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I think your assumption is right - he very likely was talking mostly about physically producing the tone with you instrument. And yes, he does...
Well, I've heard it the other way around many times (including from John Patitucci): RHYTHM and TONE are the most important factors. EDIT: I...
Fodera NYC... I think Victor Wooten has one with the same color!
Why not use something smaller, like the Source Audio Programmable EQ or a BOSS EQ-20 (out-of-production, so look on the used-market)?
I second playing with (and listening to!) James Brown records. Especially "in The Jungle Groove". When playing along to it, really try to copy...
ah yes, I didn't know that the bassdriver had a "clean/dry" output. you really have a lot of options depending on how much...
I think that with "Donna Lee" from Jaco you're stretching your own rule regarding "jazz standards that weren't written for bass". I think it would...
well, some time ago, someone here said that with muff-type fuzzes, you don't "cut through the mix", you "become the mix". i found that to be true...
well, i think if you don't use amps and all you want is two xlrs, you can just use two DIs : bass -> (clean signal) -> DI A -> XLR to FOH & "link...
It seems that you're overthinking this. There is nothing you "should be thinking". As Miles Davis said to Chick Corea : "Just play what you...
unbelievable...
Well, that's kind of hard to answer without knowing what exactly "less so" means regarding your ability to sightread on electric vs acoustic bass....