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Discussion in 'General Instruction [BG]' started by Jloch86, Oct 2, 2017.
I like this very much. I had to look through the PDF to see the pattern you were doing here - ie. ascending chromatically for 4 bars to the 5th bar then in fourths for the next three then going chromatically from 8 bars ago.
Overall - very good exercise!
Thanks. It took me a little while to come up with a short enough progression that both contains all 6 chord qualities and resolves nicely from bar to bar.
I'm glad you find it helpful
Would you please explain the chords as they are written on the chart. I don't know what + and o stand for.
I like how musical you've made this exercise. It makes it easy to want to play it.
The chords are being played by the piano and what I've illustrated are the bass notes that can be played under those chords. So if the piano is playing an Emaj7 chord (E G# B D#) what I'm playing underneath is every E G# B D# on the fretboard without having to move my hand. That's the point of the exercise, to not have to move your hand. (Unless you can already do that, in which case you can just use the backing track as an improvisation tool)
o7= diminished seventh chord (made up of the 1-b3-b5-bb7 scale degrees)
An example is Eo7. That means E diminished seventh. The chord tones of an Eo7 chord are E G Bb Db
+7 = augmented seventh chord (made up of the 1-3-#5-b7 scale degrees)
An example is G+7. That means G augmented seventh. The chord tones of a G+7 chord are G B D# F
Does that help?
Yes, that helps a lot. Thank you. I haven't read music in 30 years, so I'm not so fast to pick up on how some of the not so common chords are spelled out anymore. I suppose I could have pieced it together, but haven't had a chance to look at it with my bass in hand.