A question for those who have spots with professional orchestras

1. There is always a " solo" category - many times that category says "piece of your choice", other times it specifies either a single solo that you must play, or a chocie of two or three solos to choose from. Usually Koussevitzky, Vanhall, Dittersdorf or Bottesini #2

There is then a list of Required Orchestral Excerpts that you must play from. Some orchestras give you the exact measure numbers they expect, while other Orchestras just list each work and expect you to know the complete part.

There is also sometimes a chamber-music or sight-reading part to the audition that only the finalists will participate in.

2. When given the chance I often choose a movement from a Bach cello suite. When you *can* choose, you chould choose something that you can use to be convincing both technically *and* musically.

3. While playing the audition, different people react quite differently. Some people broadcast bravado but most winners remain quiet and "in the zone".
The only way to know how You react is to give yourself a lot of mock auditions to figure it out; get used to performing with critical listeners and take every real audition you can get yourself to!

You should also take every opportunity to play in any orchestra you can to get a feel for what it's like to play the pieces you need to know....

4. The MUST-KNOW pieces are:
Bach: Orchestral Suite #2 in B Minor
Beethoven Sym#3
Beethoven Sym#5
Beethoven Sym#7
Beethoven Sym#9
Berlioz Symphonie Fatastique
Brahms Sym#1
Brahms Sym#2
Haydn Sym#88
Mahler Sym#2
Mendelssohn Sym#4
Mozart Sym#35
Mozart Sym#39
Mozart Sym#40
Shostakovich Sym#5
Schubert Sym#10 "The Great" C major
Smetana Overture to "The Bartered Bride"
Strauss Don Juan
Strauss Ein Heldenleben
Strauss Also Sprach Zarathustra
Tchaikowsky Sym#4
ORCHESTRAL SOLOS:
Bach Vln Cto in E Major
Britten young Person's Guide to the Orchestra
Ginastera Variationes Concertante
Haydn Syms # 6, 7, 8, 31
Mussorgsky Pictures at an Exhibition
Prokofiev Lieutenant Kije Suite "Romance"
Prokofiev Romeo and Juliet
Verdi Rigoleto
Verdi Othello

5. Best advice? Decide to be a great bass player, then follow through.

Do everything and go anywhere to get a broad *and* deep experience in orchestral playing. But the main thing is that *you* actually decide to be a great bass player.

 

Concertos. Concertos are the ultimate solo; the name "concerto" essentially means it's the Soloist Versus the Whole Group, whearas in sonatas there are only a few musicians (usually just two to four) all playing very interconnected parts - more like the "chamber music" requirement of an audition - very different than a concerto.

That is completely up to the orchestra audition committee - differs widely from group to group. Once you apply they'll send you the specific audition list and dates and times. The best way to prepare, without yet having the specific list, is just to Know the "Must Know" pieces.

Get the cello edition, #805, published by International Music Company, with the editor Edmund Kurtz.

The Kurtz edition shows a manuscript version to work from, as well as a modern printing. Any other edition doesn't show the original, and won't tell you when editors make changes. The Kurtz edition is a great way to see The Real Thing.
There are many editions out there made for Bass - they are silly. They chop out so many chords and alter so many things that it's like buying a McDonalds hamburger - sugar sweetened goo that's not really what it claims to be. Don't bother with any "bass editions".