'59 bassman as a bass amp

you can play it at a lower volume and have a clean sound, too. you just have to accept that it will be a lower volume. or you'll have to live with the distortion if you have to run it loud.

 

my buddy has an original 63 blonde bassman wiht matching cab...it sounds good for bass on a recording, but isn't much to work with live. Just not loud enough IMO

 

If your amp is the open backed 4x10 version you should be very careful putting a bass through it. It's easy to damage the speakers.

 

I've played these in stores and thought they sounded very nice, particularly for roots rock / blues... As I also play some guitar, I've seriously considered getting one so I could use it for both - but ST is right - they won't put out enough volume to do anything more than small gigs on bass. I assure you, it will fart out.

 

I owned one for a weekend. It went back because it really was a terrible bass amp. What BOH states is quite right.

 

I had a 59' Bassman just up until a few months ago. I used it for light rehearsals with my bands, it did the job. But like was mentioned before, you really can't turn it up a whole lot without it beginning to distort. As far as live use, I never brought it because it wouldn't get as loud as I needed it to to perform to my standards of live performance.

 

I know an old guy from small town Sask. who has an original 59, and it's his primary bass amp, but I've only ever seen him play polka at nursing homes, it sounds good at nursing home volume. OTOH I know another young guy who has a silver face with matching cab, and it has one of the best distortions I've heard, but still not very loud.

 

How many watts is the bassman?

 

The key to getting a better sound out of this amp with a bass is to use a different set of speakers. The 4 10's are guitar speakers.

The output transformer tap is 2 ohms. There are four RCA type connectors all connected in parallel. Each of the 10's is 8 ohms so in parallel they sum to 2 ohms.

If you can, try connecting the amp to a 2 ohm bass cabinet or two 4 ohm cabinets in parallel. It'll sound much better.

 

50W RMS

 

Four times what the speakers will take before farting out.

 

I wouldn't equate "traditional" tone to "clean". Lots of old recordings have driven bass tones. If anything clean equates to modern to me. If you want a clean modern bass tone, obviously the bassman isn't going to be your cup of tea, it's about as vintage as it gets.

 

Do you mean fart out or exceed xmax? Or are they the same to you? Because decent speakers add a nice musical dirt and compression when pushed hard beyond xmax, which I don't believe the term "fart out" applies to. The only speakers I've ever made fart out were in crummy combo amps, and I've played the RI 59 Bassman on ten with my Jazz Bass and it didn't fart out. Sounded good though.

 

I suggest getting and extra bass cab and running the Bassman through it. If you change the speakers to bass speakers, you may not get enough highs for your guitar playing.

 

not true . . . IIRC they were Jensen's, maybe blue in color . . .

FWIW, I used a real '59 4x10 Bassman (original, not re-issue) in the early '70's in some of the recording studios in LA . . .
I later got a pair of copies of the '59 Bassman, but with 4 6L6's instead of the Bassman's 2 6L6's (also with a pair of open-back 4x10 speaker enclosures) . . .
that's what I used for all of my recording sessions after 1973 . . .

 

Before going to the expense of swapping speakers, I would try it with a bass cab and see how you like the amp. Since you have the amp with the alnico blues, you can easily compare the two.

I'm not sure what bass speaker would be well suited to an open back 410 configuration. Fender uses a Jensen P10R in their current version. I use mine with some old sealed EV 15" cabs.

Fender markets this amp as a guitar amp. It does make a good bass amp. I'm not saying that you can't play bass through these speakers, just that the amp will sound a lot better with a different cab.

 

What you call musical dirt and compression most of we older crowd called out and out distortion. We had to live with it because we had no choice. Now you young guys go looking for what we were trying to get rid of. Ironic isn't it.

 

You say tomato, I say tomahto.

Not quite. We could never get full output down low back in the day, today you can. I like a gritty tone, but gritty in the mids, as opposed to farty in the lows.