Bank/Patch Name Comment A 0 UK Groove This warm distorted bass sound is perfect for UK rock style music. 1 SLAP Cut through even a loud orchestra with this rock slap setting. 2 Fonk This envelope filter sounds uses M-Filter and DuoPhase. 3 REC FAT CL When you want to record a clean sound that is a little fat, this sound that uses HRT3500 is the one. 4 ruff This distortion sound is good for playing with a pick. 5 CLEAN&ECHO This clean sound with a prominent echo can be used during quiet sections of songs. 6 FAT Syn This synth bass sound shows its power in the low range. 7 AttackBass This aggressive bass sound with a distinct edge even works well with slapping. 8 Fracture Big heavy rock tone with added distortion in the style of King Crimson's John Wetton. 9 FRETLESS With a smooth attack like a fretless bass, this setting is great for playing melodies. Bank/Patch Name Comment B 0 SolidState Recreates the tone and attack of a classic solid-state amp and cabinet. 1 RockSteady A combination of classic rock bass heads and cabinets give you the power and tone to hold down the bottom no matter how hard you are rocking. 2 LowOctave Starting with a clean solid-state sound, this patch adds an octave below. Great for soloing or laying down phat bass lines. 3 A-Remark Uses the Defret and G-Krueger for a recreation of Jaco's tone on “A Remark You Made.” 4 Reach4It! This funky synth sound is based on the intro from George Duke’s “Reach For It.” 5 HammOnTap A slight early reflection delay on top of an ultra-clean tone make this an ideal patch for music using tapping techniques. 6 Chordal A clean setting with a subtle chorus and reverb perfect for chordal playing 7 SoloDlaVrb A subtle delay for solo bass playing with an added reverb. 8 SpaceMan The StereoDly added to a sweet harmonics setting for an out-of-this-world sound. 9 FrippOut In the style of Robert Fripp’s “Frippertronics,” this patch will let you create long and surreal soundscapes. Bank/Patch Name Comment C 0 NW AUTO This auto-wah sound, which uses BaAutoWah, is great for playing funky bass lines. 1 NW FUZZ This is an extremely distorted fuzz sound and uses Ba Metal. 2 NW VERB This setting, which uses the Plate reverb effect, is great for solo bass 3 NW ENS The Mark B and Ba Ensmbl effects are used to create this thick chorus sound. 4 NW VIB This uses the Flip Top and Vibrato effects for a sound with a strong sense of modulation. 5 NW SATK This patch uses Ag Amp and SlowATTCK to create a sound with a nice slow attack. This is perfect for playing chords 6 NW DLY This delay sound uses the G-Krueger and Delay effects to repeat the original sound with little alteration. This is a perfect delay sound for playing solos with a mysterious feeling 7 NW DBL This setting uses Ba Octave to increase the thickness of the low frequencies. 8 NW CHOR This uses the acoustic and Ba Chorus effects for a clear modulation sound. 9 NW SYN This synth bass sound uses StdSyn and is good for funky phrases Bank/Patch Name Comment D 0 Studio This setting is based on the sound of line recording 1 Fat Man The fleshy sound of fingerpicking is the image behind this setting. 2 TC CLEAN This clean sound uses a compressor setting that is good for playing with multiple fingers, including three-finger, four-finger and sweep 3 The Gospel This gospel bass sound uses the SMR effect 4 REC CLEAN This clean sound for fast playing uses HRT3500 and is good for recording 5 Solid Bass This is a bass sound with a quick attack. Since the middle frequencies are also brought out significantly, the outlines of the tones are not lost, making this patch great for fast playing 6 Big Willie Smooth and strong fingerpicking is the inspiration for this patch 7 Low Fi This lo-fi sound uses the AC Bs Pre with bold equalization 8 PickHeavy A slightly compressed rock tone on the verge of distortion that will enhance playing with a pick. 9 ReggaeBASS With its low range brought to the front, this bold sound is perfect for dub reggae Bank/Patch Name Comment E 0 Cappn Hook A tribute to James Jamerson. SVT and Ba Boost with heavy low end like Mr. Jamerson 1 REC SOLO_C Using G-Krueger, this is a clean sound for recording technical solos. 2 FUSION CH Ideal for playing harmonics, for example, this setting makes use of the rear pickup of a jazz bass 3 CHORD Good for playing chords, this sound maintains the distinctness of the notes. 4 HARMONICS This setting evokes the sound of Jaco Pastorius and is ideal for playing chords using natural harmonics. 5 CUT&WAH This funky setting creates a guitar-like backing sound with the addition of pedal wah for rhythm playing 6 TAPPING Use this floating sound to maximize the chord feeling and crisp staccato of tapping. 7 CLEAN SOLO While being a clean sound, this lyrical patch also suits bold fast play. 8 DUB BASS This dub sound is crafted with reverb and has great depth. Lowering the tone on the bass itself might add interest. 