Discussion in 'Band Management [BG]' started by Dark Horse, Feb 3, 2014.


Given the informatin, I would....

  1. Take GIG A

    11 vote(s)
    26.8%
  2. Take GIG B

    30 vote(s)
    73.2%
  1. Dark Horse

    Dark Horse Supporting Member

    Jul 31, 2008
    Which gig would you take ? Why ?





    GIG A

    *current gig
    *great songs
    *super cool people
    *artist has a great voice, sounds like himself, but accessible
    *excellent band
    *top notch management
    *pay is "ok"
    *has a Texas tv show that follows us, filming
    *doesn't play enough for my liking, but trying to get gigs filled
    *has a couple dates book in France over the summer
    *doing quite a few shows opening for bigger Texas acts
    * does well with songwriting, has cuts on new Clay Walker CD, for instance



    GIG B
    *position was just offered
    *great songs
    *artist has a great voice, but sounds a lot like George Strait
    *artist seems to be cool, but we've only just met
    *top notch management and booking
    *is signed to Warner Bros Nashville
    *pays $50 MORE each gig than Gig A, plus pays all expenses...so averages out to about $70-$75 more per gig
    *Just has domestic dates this year so far, though toured Europe 1.5 years ago
    *opens for bigger acts...plays things like George Straits NYE party
    *Has new album coming out in March




    Normally it'd be an easy decision, but I do have a lot of faith in my current gig, "GIG A". Biggest problem is we just aren't playing enough....4-6 gigs per month doesn't cut it. GIG B plays a bit more, will be playing a lot once the new album is released, and pays significantly more....but I dont know the artists personality...for all i know he could be a terrible person to work for.


    So, it's "known entity with a project you have faith in, but lower pay for now" vs "unknown entity with higher pay and major label deal".

    BTW - I'm lucky enough to have had major label deals, played with GRAMMY winners, a couple legends, etc....so while the fact that the artist from GIG B has a major label deal is nice, it;s not something I get my shorts in a wad about,....been there, done that.

    :)
     
  2. adi77

    adi77 Banned

    Mar 15, 2007
    bombay
    can't u do both? if u keep it business like with gig B it should not be an issue.. especially if you clarify that you may need some time for gig A
     
  3. TalkBass Friendly Advertisement


    to hide this ad and more.
  4. Dark Horse

    Dark Horse Supporting Member

    Jul 31, 2008
    Nope, I can't do both. Too many schedule conflicts.
     
  5. DwaynieAD

    DwaynieAD Supporting Member

    Nov 20, 2010
    Mechanicsburg, PA
    that's a rough one. I'd go with B. seems they would better meet your aspirations.
     
  6. pklima

    pklima

    May 2, 2003
    Kraków, Polska
    If you leave an act that's being filmed for a TV show, that could make good drama, make the show better and ultimately help that act out. Maybe you can play a bit of a greedy villain for TV without doing damage to your real-life reputation in the music scene? That could be fun.
     
  7. mancefine

    mancefine

    Jul 7, 2013
    Disclosures:
    Endorsing Artist: Orange Amplifiers and Spector Basses
  8. DWBass

    DWBass The Funkfather Supporting Member

    Jan 24, 2003
    Newport News, VA via NYC
    Disclosures:
    Kohlman Bassworks
    Wow. 4-6 gigs per month not enough??? Is music a fulltime thing for you?
     
  9. Dark Horse

    Dark Horse Supporting Member

    Jul 31, 2008
    Yep. If I only play 200 gigs in a year, that's a "light" year. I did over 250 last year, almost 300 the year before. I like to be playing 20-25 a month on average....sometimes it works out, sometimes it slows down for a bit. Dec, Jan, and Feb are always tough.
     
  10. B - more gigs, and money talks ;)
     
  11. ctbass

    ctbass

    Jun 21, 2005
    Colorado
    If I understand your math...your expenses are only $20-25???
     
  12. f.c.geil

    f.c.geil I'm your huckleberry... Supporting Member

    May 12, 2011
    Saint Johns, Michigan
    B. With this being your only gig, more work is key, as is label support.
     
  13. Dark Horse

    Dark Horse Supporting Member

    Jul 31, 2008

    per day
     
  14. ctbass

    ctbass

    Jun 21, 2005
    Colorado
    Wow. That's one meal.

    I have no idea how to advise you on this but I sincerely wish you the best:bassist:
     
  15. I voted "B", for the following reasons (which may or may not be the right reasons for you...)


    Sounding like George Strait is not a bad thing.

    250 gigs per year x $70 dollars = $17,500 additional income.

    Opening for bigger acts is probably worth more than the exposure of a Texas TV show.

    "Better the devil you know" keeps you chained to the familiar.


    All the best,

    Shane
     
  16. groooooove

    groooooove Supporting Member

    Dec 17, 2008
    Long Island, NY
    all i looked for was what pays more.

    if you're doing it professionally, that (unfortunately) is what matters. not all of us can afford to only take the artistically stimulating gigs.
     
  17. pklima

    pklima

    May 2, 2003
    Kraków, Polska
    Yup, sure isn't. A lot of people can sound like themselves, but sounding like George Strait is exceptional.
     
  18. Band B sounds better to me!
     
  19. RedMoses

    RedMoses Supporting Member

    Jul 4, 2012
    NYC
    Its important to like your CoWorkers, esp if you guys are going to be on the road a lot together. I voted A since it seems like you have faith in the project and you get along with the players, while making some extra money is always nice, dreading going to the sessions is worse. You already have an established relationship w Gig A, if you take B it will take a few months before you truly undertand if its the right fit for you.
     
  20. marmadaddy

    marmadaddy

    Oct 17, 2005
    Rochester, NY
    B. It's not just the money and amount of work, it also seems like there are far more networking opportunities.
     
  21. BawanaRik

    BawanaRik Supporting Member

    Mar 6, 2012
    New Jersey
    Ask around about the artist. Someone somewhere has played bass with him before. Read the contract.

    If you do leave band a do it on the best possible terms.
     



Share This Page