I've considered purchasing a VERY heavily inlayed fingerboard from Mr. Stambaugh. It's the "Godess" design shown on his site. I have glued fretboards onto necks when I built banjo necks but have never clamped a previously inlayed ( lots of "continuous" inlay) board to a neck. How can this be done without cracking the existing inlays? If I put a "covering" "guard" board over the inlay and board, will that be enough to spread the load evenly without cracking the mother of pearl and abalone? Thanks!