9 Orpheum Was thinking of Victor Wooten's “Show of Hands” record Bank/Patch Name Comment F 0 TREMO This is a sound in the style of Chris Squire from Yes. It re-creates the rapidly sawing tremolo sound that he used in “Starship Trooper.” 1 Mean Green A tribute to Anthony Jackson on the O'Jays hit song, “For the Love of Money.” 2 CHO&REV This patch is effective at making the most of the tails of long notes when, for example, playing whole notes with bright round strings 3 Ice ModReverb gives this setting a nice modulation 4 Listen Up SlowATTCK, OptComp, Delay, and ModReverb make a very somber sound. GREAT for ballads. 5 Tight This Marcus Miller style tone uses 160 Comp and SMR 6 REC SLAP This setting uses Mark B and is designed to record metal-style slapping. Mixing this with the direct sound when recording is ideal. 7 PULL MELO This setting allows the melody to be heard effectively when using only slap pull-offs. 8 ChokePHASE 160 Comp and Phaser FULL sound to cut through ANYTHING 9 SLAPBACK Enjoy ethereal slap playing with this setting that uses a short delay Bank/Patch Name Comment G 0 HYBRID DIS This distortion sound keeps notes distinct and is designed for quick playing and bassists who have fast right hands 1 JB Dis This sticky distorted bass sound in the style of Jack Bruce sounds like the rough distortion of a humbucker pickup 2 ExtraExtra Ba Dist 1 and Ba Boost make this a fun sound to have!! Harmonics and Melodies really come alive 3 KingSal This boomy sound uses the Heaven and Limiter effects 4 boozer D.I Plus and Bass BB combine to make this rough distorted sound. 5 Aggression Strong, in-your-face Muff. The Ag Amp made it BIG sounding. 6 REC SOLO_D This setting for recording rapid solo playing uses D.I Plus and DI5. 7 SOLO&WAH Use the pedal wah aggressively during solos with this setting. 8 PHASER Add color to songs with this phaser sound. 9 aMUSE me A tribute to the band Muse and their song “Stockholm Syndrome.” Bank/Patch Name Comment H 0 Go Ahead A-Filter is combined with BassPedalMonoPitch in this filter sound. Use the pedal like a tremolo arm for an extreme sound! 1 Talkin' The bottom is emphasized in this filter sound that seems to talk 2 kick it The Ba Octave effect is used for an octave filter sound 3 Energy A tribute to Alphonso Johnson. Limiter gives it that punch and the Exciter gives an edge 70's Fusion 4 G-Boogie A combination of SVT and M-Filter effects creates this sound that evokes the atmosphere of a Moog synthesizer with its rich low frequencies 5 Star Bass This patch was made to fall between the sound of a synth bass and an envelope filter effect. 6 SYNBASS This synth bass sound is extreme. It's perfect for phrases with long notes using sustain 7 BassickSyn This keyboard bass setting evokes the 1970s, but has a modern touch 8 Boogie This synth bass tone has a talking feel. 9 SFX SYNTH This synth bass sound is effective when sustaining long heavy low notes Bank/Patch Name Comment I 0 Synthy Slight compression and ParticleR give a synthy pad sound when played legato. 1 chill This synthesizer pad sound can be used with chord playing. 2 Ice Cold Defret with Ba Pitch set an octave below and Vibrato make this extremely funky and unique sound 3 Drowned This setting, which uses FilterDly with ModReverb, is inspired by the image of a sunken ruin at the bottom of the ocean 4 Warp SeqFLTR, ReverseDL and other effects combine for an electronica sound. This one is perfect for playing harmonics and chords. 5 JustNasty With a 5th added, I was hearing the 70's fusion of George Duke/Frank Zappa. 6 Krush This synth bass sound uses BitCrush for a tone inspired by dubstep and similar genres. 7 Copycat This long delay sound uses modulation that generates feelings of comfort. 8 Murda Fuzz SVT amp with StdSyn and SeqFLTR. Big Fuzz and Synth sound. 9 Genesis ReverseDL, HD Hall and Ba Boost for spacy new age bass Bank/Patch Name Comment J 0 MillerTime This setting is good for modern slap playing techniques. It uses M Comp and Mark B effects 1 WARM TONE This orthodox bass sound is warm and relaxed, making it perfect for accompanying singing, for example 2 EarthyRock With a fat sound, this setting is ideal for earthy rock played by fingerpicking. 3 Remote AC Bs Pre and Flip Top for 1960's Motown sound 4 1981 This traditional slap sound is in the style of Louis Johnson 5 TM FUZZ Powerfully boosting the midrange, this distorted bass sound is in the style of Tim Bogert 6 Smoke The emphasis on the low frequencies is like old-fashioned reggae bass 7 Magic 80's Pop Tone. Not too “chorus” driven, but just enough rate from Ba Ensmbl 8 jackko This simulates the sound of a fretless bass. A sense of vibration and width are realized by combining multiple effects. 9 SpaceFONK D Comp, Vibrato and Z-Syn A tribute to Bootsy Collins