I like my B string and take advantage of it. But the more tension the better, thus Ive been looking at Dingwalls for the 37 inch B etc. Hower it seems everything on the Youtubes is about thrashing and distortion. Question is does C3 or NG3 have the tonal flexibilty to be utilized in other musicsl settings - Blus, Blues Rock, Classics etc. Any proven experiences out there?
I own an NG-3 and it is an extremely versatile bass. There is no doubt that they are perfectly suited for hard rock. That being said, I wouldn't hesitate bringing my NG-3 to any ensemble setting. I'm a huge fan of the Darkglass Tone Capsule. Bass, Low Mid and Hi Mid is an interesting take on the onboard preamp. If you get a chance, give one a try. Bones
Huh, Given the numbers in the Dingwall club I would have thought more replies espousing the myriad of musical tables this bass can sit at. I couldn’t find much other than demos using heavy pick driven distortion. Maybe its the swirly paint jobs
I just bought a NG3 5 string. I have a Carvin 5 string P style bass to compare it with. The best way for me to say it is that the B string on the Dingwall is an actual note that you can hear the pitch of. The B on the Carvin is OK, but it's more felt than heard. Honestly, the B on the Dingwall could still be better IMO, but it's waaaay more usable musically than the Carvin's. Interestingly, nobody ever talks about the effect of the longer scale on the E string, but it's significant too. The E, which is 36.25" on the Dingwall (so 2.25" longer than normal), sounds like the A string on a normal 34" scale base. The pitch is clear and defined. I hear some of that muddiness on a 34" E. Also, I totally relate to what someone above was saying about the demo videos. Just play quarter notes on the B and E strings to start. Hearing a bass solo through a bunch of processing is not going to give me much info on how the instrument sounds. So in total, I'm loving this Dingwall. Fantastic E string, and the best B string I've ever heard. Tonewise I think it could cover a lot of bases (no pun intended).
Amazing basses. I use mine (ABZ5, Voodoo, SJ5, and an NG-2) in a cover band and a country band. Between both I'd say I play a fair amount of different styles, and the perform extremely well in all of them. Deep reggae, rock, indie, 90's, whatever. The clarity of the B string is so,etching to be heard. It ruined a few other perfectly great high end basses for me.